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Online exhibit captures pandemic in HK

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Source: SCMP (10/15/20)
Online art exhibition captures pandemic scenes in Hong Kong – of loneliness, fear, but also the triumph of the human spirit
Louise Soloway Chan’s virtual exhibition ‘Contactless’ is a showcase of 22 ink paintings on rice paper hosted by the Boundless Artists Collective. She hopes that when the crisis finally passes, the sketches will be a reminder not just of the horrors but of how the human spirit navigates adversity
By Kylie Knott

“Too Cool for School II” by Louise Soloway Chan. The work is one of 22 of Chan’s sketches of Hong Kong during the pandemic that form “Contactless”, a solo online exhibition that runs until December 15.

“Too Cool for School II” by Louise Soloway Chan. The work is one of 22 of Chan’s sketches of Hong Kong during the pandemic that form “Contactless”, a solo online exhibition that runs until December 15.

Today is the opening of Louise Soloway Chan’s virtual exhibition “Contactless”, a showcase of 22 ink paintings on rice paper that capture Hong Kong scenes amid the pandemic.

“I’m an obsessive sketcher and always draw from life, from what’s in front of me,” says Soloway Chan via Zoom from Britain.

The artist was born in the UK and spent time in India before moving to her adopted home of Hong Kong in 1994. She’s back in Britain temporarily to spend time with her family.

Many people in Hong Kong will have seen her work. In 2011, the MTR Corporation commissioned her to paint 12 huge bas-reliefs of Hong Kong street scenes, many depicting traditional dai pai dongs (open-air food stalls) as well as lantern and tea shops that have since fallen victim to gentrification. The works took six years to complete and are permanently installed at the Sai Ying Pun MTR station. Continue reading →

China threatens to detain Americans

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Source: NYT (10/18/20)
China Threatens to Detain Americans if U.S. Prosecutes Chinese Scholars
American officials said China had insisted that the Justice Department not proceed with cases against the arrested scholars, who are in the Chinese military and face charges of visa fraud.
By Edward Wong

Western officials and human rights advocates have said for years that the Chinese police and other security agencies engage in arbitrary detentions. Credit…Thomas Peter/Reuters

WASHINGTON — Chinese officials have told the Trump administration that security officers in China might detain American citizens if the Justice Department proceeds with prosecutions of arrested scholars who are members of the Chinese military, American officials said.

The Chinese officials conveyed the messages starting this summer, when the Justice Department intensified efforts to arrest and charge the scholars, mainly with providing false information on their visa applications, the American officials said. U.S. law enforcement officials say at least five Chinese scholars who have been arrested in recent months did not disclose their military affiliations on visa applications and might have been trying to conduct industrial espionage in research centers. Continue reading →

U of Toronto (Scarborough) position

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The University of Toronto (Scarborough), Department of Language Studies, is hiring a new tenure-stream (research) Assistant Professorship in English and Chinese Translation. Details of the post can be found here:

Toronto-Assistant-Professor-English-and-Chinese-Translation

The deadline for all materials to be received by the University, including letters of recommendation, is 26 November 2020.

Please share widely with your networks and my appreciation in advance.

Sincerely,

Christopher N. Payne, PhD
Associate Chair, English and Chinese Translation
University of Toronto (Scarborough)

Film on aging debuts in Pingyao

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Source: China Daily (10/14/20)
Young director’s film on China’s aging population debuts in Pingyao
By Xu Fan | chinadaily.com.cn |

A scene in Being Mortal. [Photo provided to China Daily]

As one of China’s most influential movie events to gather arthouse enthusiasts, the ongoing 4th Pingyao Crouching Tiger Hidden Dragon International Film Festival has attracted many young talents to screen their latest directorial outings.

The annual festival, founded by award-winning director Jia Zhangke, is being held in Pingyao, an historic city in North China’s Shanxi province. It opened Saturday and ends Monday.

