Heritage and Urban Space

The Contemporary China Centre at the University of Westminster is pleased to announce the next event in our Conference Deconstructed – Heritage and Urban Space.

Speakers: Dr Philipp Demgenski, Dr Luo Pan, Dr Paul Kendall
Date and Time: Wednesday, 20th November, 13:00-15:00 (GMT)
Location: Online via Zoom
Registration:  The event is free to attend and open to all. A Zoom link will be provided to all those who register via Ticket Tailor before 18 November.

Panel Description:

Since China ratified the UNESCO World Heritage Convention in 1985, heritage discourse has become intertwined with all kinds of spaces. This has included not only world-famous heritage sites such as the Great Wall and the Forbidden City but also spaces that have not previously been regarded by state institutions as worthy of celebration, such as colonial buildings, neighbourhoods delineated by popular religion, and abandoned factories. Rapid urban development has constituted a constant threat to all but the most revered heritage sites and yet municipal authorities have also selectively preserved or reconstructed colonial, religious and industrial spaces (among others) in order to redevelop inner-city neighbourhoods, produce unique city brands and generate tourist revenue. This panel continues the Contemporary China Centre Conference Deconstructed format, bringing together international experts to examine municipal attempts at the heritagization of urban space, as well as the extent to which these projects have been successful in their aims. Continue reading Heritage and Urban Space

Shanghai Urban Life review

MCLC Resource Center is pleased to announce publication of Andrea Janku’s review of Shanghai Urban Life and Its Heterogeneous Cultural Entanglements, by Xiong Yuezhi. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/janku/. My thanks to Nicholas Kaldis, our literary studies book review editor, for ushering the review to publication.

Kirk A. Denton, MCLC

Shanghai Urban Life and Its
Heterogeneous Cultural Entanglements

By Xiong Yuezhi
Translated by Lane J. Harris and Mei Chun


Reviewed by Andrea Janku
MCLC Resource Center Publication (Copyright August, 2024)


Xiong Yuezhi, Shanghai Urban Life and Its Heterogenous Cultural Entanglements Trs. Lane J. Harris and Mei Chun. Leiden: Brill, 2022. Xvi + 425 pp. ISSN: 1874-8023; ISBN 978-90-04-51110-1 (hardback); ISBN 978-90-04-52289-3 (e-book)

Shanghai Urban Life and Its Heterogeneous Cultural Entanglements (异质文化交织下的上海都市生活, 2008) is the first in the Urban Life in Shanghai series, which comprises no less than twenty-five monographs covering a range of aspects of the history of Shanghai urban life and was published between 2008 and 2011. Led and coordinated by professor Xiong Yuezhi (熊月之), former vice president of the Shanghai Academy of Social Sciences and director of its Institute of Historical Research, this almost encyclopaedic collection is the product of a major municipal research endeavour bringing together top academics from research institutes and universities across Shanghai. Xiong is the author of the first volume of the series, here under review in its translated version. Xiong’s monograph is also the first of the series to be translated into English by co-translators Lane J. Harris and Mei Chun, for the Brill Humanities in China Library, co-edited by Zhang Longxi and Axel Schneider. The Urban Life in Shanghai project was launched in 2001, building on almost two decades of research on the history of modern Shanghai that began with the political and economic changes and concomitant cultural and intellectual departures of the 1980s. Until then, Shanghai embodied all the dark sides of Western capitalist imperialism and China’s weakness in the face of it. From then on, Shanghai’s history could be seen in a far more nuanced and even positive light. While initial interest in Chinese scholarship focused on Shanghai’s economic modernity—Rhoads Murphey’s study on Shanghai as the “key to modern China”[2] remains an important reference—this more recent project is part of a trend in the scholarship toward a focus on culture and everyday life in the modern city. In addition, the present study explicitly aims at moving beyond this focus on modern urban culture to include the rural and “backward” that also continued to exist in the modern city, adding to its contradictions and diversity.[3] This mundane urban life unfolds in what Xiong portrays as a uniquely fertile environment created by the coexistence of the Chinese and the foreign, the local and the global, the rural and the urban, the rich and the poor in the International and French concessions and the old Chinese town. Taken as a whole, in the eyes of the author, the “heterogeneous cultural entanglements” characterizing this city, together with space for dissent (not Xiong’s wording) created by the fault lines along its multiple administrative boundaries, elevates Shanghai to an exceptional city, unparalleled in its diversity—administrative, ethnic, religious, linguistic, cultural, etc. This claim goes beyond Marie-Claire Bergère’s conceptualization of Shanghai as “the other China.”[4] In her 1979 study of Shanghai as Republican China’s center of modern industry she highlights how the stigma of colonialism had marked Shanghai’s history after the Communist victory in 1949 and obscured the city’s national significance (despite its continuing centrality in practice). Then, Shanghai’s distinctiveness and otherness constituted a problem. Not anymore. Continue reading Shanghai Urban Life review

