Taiwanese writer Wu Ming-yi joins 2019 PEN World Voices Festival
The Taipei Economic and Cultural Office in New York is pleased to announce that Taiwanese writer Wu Ming-yi will join two events at the 2019 Pen America World Voices Festival in New York from May 6 to 12.
Tuesday, May 7, 6:30-8:00 pm
“Meditations on War, presented with The Guardian”
Venue: Albertine (972 5th Avenue, New York, NY 10075)
Wu joins Laurent Gaudé (Hear Our Defeats) and Sinan Antoon (The Book of Collateral Damage) for a discussion on how humanity endures the memories of war and struggles to rebuild. Moderated by Julian Borger, world affairs editor for The Guardian.
Thursday, May 9, 6:30-10:00 pm
“Literary Quest: Westbeth Edition”
Venue: Westbeth Artists Housing and Center for the Arts (55 Bethune St., New York, NY 10014)
Salon-style readings and discussions led by Festival authors at the Westbeth Center for the Arts. Wu will read selected passages from his book The Stolen Bicycle.
For more information, please visit PEN World Voices Festival.
Posted by: Yu-Kai Lin firstname.lastname@example.org
Source: Commonweal (5/6/19)
The Generalist: Philip Paquet’s ‘Simon Ley’
Reviewed by Nicholas Haggerty
Simon Leys: Navigator between Worlds
Translated by Julie Rose
La Trobe University Press, $59.99, 692 pp.
Mathew Lynn, Portrait of Pierre Ryckmans (Simon Leys), 2010 (Courtesy of the artist)
In the second half of the twentieth century, the definition of a public intellectual underwent a gradual but profound change, as generalists gave way to academic specialists. Sinology makes for the perfect case study of this transition. From its origins in the Jesuit missions until the mid-twentieth century, sinology favored breadth over depth; it presumed that an individual scholar could take the whole of Chinese civilization—including its language, art, and history—as his or her subject. This romantic way of approaching the study of China came to an end during the Cold War as sinology, at least in the United States, was fully assimilated into the academic field of China studies. Within this field, there were major disagreements on the proper relationship between scholarship and American foreign policy—but there was, at least, fundamental agreement about what kind of research and books counted as genuine scholarship. As the study of China was professionalized, those who did not specialize were generally looked down upon as dilettantes. Continue reading
Founding the Society of Sinophone Studies
May 4, 2019
Following the successful “Sinophone Studies” conference held in April of this year at the University of California, Los Angeles, we announce the formation of the Society of Sinophone Studies to promote the study of Sinitic-language communities and cultures around the world. The Society seeks to provide support for scholars with an interest in Sinophone studies and welcomes any regional, disciplinary, and topical expertise. More details about the Society will follow; please contact Howard Chiang (email@example.com) for preliminary inquiries.
Inaugural Governing Board
Chair: Howard Chiang, University of California, Davis
Vice Chair: E.K. Tan, Stony Brook University
Secretary-Treasurer: Rebecca Ehrenwirth, New York University Shanghai
Program Director: Brian Bernards, University of Southern California
Communications Director: Lily Wong, American University
Posted by: E.K. Tan <EngKiong.Tan@stonybrook.edu>
I am writing to notify signatories to the Xinjiang Initiative of a global event being held April 26, 2019.
[To sign the Xinjiang Pledge: https://xinjianginitiative.wixsite.com/xjinitiative]
The event is being called Mainstreaming Stories: A Day of Solidarity with Uyghurs. Participation is simple: each volunteer delivers a talk about the crisis in western China at her/his home institution (no money, travel, jet-lag, expensive meals, etc.). We’ve already established rapport with our colleagues and students, so this type of intimate talk may be more effective in encouraging action than organizing large symposiums and publishing more op-eds.
The event borrows from some of the organizational and advertising strategies used by the annual China Town Hall meetings. In other words, we give a “local” talk, but promote the event as an international, coordinated program. We already have several volunteer speakers representing three countries.