Liu Ze, a Shanxi native born in 1983, held the global premiere of his new movie, Being Mortal, during the festival on Saturday. Continue reading →

Doc on Florence Chia-ying Yeh

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Source: China Daily (10/16/20)
Documentary chronicling 96-year-old literature master opens
By Xu Fan | chinadaily.com.cn |

A scene in the documentary Like the Dyer’s Hand. [Photo provided to China Daily]

Like the Dyer’s Hand, a 120-minute documentary about traditional Chinese literature scholar Florence Chia-ying Yeh, opens across more than 3,000 member cinemas of China National Arthouse Film Alliance today.

As the first biographical film authorized by Yeh, who turned 96 in July, the movie looks back at her legendary life through interweaving interviews of her and scholars and literature enthusiasts.

Producers said the crew traveled to 10 areas in China, the United States and Canada, and interviewed 43 people close to Yeh, mostly her students – such as writers Pai Hsien-yung, Hsi Muren and sinologist Stephen Owen. Continue reading →

More Hun than Han

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Source: AAS, Asia Now blog (9/17/20)
More Hun than Han: Reading the Tabghach “Ballad of Mulan” in 2020
By James Millward

“Lady (Mulan).” 18th century, British Museum. Public domain image via Wikimedia.

Mulan is not originally a story about a patriotic Chinese woman. It is not a story about self-sacrifice to defend one’s country. It is not a thrilling tale of martial valor. It is, rather, a commentary on the fruitlessness of war against people who are more like oneself than different, delivered in the voice of a woman who does her familial duty out of necessity and then chucks her medals and goes home—a war-weary expression of truth to power.

Perhaps because of the barriers to actually seeing the new Mulan remake (thanks to the pandemic and Disney’s steep charge of $30 plus a subscription fee to its streaming service), commentary about the new film has been trickling out over a few weeks. The most recent controversy, first on Twitter and then in the New York Times and other publications, is over the credits: Disney thanks security and political authorities in Turfan (Turpan), Xinjiang, for facilitating their filming in the Uyghur Autonomous Region. Disney filmed part of Mulan amidst Turfan’s desert scenery well after it was clear that just around the corner were multiple concentration camps inflicting “transformation through education” upon Uyghurs and other Xinjiang indigenous peoples. Hundreds of such camps have been built across the Uyghur region starting in 2017 and were well-reported by the time Disney started filming in 2018. Had Disney staff consulted Baidu Maps while scouting film sites, they might have seen grey tiles blacking out certain places from view: blank spaces that we now know mark the sites of camps. Having now just seen the film, I’ve been thinking about the Mulan tradition in light of Xi Jinping’s assimilationist policies and trends in China today: the atrocities in Xinjiang; CCP efforts to limit Mongolian language in schools in the Mongolian Autonomous Region, just as it has restricted Uyghur in the Uyghur Autonomous Region and Tibetan in the Tibetan Autonomous Region; pressure to reduce Cantonese use in Guangdong and denigrate it in Hong Kong; the further repression of Hong Kong democracy and near elimination of promised autonomy, accompanied by egregious police violence which the Disney Mulan actress Yifei Crystal Liu publicly supported on Weibo a year ago. Continue reading →

Global Art Exchange and Modernism in Socialist China

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OCTOBER 30 – 31 – Zoom Webinar (Registration Required)

This workshop focuses on the impact of global artistic exchanges on Chinese artists during the most rigid period of Socialist China. Including presentations on Latin American and Romanian influences; impressionist and modernist-inspired underground artist groups during the Cultural Revolution; and discreet international art exhibitions in revolutionary China, the speakers dismantle the simplistic, Cold War-influenced narratives of East-West dichotomy and capitalist modernism v. socialist realism. They reveal Chinese artists’ continuing thirst for alternative aesthetic inspiration, and underscore the crucial impact of human exchanges on art and creativity in the socialist period.

http://www.sfu.ca/davidlamcentre/news-events/events/global-art-exchange.html

SESSION ONE | REGISTER

Date: Friday, October 30, 2020
Time: 5:00pm – 9:00pm (Pacific Standard Time)
Chair: Julia F. Andrews, Distinguished University Professor, Ohio State University Continue reading →

Gu Hongming’s Eccentric Chinese Odyssey review

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MCLC Resource Center is pleased to announce publication of Kristin Stapleton’s review of Gu Hongming’s Eccentric Chinese Odyssey, by Chunmei Du. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/kristin-stapleton/. My thanks to Nicholas Kaldis, MCLC literary studies book review editor, for ushering the review to publication.

