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Echoes of China’s past in America’s present

Source: China File (4/30/25)
Cautioning His Students to Stay Quiet, A Scholar of China Hears Echoes of Its Past in America’s Present
By Michael Berry

Michael Berry is Professor of Contemporary Chinese Cultural Studies and Director of the Center for Chinese Studies at the University of California, LA.

As the MAGA movement attacks members of the Democratic party as “socialists” and “communists” while positioning China as the “greatest threat” to American security, it might seem strange to compare Donald Trump to Mao Zedong, a figure alternately worshipped and reviled for his role in the Chinese revolution. As a scholar of modern Chinese fiction, film, and cultural history, much of what has unfolded throughout the American political arena over the past few months has felt eerily reminiscent of events from the era of high socialism and the reign of Mao Zedong.

The term “political purge” is a commonly used keyword for those of us familiar with this period; purges came in waves, from the Anti-Rightist Movement to the Cultural Revolution. But I don’t think I’d ever heard the term used to describe American politics, at least not until the past few weeks, when recent headlines speak of the seemingly incessant “purges” taking place at the FBI, DOJ, and other federal agencies. When Donald Trump announced he was firing members of the Kennedy Center’s board of trustees and installing himself as chairman, I was immediately reminded of Mao’s hands-on approach to curating cultural discourse, from his early “Yan’an Talks on Art and Literature” in 1942 to installing his wife Jiang Qing as the unofficial cultural czar during the Cultural Revolution. The list of comparisons goes on, from the way Secretary of Defense Pete Hegseth and Secretary of State Marco Rubio have offered long sycophantic statements about Trump’s brilliant leadership, to the broader cult of personality—with red MAGA hats replacing little red books. Some Trump allies have even begun sporting Trump lapel pins, that recall the coveted Mao badges worn by Red Guards during the Cultural Revolution. The employment of lofty, categorical speech like “My fellow Americans, get ready for an incredible future, because the golden Age of America has only just begun. It will be like nothing that has ever been seen before” immediately brings to mind a litany of similarly florid praise for Mao: Lin Biao’s famous description of Mao as a “great teacher, great leader, great supreme commander and great helmsman” or the Central Committee’s description of the Cultural Revolution as a “great revolution that will touch the people to their very souls.” And then of course there are each leaders’ disparaging takes on intellectuals and education and penchant for unleashing political chaos. There is also a powerful sense of uncanny irony when a regime that has repeatedly characterized China as “the greatest threat to America,” taken a particularly aggressive stance on China with current tariff policies is simultaneously internalizing so many of China’s worst political practices from the darkest days of its socialist past. Of course, others including Orville Schell and Fareed Zakaria have observed these troubling echoes. But another parallel has me particularly concerned. Continue reading Echoes of China’s past in America’s present

Chengdu overpass protest

Source: China Digital Times (5/1/25)
The Chengdu Overpass Protest and Its Antecedents: “The People Do Not Want a Political Party With Unchecked Power”
By Cindy Carter

Three long white banners hang from an overpass, twisting in the wind. The sky is still dark, the streetlights are on, and the taillights of two vehicles—a car and a truck—glow red as they pass by on the left. Also at left, several illuminated traffic signs (in blue and green, respectively) are visible in the distance.

The three banners hanging from a pedestrian overpass near Chengdu’s Chadianzi Bus Station. Local netizens confirmed the location of the photo, which is close to Chengdu’s Third Ring Road, based on the street layout and the illuminated signs visible in the background.