Urban Culture in Imperial China panelist–cfp

Dear Colleagues,

We are inviting expressions of interest for a fourth panelist to join our AAS panel focusing on urban culture in imperial China. This panel seeks to explore the multifaceted city life of premodern China and East Asia through various lenses such as literature, religion, entertainment, and ritual activities.  Our current three panelists will delve into diverse aspects:

  • Political legitimacy and the strategic placement of capitals in Pre-Song China
  • Court entertainment during the Northern Song dynasty
  • Interactions between commoners and monasteries in the Ming Dynasty

We are fortunate to have Professor Steven Miles from Washington University in St. Louis as our panel chair.

We are looking for a scholar whose research complements our theme by examining urban culture from a social, economic, or political perspective. If you are interested in contributing to this intriguing discussion, please contact I-Chin Lin and Frankie Chik at ilin17@asu.edu and HIC24@pitt.edu with your proposal.  We look forward to your participation and contributions to what promises to be a rich and engaging discussion.

Best regards,

Hin Ming Frankie Chik <HIC24@pitt.edu>

Shangyuan Art Museum to be demolished

They say the mayor’s office of Beijing city has made this decision to demolish the Shangyuan Art Museum. No reason given, no plan, no date. Could be tomorrow. Please tell anyone you can think of, ask anyone and ask people to ask about this. Thank you!

Martin Winter

没心情写诗
反正要拆
拆艺术馆
拆工作室
拆画廊
拆图书馆
拆国际交流
二十年来
所建立的
统统都拆
没说理由
没说日期
没说计划
一直这样
今天通知
非常适合

2024.6.4

DEMOLISH

What is the opposite
of soft power?
Burning bridges?
Beijing Shangyuan Art Museum
has been a bridge
for international relations
in art and culture
for twenty years.
Yesterday and today
here at the museum
people came to measure buildings
slated for demolition.
Everything must go!
Everyone!
This hill is for goats
anyway.
No reason given,
no exact date.
Nothing new in this country.
Today’s date
fits rather well.

MW June 4th, 2024

Echoes of Harbin

NEW BOOK: Dan Ben-Canaan, Echoes of Harbin – Reflections on Space and Time of a Vanished Community in Manchuria (Lexington Books) is being published and will be available in early March 2024.

Echoes of Harbin: Reflections on Space and Time of a Vanished Community in Manchuria deals with Harbin, a Chinese city that was established by Russians in 1898 and was a home for more than 38 different national ethnic communities for over 60 years. Among the communities, and second in size, was the Jewish community. This book exposes several areas that have contributed to the Jewish experience in China, particularly in Harbin, and paints a revealing picture of what a Jewish community in an alien land was and how it functioned in a space that was shared with other communities. While it starts with a unique space called Manchuria that had its mark on the town of Harbin, it uncovers the active and productive life of a community that wished for a haven but found unrest and hostilities and had to look for it elsewhere.

A blurb on the back cover:

“While much international attention has been focused in recent years on China’s northwest (Xinjiang and the Uyghurs), the study of modern northeast China, which was a considerably more important historical and strategic arena, has been somewhat marginalized. Focusing on Harbin, this book provides a vertical and horizontal analysis of northeast China since the late-nineteenth to the mid-twentieth centuries, underlying the role of Jews in comprehensive, virtually encyclopedic details never discussed before. As such, it is an outstanding lifelong achievement.” —Yitzhak Shichor, professor emeritus, Hebrew University of Jerusalem

Posted by: Dan Ben-Canann <canaan@inter.net.il>

Recreating a bygone China

Source: NYT (8/19/23)
Recreating a Bygone China, One Miniature Home at a Time
China’s rapid economic growth has meant the demolition of countless rural homes, and a burgeoning nostalgia. That’s where the miniaturists come in.
By  (Reporting from the studios of several miniaturists in Hebei and Shandong Provinces)

A wheelbarrow and icebox sit in front of a one-story house with peeling paint on the windows.

Shen Peng painstakingly crafted a miniature replica of his childhood home near Baoding, China. A hairstylist by trade, Mr. Shen taught himself to make the models as a surprise for his grandmother.

Not long after Shen Peng’s grandfather died, his grandmother visited the site of the house where she and her husband once lived. The government had demolished the house, in northern China, nearly 15 years before as part of a redevelopment project. The site still hadn’t been developed, and she could barely walk around the family’s old plot because the grass was so overgrown.