Kirk Denton, editor

Gu Hongming’s Eccentric Chinese Odyssey

By Chunmei Du

Reviewed by Kristin Stapleton

MCLC Resource Center Publication (Copyright October, 2020)

Chunmei Du, Gu Hongming’s Eccentric Chinese Odyssey Chunmei Du. Philadelphia: University of Pennsylvania Press, 2019. 251 pgs. ISBN-9780812251203 (cloth).

Gu Hongming 辜鴻銘—the notorious Qing loyalist who spoke out for bound feet and against democracy in the midst of the May Fourth movement—was at the center of a set of cross-cultural conversations among Chinese, European, and American intellectuals during and after World War I, Chunmei Du shows in this engaging biography. She notes that he was “the first principal Chinese spokesman of Confucianism to the Western world” (p. 49), promoting it as a universal solution to the global problems of industrialization and endemic conflict. At the same time, though, Gu displayed a most un-Confucian love of shocking and provoking his fellow humans. Du’s goal is to help us understand the influences that produced such a paradoxical character. In the end, as Du acknowledges, Gu Hongming stubbornly defies analysis. Still, her account of his life is fascinating, particularly for what it reveals about global currents of thought in the early twentieth century. Continue reading →

Research Chair in HK Studies

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The Department of Asian Studies at the University of British Columbia, Vancouver, is inviting applications for an appointment to a Canada Research Chair (Tier 2) in Hong Kong Studies with a focus on literary, visual, and/or popular culture. This tenure-track/tenured position will be at the rank of Assistant or Associate Professor and is expected to start on 1 July 2021.

Details for this position can be found on the Asian Studies website (https://asia.ubc.ca/job-opportunities/2020-canada-research-chair-tier-2-in-hong-kong-studies-cp/), but please note that Tier-2 Chairs are intended for “exceptional emerging scholars” who are generally within 10 years of having received their PhD. Please note also that, for this search, we will be considering only members of the following designated groups (all to be understood within the Canadian context): women, visible minorities, persons with disabilities, and indigenous people.

Leo K. Shin
Chair, CRC-Hong Kong Studies Search
Associate Professor, History and Asian Studies
The University of British Columbia, Vancouver
leo.shin@ubc.ca

Top online lit for 2019

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Source: China Daily (9/30/20)
List names top Chinese online literature for 2019
By Yang Yang | chinadaily.com.cn

Library of Heavenly Path [Photo provided to China Daily]

The list of Top Chinese Online Literary Works in 2019 was released yesterday in Shenzhen. After three rounds of assessments and online voting by 1.79 million readers, 19 works and projects made the list, including nine novels from the China Literature Group under Tencent .

Since 2014, the China Writers Association has issued the Top Chinese Online Novels every year, which was upgraded this year to become the Top Chinese Online Literary Works, adding lists regarding the influence of online novels’ intellectual property and their international reach.

The Top 10 Chinese Online Novels include Zhaoyang Jingshi (Cases in Zhaoyang), I Am On Mars, Library of Heavenly Path, Zai Zhi Tian Xia (Rule the Country) and Hao Dang (the broad world), covering genres including reality, fantasy, martial arts and science fiction. Continue reading →

Distrust of China jumps to new highs

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Source: NYT (10/6/20)
Distrust of China Jumps to New Highs in Democratic Nations
The sharpest rise in negative views was in Australia, while unfavorable opinions jumped in the United States and Europe, a Pew survey found.
By Chris Buckley

In many Western countries, public distrust of China and its leader, Xi Jinping, has soared in the past year. Credit…Wu Hong/EPA, via Shutterstock

SYDNEY, Australia — Xi Jinping celebrates China’s battle against the coronavirus as a success. But in the United States and other wealthy democracies, the pandemic has driven negative views of China to new heights, a survey published on Tuesday showed.