Officially, the event will begin at 12PM EST on April 26, but timing is of secondary importance. It might even be powerful to have a day in which there are several hours devoted around the world to the crisis.
Also, if you know of anyone else who may be interested in speaking this day, please, by all means, feel welcome to share this idea with them.
Via Xinjiang Initiative
CONTEMPORARY CHINESE POETRY EVENT – April 20, 2019, NYC
The 2nd Annual Flushing Poetry Festival (2019法拉盛詩歌節) will be held on Saturday, April 20, 2019 at the Queens Public Library in Flushing, NY, from 11 am – 4 pm. The event celebrates contemporary Chinese poets living overseas, writing in Chinese, and it encourages cross-cultural conversation and translation of poetry from diaspora poets. Winning poetry from the juried competition will be published in a subsequent online publication in Chinese Poetry New York (纽约诗刊). The event is free and open to the public, and will be in Chinese and English.
The day’s agenda includes an award’s ceremony, a poetry reading, a small poetry book stall and an afternoon panel discussion.
The poetry reading will include a selection of poems in Chinese and English read by invited guests.
The panel discussion includes the following poets and translators: WANG Yu [王渝], YAN Li [嚴力], ZHANG Er [張耳], XIE Jiong [謝炯, Joan Xie], and Denis Mair [梅丹理], and will be moderated by Connie Rosemont. Panelists will explore challenges translators face – both philosophical and practical, and they will talk about how they navigate the profound difference between the Chinese and English languages, including issues of syntax, sound, meaning, and the written word itself, and the role of translation in promoting cross-literary culture. Continue reading
An Open Letter to Tsinghua University
Dr. Qiu Yong
President, Tsinghua University
Dear President Qiu,
Tsinghua University, one of the most highly ranked universities in the world, has suffered severe damage to its academic reputation as a consequence of the university’s punishment of Professor Xu Zhangrun.
As members of the international academic community, we urge the university to restore Professor Xu’s normal status in the university, including his teaching and research duties, and to refrain from any further sanctions against him.
To sign this letter, please email your name and affiliation to: ProfXu2019@gmail.com
This letter is open until April 19, 2019, after which it will be sent to Tsinghua University. It will also be made public.
Geremie R. Barmé, The Australian National University
Jean-Philippe Béja, CNRS/CERI-Sciences-Po (Centre de Recherches Internationales)
Ian Buruma, Bard College
Steven I. Levine, University of Montana
Perry Link, University of California, Riverside
Andrew J. Nathan, Columbia University
Orville Schell, Asia Society
Institution names are for identification purposes only.
AUTHOR INTERVIEW WITH PROFESSOR WILT IDEMA
Insects in Chinese Literature: A Study and Anthology by Wilt L. Idema was just published and launched at the 2019 AAS conference in Denver two weeks ago. There was much interest in this unusual book, and so we have conducted the following interview with Professor Idema.
Cambria Press: In the introduction to your book, you mention that that insects, especially “anthropomorphized insects that talk to each other,” are quite rare in animal tales. What sparked your interest in this rare subset of animal tales?
