Engendering the Sinophone–cfp

Call for Papers: Engendering the Sinophone: Rethinking Gender, Sexuality, and Asian Settler Colonialism across the Sinophone World

The last two 3S conferences have evoked “multisensory protests,” “ocean and empires” in order to propose alternative geographical and temporal imaginaries to expand the analytical scope of Sinophone studies.

Taking Shu-mei Shih’s call for a multidirectional critique of Sinophone studies as a source of inspiration, the third 3S conference allows us the opportunity to extend the scope of Sinophone Studies in another direction. In order to consider how gender, sexuality, queerness, and trans identity and embodiment engender new directions for Sinophone studies. The choice of theme is particularly timely because of the recent emergence of queer Sinophone studies as a major subfield. The field’s popularity demonstrates how both the Sinophone and queerness work together to call into question the essentialist assumptions of Chineseness, ethnic nationalism, and heterosexuality and how these assumptions overlap. Feminist and queer indigenous writers, filmmakers, and artists expose how even analytical categories of diaspora, exile, and “postcolonialism” ignore the ongoing violence and erasure of settler colonialism. In other words, a queer Sinophone decolonial approach can expose how Chineseness, Taiwaneseness, and Hong Kongness overlap with heteronormativity, queer liberalism, creolization, and coloniality.

“Engendering the Sinophone” is a call to imagine how far the Sinophone as a concept can go when questions of gender, sexuality, feminism, and queerness are brought to bear on racial formation and indigeneity. Engaging with recent developments in Transpacific studies and decolonial theory, one might ask: how does feminist theory and queer studies redirect the conceptual contour of Sinophone studies? How do feminist, queer, and trans writers, filmmakers, and visual artists deconstruct and unsettle categories of nationalism and Chineseness? In turn, how might the multidirectional critique of Sinophone studies provincialize the assumed whiteness and Eurocentrism of feminist theory, queer studies, and trans studies? How does the question of Asian migrants as uninvited guests, or what Jodi Byrd terms “arrivants” push the field of Sinophone studies in new directions? We are interested in papers that explore these themes, including—but not limited to—the questions:

  • While queer Sinophone studies points to the deconstructive potential of both the queer and the Sinophone, what other conceptual convergence and overlapping might bring the two fields together or pull them apart? How might the legalization of gay marriage in Taiwan in 2019 and recent LGBTQ legal progresses in Hong Kong be understood within a broader genealogy of feminist and queer social movements and struggles?
  • How does the field of Asian Settler Colonialism complicate and extend the reach of the Sinophone?
  • How might feminist and queer classic works by writers and filmmakers such as Xiao Hong, Dung Kai-cheung, Chen Xue, Chi Ta-wei, Tsai Ming-liang, and Zero Chou be retheorized through queer Sinophone theory? What analytical potential can queer Sinophone studies engender beyond conventional feminist and queer approaches alone?
  • How might queer Native studies, queer indigeneity, and decolonial studies further unsettle the Han-centrism evident in most mainstream gay, lesbian, and trans historiography and narratives produced by historians, writers, and filmmakers? In short, how might indigenous and decolonial studies queer queer Sinophone studies?

Submit your proposal via this google form by October 21, 2024. For further questions contact the Society for Sinophone Studies at admin@sinophonestudies.org

Dates: May 9-10, 2025 at the University of Alberta in Edmonton, Canada.

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