Mr. Shen wondered: Could he help her relive her memories another way?

For more than six months, he labored in secret after his day job as a hairdresser. Finally, Mr. Shen, now 31, presented his grandmother with a surprise — a handcrafted 1:20 scale replica of her old home.

There was the wire clothesline in the courtyard, draped with a blue blanket cut into the size of a postage stamp. There was the rickety bicycle, outside a shed constructed with foam boards and plaster. Mr. Shen had even traveled to the site of the old house to better recreate the fragment of brick wall that still remained.

The project led him into a small but growing community of artists in China filling an increasingly urgent demand: miniature replicas of homes that have been demolished, remodeled or otherwise swept away by China’s modernization. Continue reading Recreating a bygone China

Picun Museum to be demolished

The Museum of Migrant Worker Culture and Art 打工文化艺术博物馆, in Picun, on the outskirts of Beijing, will be demolished in the very near future, to make way for urban development. The Migrant Workers Home 工友之家, of which the Museum is a part, is organizing a get-together on May 20th to bid the Museum farewell. Here’s an announcement from the community, with beautiful single-shot video and beautiful, carefully paced voice-over by someone who sounds like they are poet Xiao Hai 小海:  https://mp.weixin.qq.com/s/FJ7P9LMwcWInU2hk2dclrw

The Picun Museum of Migrant Worker Culture and Art. Source.

Founded in 2008, the Museum has been a unique monument to migrant worker culture, produced by migrant workers for migrant workers (while welcoming others as well) to document and reflect on the migrant worker experience. The announcement mentioned above says it has seen over 50.000 visitors over the years.

The Museum is a shining example of the cultural education 文化教育  that is a key element of the Home’s mission to advance migrant worker rights (other designations of this social group include “new workers” 新工人 and “battlers” 打工者). Alongside achievements in music, literature, theater, digital video, and so on, it embodies the rich and complex force field in which migrant worker culture emerges: socioeconomic insecurity, political constraints, class-based hierarchies of aesthetics, DIY infrastructure, media interest propelled by a mix of social concern and engagement with voyeurism and othering. Continue reading Picun Museum to be demolished

China’s cities are buried in debt

Source: NYT (3/28/23)
China’s Cities Are Buried in Debt, but They Keep Shoveling It On
阅读简体中文版 | 閱讀繁體中文版
China has long pursued growth by public spending, even after the payoff has faded. Cities stuck with the bill are still spending — and cutting essential services.
By Li Yuan

Credit…Xinmei Liu

In 2015, when Shangqiu, a municipality in central China, laid out a plan for the next two decades, it positioned itself as a transportation hub with a sprawling network of railways, highways and river shipping routes.

By the end of 2020, Shangqiu had built 114 miles of high-speed rail, and today several national railways make stops in the city. By 2025, Shangqiu expects the coverage of its highway network to have increased by 87 percent. The city is building its first two airports, three new highways and enough parking space for 20,000 additional slots.

The infrastructure splurge is far from over. On Feb. 23, the Shangqiu Communist Party secretary reiterated the city’s vision as a logistics power when celebrating a new partnership with a state-owned investment firm, which could help Shangqiu borrow money for even more projects.

That morning, the city’s bus operator announced that it would have to suspend services because of financial difficulties. The pandemic had hit it hard, the company said, and the Shangqiu government hadn’t provided subsidies that it had promised. As a result, the company had not paid its employees for months — it couldn’t even afford to charge its electric buses. A few hours after posting its announcement, the company deleted it, after it had made national headlines and the Shangqiu government had intervened. Continue reading China’s cities are buried in debt

PRISM 19.1

PRISM 19.1 (2022)

THEMED CLUSTER CHRONOTOPIA: Urban Space and Time in Twenty-First-Century Sinophone Film and Fiction

https://read.dukeupress.edu/prism/issue/19/1

Introduction: Chronotopia: Urban Space and Time in Twenty-First-Century Sinophone Film and Fiction
By Astrid Møller-Olsen

ARTICLES

Dialogical Representation of the Global City in Chinese New Urban and Rural-Migrant Films
By Jie Lu

Ghostly Chronotopes: Spectral Cityscapes in Post-2000 Chinese Literature
by Winnie L. M. Yee

Spatiotemporal Explorations: Narrating Social Inequalities in Contemporary Chinese Science Fiction
By Frederike Schneider-Vielsäcker

Reconfiguring the Chronotope: Spatiotemporal Representations and Cultural Imaginations of Beijing in Mr. Six
By Xuesong Shao and Sheldon Lu

Take the Elevator to Tomorrow: Mobile Space and Lingering Time in Contemporary Urban Fiction
By Astrid Møller-Olsen Continue reading PRISM 19.1

