13th Special Book Awards of China (1)

Here’s more information on the book awards.

“Translators from Australia, Canada and Russia were among the winners of the Special Book Award of China, which is the highest honour given to international publishing professionals who have made outstanding contributions to the promotion of Chinese literature and culture overseas.  The award was established in 2005, and has been presented 12 times so far. Over the past years, 123 winners from 49 countries and regions have received the accolade. This year’s awards were made to:

• Bonnie Suzanne McDougall from Australia, Laureate Professor of the University of Sydney and translator who has been instrumental in developing young Chinese translators overseas as well as the publication of such books as Letters Between Two: Correspondence Between Lu Xun and Xu Guangping.
• Daniel Bell from Canada, who has pursued an academic career at Shandong University as well as producing monographs about Confucius culture and Chinese politics including The China Model: Political Meritocracy and the Limits of Democracy. Continue reading

Fu Ping review

MCLC Resource Center is pleased to announce publication of Elena Martín Enebral’s review of Fu Ping (Columbia UP, 2019), by Wang Anyi and translated by Howard Goldblatt. The review appears below and at its online home: http://u.osu.edu/mclc/book-reviews/martin-enebral/. My thanks to Michael Berry, MCLC literary translations book review editor, for ushering the review to publication.

Kirk Denton, editor

Fu Ping

By Wang Anyi
Translated by Howard Goldblatt


Reviewed by Elena Martín Enebral
MCLC Resource Center Publication (Copyright August, 2019)


Wang Anyi, Fu Ping. Tr. Howard Goldblatt. New York: Columbia University Press, 2019. 296 pp. ISBN: 9780231193221 (Hardcover); ISBN: 9780231550208 (E-book)

The novel Fu Ping (富萍) was first published in the literary magazine Harvest (收获) in 2000. Wang Anyi (王安忆, 1954-) described it as reflecting almost a decade of inquiry, the result of which satisfied her as much as her acclaimed novel Song of Everlasting Sorrow (长恨歌, 1995), for which she obtained the supreme Chinese writing award, the Mao Dun Prize, that same year.[1] With good reason, therefore, we can welcome the recent publication in English of this novel, essential as it is to understanding the creative evolution of one of the most emblematic figures of contemporary Chinese literature, and most especially when translated by the renowned Howard Goldblatt.

The English edition opens with a note from the author that reveals some of the sources of inspiration for the novel. A trip to Yangzhou (扬州) reminds Wang Anyi of a beautiful poem by Li Bai (李白) that takes her back in time to her childhood and her nanny, who was originally from that town. Poetry and memory fuse to evoke, before her eyes, the image of a face belonging to the heroine of her novel: Fu Ping, a young woman from a village near Yangzhou. Fu Ping moves to Shanghai in the mid-1960s to meet Nainai (奶奶), the adoptive grandmother of her future husband whom she has only seen on a handful of occasions. Wang Anyi links the fate of her heroine with another personal memory: a tranquil journey along the Suzhou River (苏州河) in one of the motorized scows that workers from Subei (苏北) use to transport waste daily outside the city of Shanghai. Continue reading

My Mountain Country

Ye Lijun’s My Mountain Country
Translated from the Chinese by Fiona Sze-Lorrain
Foreword by Christopher Merrill

Contemporary Chinese poet Ye Lijun’s My Mountain Country in Fiona Sze-Lorrain’s translation, with a foreword by Christopher Merrill and an essay by the poet-translator, is just published by World Poetry Books.

Read some poems here and here. To order: SPD (pre-order: Amazon)

In this remarkable English debut, award-winning Chinese contemporary poet Ye Lijun offers readers a lyrical diorama of nature and the inner world. By turns intimate and profound, Ye’s poems in Fiona Sze-Lorrain’s masterful translations make music of everyday silences, and illuminate the invisible openings in our lives. In this vital collection by one of China’s essential literary voices, each encounter is an invitation, wherein a village, a nest, a telescope, or a book proves to be a transient guide to the unknown.