In the early hours of the morning of April 15, 2025, a lone protester lashed three long white banners with red, hand-painted political slogans to the railings of a pedestrian overpass near a bus station in Chengdu, and unfurled them to the street below. As he would later confide to the owners of several whistle-blowing social media accounts to whom he turned for help in amplifying his message, it was a protest he had been planning for over a year. The three slogans opposing autocracy and demanding democracy read as follows:

  1. There can be no “national rejuvenation” without systemic political reform
  2. The People do not want a political party with unchecked power.
  3. China does not need someone to “point the way forward.” Democracy is the way forward. [Chinese]

The date of the protest is significant because it was the anniversary of the April 15, 1989 death of former General Secretary Hu Yaobang—who for many symbolizes a more progressive, possibly even more democratic “path not taken.” (In the spring of 1989, mourning for Hu’s death coalesced into the massive protests that would later be crushed in the June 4 Tiananmen crackdown.) The language used in the slogans is quite measured, and references the CCP’s oft-lauded goal of “national rejuvenation.” Although Xi Jinping is not mentioned by name, the third slogan is a clear reference to the standard Party formulation of Xi Jinping “pointing the way forward” on various policy issues (at least 240, by one recent count). Continue reading Chengdu overpass protest

Chinese Independent Cinema

Dear all,

On behalf of the Chinese Independent Film Archive, I am very happy to announce a new publication: Chinese Independent Cinema: Past, Present, and a Questionable Future, edited by Chris Berry, Luke Robinson, Sabrina Qiong Yu, and Lydia Wu (Amsterdam University Press, 2025).

Independent cinema in China is not only made outside the commercial system but also without being submitted for censorship. We know that for several decades it has been the crucible out of which China’s most exciting new films have flowed. The essays in this volume interrogate what else we think we know. Did it really start with Wu Wenguang and Bumming in Beijing in 1990, or can its roots be traced back much earlier? What are its aesthetics? And its ethics, including of gender and class? Where do audiences watch these films in China and how do they circulate? And, since the 2017 Film Law defined uncensored films as illegal, is independent Chinese cinema still alive? What does it mean today? And does it have a future? The essays in this anthology—many by exciting new scholars—explore these urgent questions.

Contents: Continue reading Chinese Independent Cinema

Satirical Tibet

New Publication: Satirical Tibet: The Politics of Humor in Contemporary Amdo
By Timothy Thurston
University of Washington Press, 2025.

What does comedy look like when the wrong punchline can land you in jail? Humor has long been a vital, if underrecognized, component of Tibetan life. In recent years, alongside well-publicized struggles for religious freedom and cultural preservation, comedians, hip-hop artists, and other creatives have used zurza, the Tibetan art of satire, to render meaningful social and political critique under the ever-present eye of the Chinese state. Timothy Thurston’s Satirical Tibet offers the first-ever look at this powerful tool of misdirection and inversion. Focusing on the region of Amdo, Thurston introduces the vibrant and technologically innovative comedy scene that took shape following the death of Mao Zedong and the rise of ethnic revival policies. He moves decade by decade to show how artists have folded zurza into stage performances, radio broadcasts, televised sketch comedies, and hip-hop lyrics to criticize injustices, steer popular attitudes, and encourage the survival of Tibetan culture. Surprising and vivid, Satirical Tibet shows how the ever-changing uses and meanings of a time-honored art form allow Tibetans to shape their society while navigating tightly controlled media channels.

Timothy Thurston’s groundbreaking book Satirical Tibet is the first major study of Tibetan humor. Drawing on years of research in Amdo, Thurston reveals the cultures of comedy that have thrived in Tibetan-language literature, radio, television, and oral and performing arts into the digital age.”— Christopher Rea, author of The Age of Irreverence: A New History of Laughter in China

China wants to silence RFA

Source: NYT (5/2/25)
China Wants to Silence My Organization. Why Is Trump Doing It?
By Bay Fang (Ms. Fang is the president and chief executive of Radio Free Asia.)

An illustration of a journalist in a green suit with a microphone and a camera climbing up a ladder to mount a red wall. On the other side of the wall is a red flag. A man below in a suit is trying to cut the ladder with a chain saw.

Credit…Elaine L

In February 2020, weeks before Covid-19 paralyzed the world, the Radio Free Asia reporter Jane Tang received a panicked text from a source in Wuhan, China: “They are following me,” the message read. “I’m too scared to move.” Ms. Tang had been investigating China’s cover-up of a new disease that had spread through Wuhan when she learned that Li Zehua, a journalist who had quit his state media job to chase the story, was being trailed by the police. Shortly after Ms. Tang received the message, Mr. Li was arrested.