Wilt Idema: I have always been interested in animal tales, animal fables, and beast epics, likely because Van den vos Reynaerde (Reynard the fox) is one of the most famous and enjoyable works of Dutch medieval literature. Perhaps because I was frustrated by the near-absence of texts involving talking animals in Chinese literature, I have been keeping track of those tales I did encounter. Once I thought I might have enough for a book on the topic, I only intensified my search. When looking for insect tales, I was quite surprised to find a considerable number of tales about the weddings of insects, the funerals of insects, their battles and wars, their disputes and court cases in Chinese popular literature, and once I had found those materials I wanted to compare the depiction of insects in popular tales to those in classical poetry and in vernacular prose. The result in my Insects in Chinese Literature. Continue reading
Scholars devoted to modern literature from Taiwan will be very saddened to learn of the passing of Ko Ch’ing-ming (Ke Qingming) 柯慶明 (March 12, 1946-April 1, 2019). Professor Ko was a voluminous publisher of books of literary scholarship, prose essays, and poetry. His knowledge spanned the premodern and modern periods and both sides of the Taiwan Strait. For over thirty years, his wide-ranging essays on poetry and aesthetics were a regular feature, especially in journals such as Chung-Wai Literature, Lianhe Wenxue, Shi Tansuo, and other prominent venues. Professor Ko was a beloved teacher and mentor to countless students at National Taiwan University and served in a number of leadership roles, including as Director of the Graduate Institute of Taiwan Literature and the Taiwan University Press as well as a consultant to the government on cultural, literary, and linguistic matters. All of this would be enough for an illustrious career, but Professor Ko will likely be best known for his ebullience, warmth, and supportive attitude in his interactions with all sorts of students, colleagues throughout Taiwan, mainland China, and Hong Kong, and internationally in Japan, North America, and Europe. He was especially talented in public settings where he would offer his unique blend of intellectual acumen, stunning humor, and gentle treatment of others. He was a delight to know and one of a kind. The last couple years he had been encountering health issues and was mainly confined to a wheelchair. Despite this, he was still always bubbling over with enthusiasm, insight, and kind words. Recently, he participated in a ceremony awarding an honorary doctorate to the scholar Pang-yuan Ch’i (Qi Bangyuan 齊邦媛). I was really looking forward to seeing him during a planned visit to Taiwan in September and am sorry that we won’t have that chance. Colleagues can find more details on his life from the Department of Chinese Literature, National Taiwan University, which has posted a lengthy tribute and a bibliography, and most major newspapers in Taiwan. A very large tree has fallen. Rest In Peace, 慶明兄.
Christopher Lupke <firstname.lastname@example.org>
University of Alberta
“Concerned” — Really? It is certainly appropriate for AAS to have something to say about the deplorable situation in Xinjiang, but “concerned”? Surely there is more to be said about the mass detentions of people who make the Beijing authorities insecure in their governance. AAS is clearly aware of the persecution of academics in Xinjiang, but limiting its response to that alone as a matter of “concern” seems quite weak. Where is the powerful voice of Western intelligentsia?
Ron Janssen <email@example.com>
The AAS statement on Xinjiang is an excellent statement, but in my view still does not go far enough.
We should decry the mass detentions, including how the Chinese state targets the cultural elite of the Uighurs, Kazakhs, etc., with mass arrests of academics, artists, poets, and so on. But, the wholesale targeting of ethnic culture and language, means that this is now much bigger than even the up to 2 million people locked away in the concentration camps system.
Millions more face a concerted forced-assimilation campaign of which the detentions is a part: They are forced to denounce and abandon their culture and adopt Chinese ways, break food taboos, go into forced marriages, to stop speaking their own language (as mentioned below), and many children are taken and sent to Chinese -only ‘orphanages’ while parents are in camps. The list goes on. Continue reading
AAS Statement on Extra-Judicial Detention of Turkic Muslims in Xinjiang, PRC
March 27, 2019
The Association for Asian Studies expresses its strong concern over the detention of at least 800,000 and up to 2 million Uyghurs and other Turkic Muslims in political “re-education centers” in Xinjiang, Northwest China.1 Turkic Muslims have been interned, imprisoned, or forcibly “disappeared” since April 2017.2 Such detention constitutes a major violation of human rights and, in the case of our academic colleagues, a clear disregard for academic freedom.