Emerging Translator Mentorship program

Source: American Literary Translators Association Blog (8/20/19)
Meet the 2020 Emerging Translator Mentorship Program Mentors!
by rcldaum

2020 Mentors

Clockwise from top left: Kareem James Abu-Zeid, Mara Faye Lethem, Marian Schwartz, Jennifer Feeley

ALTA is delighted to introduce the 2020 Emerging Translator Mentorship Program mentors! The ALTA Emerging Translator Mentorship Program is designed to establish and facilitate a close working relationship between an experienced translator and an emerging translator on a project selected by the emerging translator. ALTA’s Emerging Translator Mentorship Program was founded by former ALTA board member Allison M. Charette. This applications for the 2020 mentorship program cycle will open September 9 on our Submittable page. Continue reading

Stephen C. Soong Translation Studies awards 2018-19

Stephen C. Soong Translation Studies Memorial Awards (2018–2019) 
宋淇翻譯研究論文紀念獎 2018–2019
20 August 2019

Dear all,

It is with great pleasure that I hereby announce the result for the 21st Stephen C. Soong Translation Studies Memorial Awards (2018–2019) set up by Research Centre for Translation, Institute of Chinese Studies, The Chinese University of Hong Kong.

Stephen C. Soong Translation Studies Memorial Awards (2018–2019) Special Mention:

CUI Wendong (Department of Chinese and History, City University of Hong Kong)
“Translation, Nation, and Gender: Cultural Adaptations in Short Stories Translated by the Late-Qing Writer Tang Hongfu”, Bulletin of the Institute of Chinese Literature and Philosophy, No. 50 (March 2017, published in March 2018), pp. 1–35.

There are no winners for the standard awards. Continue reading

Chinese Literature Today 8.1

Dear friends,  

You are invited to read or download the newest issue of Chinese Literature Today online during our free promotion period between now and the end of August. 

This special issue on contemporary Chinese poetry features a lovely special section on Hong Kong writer Xi Xi (guest edited by Jennifer Feeley), selected poems by seven contemporary Chinese-language poets (Wang Jiaxin, Che Qianzi, Li Dewu, Hu Jiujiu, Jialu Mi, Huang Chunming, and Chen Li), as well as the latest scholarship on Chinese migrant worker poetry by the featured scholar Maghiel van Crevel.

Ping Zhu, Acting Editor in Chief <pingzhu@ou.edu>

Which Classic?

MCLC Resource Center is pleased announce publication of Yichun Xu and Frederick Bowman’s translation of the first chapter of Which Classic? (何典), by Zhang Nanzhuang 張南莊.

Which Classic? is a ten-chapter comic novella written in the traditional linked-chapter form. Circulated in manuscript form for several decades, it was first published by Shenbao Guan in 1878 and remained an obscure book until it was rediscovered by May Fourth scholars, such as Liu Bannong 劉半農, Lu Xun 魯迅, and Wu Zhihui 吳稚暉, who recognized it as one of the earliest extant novels to make extensive use of Wu-dialect vocabulary. Which Classic? is composed in a peculiar hybrid language that makes use of Wu vernacular vocabulary, classical Chinese, and plain Chinese (白話文). Its heterogeneous language is the source of much of the novella’s humor. Frequently a given phrase will have one meaning when read as plain Chinese but another when read in Wu vernacular. This implied second reading is often silly or obscene and serves to add to the irreverent and tongue-in-cheek tone of the work as a whole. In this translation of the first chapter of Which Classic?, the translators have attempted to convey these multiple linguistic levels as often as possible, but such plays on words are, of course, a particular challenge to the translator. The translators are working on a rendering of the entire novella.

The translation can be accessed here: http://u.osu.edu/mclc/online-series/which-classic/

Enjoy,

Kirk Denton, editor

Liao Yiwu’s Prison Poetry published

I’d like to announce the publication of my translation of Liao Yiwu’s collection of prison poetry and other writings as Love Songs from the Gulags on June 4, 2019, in London, UK, by Barque Press:

http://www.barquepress.com/publications.php?i=104

Excerpts from the launch, including poetry readings by Liao Yiwu, can be viewed here: https://www.youtube.com/watch?v=vw5mwW8X5AQ

Michael Martin Day (mday@nu.edu)

New translation of Yecao

We are pleased to announce the publication of a new translation of Lu Xun’s Weeds (野草), the first in English since the Yangs’ monumental translation, by poet and translator Matt Turner. Featuring an introduction my professor Nick Admussen, and woodcuts by the artist Monika Lin. Seaweed Salad Editions, a small press in Shanghai, is the publisher.