In contacting RFA, Mr. Li turned to one of the last reliable channels for on-the-ground, uncensored news in China. Since it was established in 1996 by the U.S. government in response to China’s massacre of pro-democracy student protesters in Tiananmen Square in 1989, RFA has reported from regions in Asia hostile to independent journalism: China, North Korea and Myanmar, among others, filling an important gap where free press outlets cannot exist.

RFA’s impact has been crucial in China, where the Chinese Communist Party maintains a stranglehold on all media. The party, which leads the world in imprisoning journalists, relentlessly monitors and surveils social media and punishes people for online comments that run afoul of Beijing’s official narrative. Its advanced censorship and surveillance technologies are constantly upgraded to block unsanctioned news from reaching ordinary Chinese people. Continue reading China wants to silence RFA

ACLS, AHA, and MLA file lawsuit

I try not to post stuff related to US politics, but this situation strongly affects the work we do in Chinese Studies.–Kirk

Source: ACLS (May 1, 2025)
ACLS, AHA, and MLA File Lawsuit Alleging Illegal Dismantling of National Endowment for the Humanities
By Joy Connolly

The American Council of Learned Societies (ACLS), the American Historical Association (AHA), and the Modern Language Association (MLA) filed a lawsuit in federal district court today, seeking to reverse the recent actions to devastate the National Endowment for the Humanities (NEH), including the elimination of grant programs, staff, and entire divisions and programs.

In recent weeks, the NEH has suspended entire divisions, initiated the mass firing of 65 percent of its staff, and suspended entire grant programs. These moves threaten the future of American research into history, literature, languages, philosophy, politics, society, and culture. They restrict Americans’ ability to understand our national history and experiences.

The National Endowment for the Humanities was created in 1965 as a federal agency dedicated to funding the humanities, free of political interference. Over the past six decades, the NEH has awarded over $6 billion in funding and has supported the humanities in every state and US jurisdiction. While the agency’s current budget represents a mere one hundredths of one percent of the federal budget, the NEH has an outsize public impact. It plays a crucial role in connecting Americans to their cultural heritage, facilitating grassroots programs that have enriched K–12 education, promoted understanding of military experiences and supported returning veterans, bolstered local tourism economies, hosted community events, supported public education, produced pioneering research, and much more. Continue reading ACLS, AHA, and MLA file lawsuit

Early Chinese Film Scene Index, and Survey

Dear MCLC list members,

The Chinese Film Classics Project needs your help! Since 2020, the Project (chinesefilmclassics.org) has translated over forty (40) early Chinese films into English and made them available to the public for free. New funding is required to sustain the project, and grant agencies like to see evidence of “impact.” As such, if you have used any CFC films, please complete this brief anonymous survey, so that your institution, course(s), and/or students can be counted!

Alternatively, you can email me at <chris.rea@ubc.ca>. Thank you!

Christopher Rea

You can find the films on the Chinese Film Classics website: https://chinesefilmclassics.org/films/

FILM SCENE INDEX

Curious about early Chinese films but unsure where to start? Browse this new index and click on the link to watch a sample scene from one of the dozens of films translated by the Chinese Film Classics Project. The goals of this index are to make these films more accessible, to highlight some of their special features, to facilitate self-guided discovery, and to provide a resource for learners and educators. I make additions to this list periodically, so check back for updates.

https://chinesefilmclassics.org/index/ Continue reading Early Chinese Film Scene Index, and Survey

Performing Postsocialism–cfp

CALL FOR PAPERS
Symposium Performing Postsocialism: Cultures of Performance-Making in Twenty-First-Century China

Symposium Dates: 9-10 April 2026
Venue: University of Vienna (Jura Soyfer-Saal, Hofburg)
Deadline: 30 May 2025
Submission guidelines: See below and here

Organized as part of a research project funded by the Austrian Science Fund (FWF), this symposium invites proposals that address the relationship between performance and postsocialism in twenty-first-century China. Since its initial formulations in the late 1980s and 1990s, the notion of postsocialism has captured the ideological ambiguities and cultural contradictions brought about by China’s late-twentieth-century transition to a socialist market economy and integration into the global capitalist system in the new millennium.