We are particularly dismayed at the disappearance of at least 386 Uyghur intellectuals and scholars, including 21 staff of Xinjiang University, 15 staff of Xinjiang Normal University, 13 staff of Kashgar University, 6 staff of Xinjiang Medical University, 6 staff of the Xinjiang Social Sciences Academy, 4 staff from Khotan Teachers’ College, and 101 students.3 Turkic Muslims have been denied the freedom to use their mother tongue, to pursue Qur’anic studies, or to study and research abroad.4 Those returning to China from periods of study or research have been recalled, detained, questioned, or caused to disappear into internment camps.5 Five deaths of students and scholars while in custody have been confirmed during this period.6 Continue reading
Source: SCMP (3/12/19)
How China’s Fifth Generation filmmakers defied censorship and criticism to break new ground
New ways of storytelling and rich political allegories were the innovations that this new breed of maverick directors introduced. Bold in abstraction and symbolism, their films relied on images rather than dialogue for expression
By Richard James Havis
A still from Zhang Yimou’s directorial debut Red Sorghum (1988).
It has been 41 years since China’s Fifth Generation filmmakers started classes at the Beijing Film Academy, and 35 years since The Yellow Earth, directed by Chen Kaige and photographed by Zhang Yimou, changed the face of filmmaking in the country.
The Chinese film industry has modernised so quickly that the innovations this disparate group brought to filmmaking in the country, and the courage they showed in the face of censorship by the state authorities, has been all but forgotten.
A retrospective at this year’s Hong Kong International Film Festival (HKIFF) aims to set the record straight. The five-film retrospective presents classic early works by the Fifth Generation, including The Yellow Earth, Tian Zhuangzhuang’s semi-abstract masterpiece The Horse Thief, and the cheeky satirical comedy The Black Cannon Incident. Continue reading
A riveting, illustrated, blog account of Darren Byler’s talk on China’s Terror Capitalism in Xinjiang and beyond, at Cornell on March 11.
RED SUN OVER BIG RED. BY PHILIP J CUNNINGHAM. 13 march 2019
Magnus Fiskesjö <firstname.lastname@example.org>
Source: Radii (3/13/19)
Can Xue’s “Love in the New Millennium” Nominated for 2019 Man Booker International Prize
The 2019 Man Booker International Prize long list has been announced, with Chinese author Can Xue’s fantastical Love in the New Millennium among the nominees
By RADII CHINA
Chinese avant-garde author Can Xue’s “darkly comic” novel Love in the New Millenium has made the Man Booker International Prize 2019 long list. The story follows “a group of women [that] inhabits a world of constant surveillance” and represents the “most ambitious work of fiction by a writer widely considered the most important novelist working in China today”, according to its English language publisher, Yale University Press.
Deng Xiaohua, the author behind the Can Xue pseudonym, was born in Changsha, in China’s southern province of Hunan. Her father, the one-time editor-in-chief of a prominent newspaper in the province, was labelled an “Ultra-Rightist” in the late 1950s along with other intellectuals of the period, and was sent to the countryside for two years for allegedly leading an anti-Communist group at the paper. Continue reading
I would like to announce the existence of my new website: “The Forgotten 1910s – 尋找辛亥文風.”
This website is conceived as a translation platform for long ignored literary pieces of the early 1910s. Its main purpose is to provide China focused scholars and students with a representative selection of famous literary works of that time, which covers the end of the Qing empire and the first years of the Republican era. Most of the pieces translated here were written in Classical Chinese, usually in the elite form of pianwen 駢文 (paralleled prose), and serialized in political newspapers such as People’s Rights (Minquanbao 民權報, 1912-1914).
I choose to focus on what I suggest to label “early Mandarin Ducks and Butterflies” (1912-1918) writers. This group, contrary to others novelists and writers often conveniently gathered under the deceptive label “Mandarin Ducks and Butterflies,” manifested and claimed a sense of unity. Acting as leading figures of this group were Xu Zhenya 徐枕亞 (1889-1937), Wu Shuangre 吳雙熱 (1885-1934), Xu Tianxiao 徐天嘯 (1886-1941), Li Dingyi 李定夷 (1890-1963), and Liu Tieleng 劉鐵冷 (1881-1961).
Joachim Boittout <email@example.com>