The illness, deaths and disruption caused by the coronavirus in those countries have intensified already strong public distrust of China, where the virus emerged late last year, the results from the Pew Research Center’s survey indicated.

“Unfavorable opinion has soared over the past year,” said the survey on views of China taken this year in 14 countries including Japan, South Korea, Canada and Germany, Italy and other European nations. “Today, a majority in each of the surveyed countries has an unfavorable opinion of China.” Continue reading →

Blogger loses status after extreme post

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Source: China Media Project (10/2/20)
BLOGGER LOSES CCF MEMBER STATUS AFTER EXTREME POST
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Blogger Zhao Shengye

Last month, CMP reported on the firestorm surrounding well-known blogger and amateur scientist Zhao Shengye (赵盛烨), who in a post to his more than three million social media followers appeared to advocate a Chinese policy of earth-wide destruction should the Trump administration be “bent on fighting against China.” Posts expressing extreme nationalism on Chinese social media are often afforded great latitude from censors, but Zhao’s violent advocacy of global destruction to spite the US was too much for many Chinese, and after Zhao was widely criticized the post was finally taken down.

In a rare case of public backlash having consequences for extreme nationalist views online, the China Computer Federation (CCF) issued a notice on September 24 saying it had revoked Zhao Shengye’s membership in the organization after his “extreme comments” on his official WeChat account had had a “huge negative impact” on the organization. The CCF said in its notice that it had received numerous official complaints from other members. Continue reading →

Jiefang ribao (1)

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Jiefang Ribao is included in WiseSearch (https://wisesearch6.wisers.net/) from Wisers in Hong Kong starting from the issues August 2000 onwards. Many libraries subscribe to this database.

You can also try the 全国报刊索引 (https://www.cnbksy.com). They have indexed  解放日报(上海) 1955-2019 (but I am not sure how complete the index is). You can order individual articles for scanning. Some libraries offer to cover this for their readers.

Best wishes,

Joshua Seufert

Chinese Studies Librarian
East Asian Library
Princeton University
email: jseufert@princeton.edu

Four types of Chinese nationalism

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Source: China Channel, LARB (10/2/20)
Four Types of Chinese Nationalism
How nationalism in today’s China is far from monolithic
By Chang Che

71 years ago, at 3pm on October 1 1949, Mao Zedong stood at a podium above Tiananmen square to found the People’s Republic of China. Soldiers in pine-green tunics marched across the square in triumphant celebration of victory in the Chinese civil war, four years after Japanese occupation ended. Now the anniversary is commemorated with a military parade, nighttime firework displays, and an extended national holiday called “Golden week.” Yet October 1, National Day, is not fully analogous to a day of independence. It commemorates not a nation’s birth, but a nation under new management — that of the Chinese Communist Party (CCP).

After seven decades, the Party has undergone a marked transformation. Once a fledgling faction with revolutionary ambitions, it is now a ruling party that detests radicalism and claims exclusive representation over the interests of the Chinese people. National Day is an occasion for patriotic festivities, yet hides within it a hidden premise: by presenting an anniversary for the Party as one for the country, it implies the nation and the Party are one and the same.

That assumption is becoming more plausible now. Due to Party reforms that have reduced barriers to membership, the CCP is now made up of a large cross-section of civil society. Today, the 92 million members in the Party include such diverse groups as entrepreneurs, doctors, academics, tech employees and scientists; many are not ideologues. Moreover, a decade-long opinion poll released in July by the Harvard Ash Center concluded that 93% of Chinese citizens were “satisfied” with their central government in 2016. Regardless of the forces behind such support – which, apart from performance, could include censorship, propaganda and even fear – the fact of the matter remains the same: the Party is intricately bound to the life of the country, and projections of a popular upheaval remain illusory. Continue reading →