Postsocialism denotes a fluid condition of socioeconomic unevenness and temporal dissonance that mirrors the stratification of traditional values with historical experiences of revolution and reform, and the persistence of socialist-era practices and institutions alongside the affirmation of new societal dynamics and cultural formations. The postsocialist turn has informed scholarly debates in several fields, ranging from literature and intellectual history to media and visual cultures. However, research on the impact of postsocialist transformation on the theory and practice of performance and on the reconfiguration of performance ecologies, aesthetics, and epistemologies since the turn of the twenty-first century has been limited. Continue reading Performing Postsocialism–cfp

A Shrine to Old HK

Source: NYT (4/25/25)
Where Bruce Lee Practiced on the Roof, a Shrine to Old Hong Kong Rises
At a formerly grand hotel where the famed martial arts star once stayed, a group of collectors is trying to preserve vestiges of the city’s past as its political identity changes.
By ; Reporting from Hong Kong

A building with a faded sign in Chinese characters atop it, surrounded by trees on a slope.

Lung Wah Hotel in Hong Kong’s northern New Territories.

In its heyday in the 1950s and ’60s, the Lung Wah Hotel, a converted, Spanish revival villa, offered a leafy refuge from the bustle of city life, near a cove and surrounded by parks in Hong Kong’s New Territories.

Winding stairs, flanked by red lanterns, led to a sprawling Chinese-style garden. On summer weekends, people gathered for games of mahjong under a pavilion as children played nearby in sandboxes and swings. Movies were once shot there and Bruce Lee, its most famous patron, practiced martial arts on its roof.

In the decades since, the hotel stopped renting out rooms because new fire codes would require them to be upgraded. The surrounding rice fields were developed into middle-class housing. The restaurant is still turning out its famed roast pigeon, but it has struggled to fill its wood-trimmed dining rooms since its 500-spot parking lot was requisitioned for a new police station in the 1970s.

Now, the operation has been given a chance for a new lease on life — by leaning into the past. An unused teahouse on the property has been remade into Hong Kong Radiance, a hands-on museum that seeks to recreate slices of the vibrant life in the city as it transitioned from a postwar factory town producing clothes, electronics and plastics into a glittering financial center connecting East and West.

John Wu, a graphic designer and well-known local collector who curated the space, said he wanted it to resemble a film set, where each corner had a cohesive color palette.

His goal, he said, was to revive memories for older visitors while also inspiring younger generations. When giving tours, he often calls attention to unique details, encouraging visitors to feel the sturdiness of the wood, for example. “Only then can these objects get a second life,” he said in an interview. Continue reading A Shrine to Old HK

Writing to the Rhythm of Labor book talk

Dear Colleagues and Students,

We extend a warm invitation for you to join us at an insightful event celebrating the release of Prof Benjamin Kindler’s new book, Writing to the Rhythm of Labor: Cultural Politics of the Chinese Revolution, 1942–1976. Details are as follows:

Date: 3 May 2025 (Sat)
Time: 5:00 – 7:00pm
Venue: MPL1201, Lingnan@WestKowloon (Address: 12/F, M+, Lingnan@West Kowloon, West Kowloon Cultural District, 38 Museum Drive, Kowloon)
Speaker: Prof Benjamin Kindler, Assistant Professor, Department of Cultural Studies, Lingnan University
Discussants:
Prof Pun Ngai, Chair Professor, Department of Cultural Studies, Lingnan University
Prof Rebecca Karl, Professor of History, New York University
Dr Harlan Chambers, Researcher, Department of East Asian Studies, University of Göttingen

Book Title: Writing to the Rhythm of Labor: Cultural Politics of the Chinese Revolution, 1942–1976
Publisher: Columbia University Press

