Source: NYT (5/15/19)
Poetry Meets Politics in Photos of China
Between violent flash points in history, Liu Heung Shing saw tenderness and subversive humor in societies saturated with propaganda.
Photographs by Liu Heung Shing
Text by Tiffany May
Liu Heung Shing looked outside the car window: an imposing portrait of Mao Zedong had disappeared from the east side of Tiananmen Square. It was 1981.
Mao loomed large that year as people gathered to watch the depositions of his political cronies, known as the Gang of Four, on state television.Earlier that autumn, before Mao’s portrait was removed from a history museum in Tiananmen Square, Mr. Liu photographed a skater gliding past a statue of Mao. The frozen faces of Communist leaders got a breath of fresh air in Mr. Liu’s photography: A Beijing resident in 2008 lined the facade of her house with the portraits of lionized figures, in plucky defiance of demolitions planned before the Summer Olympics. Continue reading