The book is available from Small Press Distribution or through the publisher’s website.

No one here needs an introduction to the work of Lu Xun, but here are what some people had to say about the translation:

Weird syntactical swerves, psychological scratch loops, and rocket trajectories characterize these poems. Certainly, they never yield to Western Modernism’s economies. Instead, Lu Xun’s oneiric imagery is ever chocked and gusty; unexpected pronouns pop up like masked faces at a window. It would take a poet-translator as deft, daring, and refractory as Matt Turner to take on the sarcasm, playfulness, mystery, and aggressive invention of these poems in Chinese. If ever the worms of boredom have settled into your heart, this is the book that will draw them out, unthread them through your pores, and leave them to dangle until “they squint at each other and, slowly, slowly, scatter.” Continue reading

Experimental Chinese Literature review

MCLC Resource Center is pleased to announce publication of Jacob Edmond’s review of Experimental Chinese Literature: Translation, Technology, Poetics (Brill 2018), by Tong King Lee. The review appears below and at its online home: http://u.osu.edu/mclc/book-reviews/edmond/. My thanks to Nicholas Kaldis, MCLC literary studies book review editor, for ushering the review to publication.

Kirk Denton, editor

Experimental Chinese Literature:
Translation, Technology, Poetics

By Tong King Lee


Reviewed by Jacob Edmond
MCLC Resource Center Publication (Copyright July, 2019)


Tong King Lee, Experimental Chinese Literature: Translation, Technology, Poetics. Leiden and Boston: Brill, 2018. viii + 182 pp. ISBN: 978-90-04-29337-3.

“In translating a work, I mistake it for my own,” writes Taiwanese poet Chen Li 陳黎. More and more writers today are making their texts from other texts through translation, cultural borrowing, and, increasingly, through the affordances of new media technologies. Around the world, their readers are likewise searching for new ways of understanding and reading this literature of repetition, translation, and remediation.

Tong King Lee 李忠慶 takes up this challenge in his book Experimental Chinese LiteratureTranslation, Technology, Poetics. Lee cites Chen Li’s statement in making the case for the inextricable relationship between poetic creation and translation in contemporary Chinese experimental literature (80). Lee defines experimental literature as “works that tap into various technologies in foregrounding their materiality.” For Lee, “experimental literature is . . . characterized by the interplay between the corporeality of the sign . . . and the travel of the text across languages and media” (166). Lee’s concern is thus primarily with works of poetry and contemporary art that highlight their own material qualities—the texture of the page, the shape that writing makes on a flickering screen, or in the space of a park in an open-air exhibition—and that explore textual translations not just between languages but also, importantly, between media. Continue reading

Mouse vs Cat review

MCLC Resource Center is pleased to announce publication of Xiaorong Li’s review of Mouse vs Cat in Chinese Literature: Tales and Commentary (University of Washington Press, 2019), translated and edited by Wilt Idema. The review appears below and at its online home: http://u.osu.edu/mclc/book-reviews/lixiaorong/. My thanks to Nicholas Kaldis, MCLC literary studies book review editor, for ushering the review to publication.

Kirk Denton, editor

Mouse vs Cat in Chinese Literature: 
Tales and Commentary

Translated and introduced by Wilt Idema


Reviewed by Xiaorong Li

MCLC Resource Center Publication (Copyright July, 2019)


Mouse vs. Cat in Chinese Literature: Tales and Commentary, translated and introduced by Wilt L. Idema. Seattle: University of Washington Press, 2019. 272 pp. ISBN 9780295744834 (paperback); 9780295744858 (hardcover)

Mouse vs Cat in Chinese Literature is a new book by Wilt Idema, yet another showcase of his extraordinary scholarship and translation skills. Judging by its cover, the book might appear to be just a collection of translated cat-mouse tales with the translator’s introduction, but it is much more than that. In addition to the translation of important texts, it is a broad and rich survey not only of literary representations of mouse versus cat within the larger context of Chinese history, but also of anthropomorphism in world literature.