Summary:
What does it mean to write in a socialist revolution? What defines labor in a communist society? In revolutionary China, writers were regularly dispatched to the countryside or factories with the expectation that, through immersion in the life of workers and peasants, they would be remade as “culture workers” whose writing could serve the communist project. Their cultural labor would not merely reflect or represent the process of building socialism—it would actively participate in it by excavating the contradictions and challenges of the ongoing reorganization of social relations. Continue reading Writing to the Rhythm of Labor book talk

Gender Justice and Contemporary Asian Literatures book talk

Online Book Discussion: Dr. Karen Thornber – Gender Justice and Contemporary Asian Literatures
Organizer: Dr. Paul J. D’Ambrosio
Discussants: Drs. Durba Mitra, Bruce Fulton and Hui Faye Xiao
April 23, 2025 8pm EDT
Virtual event held on Zoom: https://us06web.zoom.us/j/83317177585#success

About the Book

This casebook investigates how diverse writers from across East, South, and Southeast Asia and their diasporas have engaged with the struggle for gender justice. Each chapter analyzes works of literature originally written in Bengali, Chinese, English, Indonesian, Japanese, Khmer, Korean, Marathi, Thai, and Vietnamese. Aimed at both specialists and nonspecialists, Gender Justice and Contemporary Asian Literatures addresses such subjects as gender imparity in male-dominated professions; the lives of migrant sex workers and caregivers; the fight against reproductive, family, non-partner, and intimate partner violence; and norms of shame and silence surrounding violence against women. Informed by the author’s deep knowledge of literature, history, culture, law, and social conditions, this book will be a resource for instructors and students in gender studies, women’s studies, ethnic studies, Asian studies, Asian American studies, Asian diaspora studies, comparative literature, and world literature.

About the Author

Karen Laura Thornber is Harry Tuchman Levin Professor in Literature and professor of East Asian languages and civilizations at Harvard University. A cultural historian and scholar of literature and media, she has published numerous articles and books, including Empire of Texts in Motion: Chinese, Korean, and Taiwanese Transculturations of Japanese Literature (2009), Ecoambiguity: Environmental Crises and East Asian Literatures (2012), and Global Healing: Literature, Advocacy, Care (2020).

Posted by: Faye Xiao <hxiao@ku.edu>

Fundamental Structures of the Chinese Language

New Publication
Fundamental Structures of the Chinese Language: Topic-Comment and Other Key Structures (Routledge, 2024)
By Taciana Fisac, Riccardo Moratto

Fundamental Structures of the Chinese Language is an exceptional resource for understanding how Chinese grammar functions in natural discourse.

This book departs from the conventional approach of superimposing grammatical constructs from English onto Chinese and focuses on the topic–comment structure inherent in the Chinese language. Constructions that are usually considered complex or challenging for students whose mother tongues are subject–verb–object languages will be more easily understandable with this analysis. Simple and complex verbal structures are discussed in depth with the incorporation of the aspect category, which provides an enormous richness of nuances in the internal development of the action, and word order is considered one of the key features of the Chinese language. All the explanations are applied to numerous examples of real Chinese texts.

This textbook is a valuable resource for students, teachers, and researchers in Chinese language courses including Chinese translation, Chinese linguistics, and comparison linguistics in general.

Posted by: Regina Llamas <regina.llamas@ie.edu>

Hong Kong Crime Films review

MCLC Resource Center is pleased to announce publication of of Tom Cunliffe’s review of Hong Kong Crime Films: Criminal Realism, Censorship and Society, 1947-1986, by Kristof Van den Troost. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/cunliffe/. My thanks to Shaoling Ma, our media studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Hong Kong Crime Films:
Criminal Realism, Censorship and Society, 1947-1986

By Kristof Van den Troost


Reviewed by Tom Cunliffe

MCLC Resource Center Publication (Copyright April, 2025)


Kristof Van den Troost, Hong Kong Crime Films: Criminal Realism, Censorship and Society, 1947-1986 Edinburgh: Edinburgh University Press, 2023. 256 pages, ISBN 9781399521772 (Paperback)/ 9781399521765 (Hardback).

The term “Hong Kong crime film” conjures up numerous images, and ubiquitous among them would probably be Chow Yun-fat 周潤發 wielding dual pistols in a John Woo movie. But what of the rich history of Hong Kong crime cinema and its many sub-genres from the 1950s to the mid-1980s before Woo and others came along and shook the industry up? What of this genre’s complex relationship with Hong Kong society? How have crime films continuously exploited ambiguities in their representation of cops and gangsters? How did the politics of image making develop as colonial censorship protocols morphed? And how was cinematic realism shaped by a contesting array of forces? Kristof Van den Troost sets out to answer these questions and many more in this passionately written and extremely well researched study of Hong Kong crime films during this period. In the process, it lays out a huge watchlist for any crime film aficionado of films rarely written about in English or Chinese. Hong Kong Crime Films: Criminal Realism, Censorship and Society, 1947-1986 fills in several blanks in Hong Kong film history in its exhaustive coverage of the various sub-genres within Hong Kong crime cinema before the explosive success of A Better Tomorrow (英雄本色, 1986) kickstarted the heyday of the genre in the mid-to-late 1980s. Such achievements could inspire further research projects on Hong Kong film and media history. Understanding the roots and development of the crime film genre also explains the genre’s continuing popularity in Hong Kong, as exemplified by the recent huge success of Twilight of the Warriors: Walled In (九龍城寨之圍城, 2024). Continue reading Hong Kong Crime Films review

Joan Chen

Source: NYT (4/16/25)
Joan Chen: Exacting Artist, Cool Mom
The acclaimed actress and filmmaker is having a career renaissance playing dynamic mother roles in indie films, including in the new version of “The Wedding Banquet.”

A woman in a shimmering silver dress poses playfully beside a colorful, ornate lion dancer. She is on a stage with red curtains and a golden backdrop, under vibrant lighting.

Chen in “The Wedding Banquet,” directed by Andrew Ahn. Credit…Bleecker Street/ShivHans Pictures

When Joan Chen was in her early 20s she met with the director Ang Lee about starring in his 1993 film “The Wedding Banquet,” a New York-set rom-com about a Taiwanese American in a relationship with another man who marries a woman in need of a green card. Chen was a star in China but had recently moved to Los Angeles, and was intrigued.

“Getting married for a green card was something we all kind of thought about,” she said during a recent video interview from her home in San Francisco. “I had such a wedding myself. So it’s a great story.” (She has since remarried.)

But it took years to get the funding and Chen never ended up playing the role of the bride. The actress, who turns 64 this month, plays the bride’s mother in the remake directed by Andrew Ahn, in theaters April 18.

“I feel like it’s some sort of a karma, it’s some sort of a closure,” she said, her voice growing almost wistful. “It’s also interesting, time passing yet we’re all still here. So fortunate. What a wonderful thing.” Continue reading Joan Chen

‘Rat people’

Source: South China Morning Post (4/14/25)
China slang term ‘rat people’ for those who shun success, attracts 2 billion views
New low-energy lifestyle choice sees young people slouch in bed, live on takeaway food, avoid socialising, embrace being a recluse
By Zoey Zhang

A new slang term, “rat people”, is being embraced by millions of young people in China who shun success and lead a sluggish lifestyle. Photo: SCMP composite/Shutterstock

Young people in China who shy away from success and embrace low-energy lifestyles are calling themselves “rat people”, a slang term that has gained widespread attention online.

Unlike the hyper-disciplined crowd that usually gets up at 5am, goes to the gym, and powers through packed schedules, so-called rat people live in the slow lane.

They spend their days in bed, live on takeaway food, avoid socialising, and have no clear goals in life. The term took off after a video appeared online in late February, in which a young woman from Zhejiang province in eastern China, known as @jiawensishi, shared her day of extreme lethargy.

She stayed in bed for three hours after waking, washing up, then sleeping for another five hours. Continue reading ‘Rat people’