The book begins with an introduction on animal tales in various literary traditions around the world and continues with general observations on the distinctive ways in which Chinese literature of different historical periods and cultural genres features animals. Although there is a lack of “talking animals” in the classics or other forms of high literature, popular entertainment literature, Idema observes, is rich in animal characters that plead for justice, such as the mouse in underworld court case stories. Continue reading

Tiananmen 30 Years On

Announcing the June/July issue of Cha: An Asian Literary Journal, the “Tiananmen Thirty Years On” feature, edited by Tammy Lai-Ming Ho and Lucas Klein, along with a special feature of poems by and in mourning of Meng Lang 孟浪.

The following CONTRIBUTORS have generously allowed us to showcase their work:

❀ REMEMBRANCES
Tammy Lai-Ming Ho, Gregory Lee, Ding Zilin (translated by Kevin Carrico), Andréa Worden, Shuyu Kong (with translations of poems by Colin Hawes), Ai Li Ke, Anna Wang, and Sara Tung

❀ POETRY
Bei Dao (translated by Eliot Weinberger), Duo Duo (translated by Lucas Klein), Liu Xiaobo (translated by Ming Di), Xi Chuan (translated by Lucas Klein), Yang Lian (translated by Brian Holton), Xi Xi (translated by Jennifer Feeley), Meng Lang (translated by Anne Henochowicz), Lin Zhao (translated by Chris Song), Liu Waitong (translated by Lucas Klein), Chan Lai Kuen (translated by Jennifer Feeley), Mei Kwan Ng (translated by the author), Yibing Huang (translated by the author), Ming Di (translated by the author), Anthony Tao, Aiden Heung, Kate Rogers, Ken Chau, Ilaria Maria Sala, Ian Heffernan, Reid Mitchell, Lorenzo Andolfatto, Joseph T. Salazar Continue reading

Waste Tide review

MCLC Resource Center is pleased to announce publication of Cara Healey’s review of Waste Tide, by Chen Qiufan and translated by Ken Liu. The review appears below and at its online home: http://u.osu.edu/mclc/book-reviews/healey/. My thanks to Michael Berry, our translations book review editor, for ushering the review to publication.

Kirk Denton, editor

Waste Tide

By Chen Qiufan
Translated by Ken Liu


Reviewed by Cara Healey
MCLC Resource Center Publication (Copyright July, 2019)


Chen Qiufan, The Waste Tide Tr. by Ken Liu. New York: Tor Books, 2019. 352 pp. ISBN-10: 0765389312; ISBN-13: 978-0765389312

Chen Qiufan’s 陈楸帆 novel Waste Tide (荒潮), expertly translated by Ken Liu, is a significant contribution to the growing genre of Chinese science fiction. The genre has earned acclaim both for its imaginative nature and as a lens into contemporary China; Waste Tide succeeds on both fronts. Many of Chinese science fiction’s recent milestones have centered around Liu Cixin 刘慈欣. Liu’s The Three-Body Problem (三体) (also translated by Ken Liu) won the Hugo Award for Best Novel in 2015. Frant Gwo’s 郭帆 2019 film adaptation of Liu Cixin’s The Wandering Earth (流浪地球) earned $700 million at the box office, becoming the second-highest grossing Chinese film of all time, and was recently released on Netflix. Waste Tide follows in the footsteps of these achievements while also demonstrating that that there is more to Chinese science fiction than Liu Cixin. Continue reading

Shen Haobo ‘Hong Kong’

Shen Haobo
HONG KONG

for thirty years
every single year
spring days waning
cicadas come calling
that one day
people there
come out in the streets
light candles for us
observe our memory
grieve
for us
they do not forget

the only city on earth

2019.6.13
Translated by Martin Winter, 6/15/19

“I don’t dare to share this poem in my WeChat groups. Unfortunately, most people in mainland China have no idea at all what happens abroad. They don’t know anything. Least of all that Hong Kong is a very special city with a great heart full of love and freedom. And for us Chinese people, that single one city on earth is slowly disappearing.”–Translated by MW, 6/15/19 Continue reading