Fantasy and Global Cities seminar–cfp

Klaudia Lee (City University of Hong Kong) and I have proposed a seminar on the theme of “Fantasy and Global Cities, 1830–1930” for the forthcoming American Comparative Literature Association conference in Taipei from June 15–18, 2022 (with contingency plans for an online conference if needed). The deadline for paper submission is this Sunday, October 31: https://www.acla.org/node/add/paper. We very much hope you will consider submitting a paper. Here is the CFP: https://www.acla.org/fantasy-and-global-cities-1830-1930

If you have any questions, feel free to contact Klaudia Lee (hiuylee@cityu.edu.hk), or me (sharinschroeder@mail.ntut.edu.tw).

More information on the ACLA conference can be found here: https://www.acla.org/annual-meeting-2022. As mentioned, at the moment, the meeting is planned to be held in person, but it may be moved online–that decision will be made in January. If you are interested in the conference but can only attend if it is in a particular format, please e-mail Klaudia and me with details when you submit your proposal. Thank you!

All best,

Sharin Schroeder

Ghost cities stirring to life

Source: Bloomberg (9/1/21)
China’s Ghost Cities Are Finally Stirring to Life After Years of Empty Streets
By Bloomberg News

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On a bridge in Zhengdong New District, Zhengzhou.. PHOTOGRAPHER: YUFAN LU FOR BLOOMBERG BUSINESSWEEK

Conjured out of nothing and lived in by seemingly no one, China’s so-called ghost cities became the subject of Western media fascination a decade ago. Photos of these huge urban developments went viral online, presenting scenes of compelling weirdness: empty apartment towers stranded in a sea of mud; broad boulevards devoid of cars or people; over-the-top architectural showpieces with no apparent function.

“In places called ghost cities you find massive, ambitious urbanizing projects that spark investment but don’t draw population all at once,” says Max Woodworth, an associate professor of geography at Ohio State University who’s written extensively on the topic. “The result is a landscape that appears very citylike but without much action in it.” China was underurbanized for many years, Woodworth says, and has raced to correct that. But the pace of building often outstrips the rate at which newcomers move in, even with investors snapping up apartments as Chinese home prices rise.

As the economy continues its long shift away from agriculture, urbanization and construction have become twin catalysts of China’s unparalleled growth. In 1978 just 18% of its population lived in cities; by last year that figure had reached 64%. The country now has at least 10 megacities with more than 10 million residents each, and more than one-tenth of the world’s population resides in Chinese cities. Continue reading Ghost cities stirring to life

The Museum Victoria City brings colonial history to life

Source: SCMP (5/3/21)
Hong Kong’s colonial history brought to life at The Museum Victoria City with avid collector’s authentic and reimagined artefacts
Collector and founder of The Museum Victoria City, Bryan Ong has been interested in colonial memorabilia since he was 15 years old. His collection includes medals, military jackets, banknotes and hand-painted reproductions
By

Bryan Ong, founder of The Museum in Central, Hong Kong. Ong has amassed a collection of British colonial and military items. Photo: Jonathan Wong

Bryan Ong, founder of The Museum in Central, Hong Kong. Ong has amassed a collection of British colonial and military items. Photo: Jonathan Wong

The recently opened The Museum Victoria City in Central takes visitors down memory lane, with a mixture of authentic and re-interpreted nostalgic items from colonial Hong Kong.

There are red British military ceremonial jackets, embroidered badges with a lion and a dragon, a full body armour plate, the old “Murray Building” sign before it was turned into a hotel, and the old Urban Council logo.

There’s also a portrait of young Queen Elizabeth wearing a crown and yellow evening gown that looks like it could have hung in a government building up until June 30, 1997, except that it isn’t a British government-issued portrait – instead it’s one the Museum’s founder Bryan Ong Ye-hou had painted.

“The original portrait is in The Royal Gallery. The royal portraits that were in the [Hong Kong] government buildings were all copies,” he says. There are surviving old government copies but these have faded. So he and his team repainted the portrait, which required research into the garter and details of the jewellery she was wearing. Continue reading The Museum Victoria City brings colonial history to life

The architects rescuing villages from oblivion

Source: The Guardian (3/24/21)
China’s rural revolution: the architects rescuing its villages from oblivion
By Oliver Wainwright

Mesmerising … the Caizhai tofu factory. Photograph: Wang Ziling

After 20 years of frantic city-building, rustic China is in a death spiral. Now architects are helping to reverse the exodus – with inspirational tofu factories, rice wine distilleries and lotus tea plants

In the remote Chinese village of Caizhai, a series of wooden pavilions step down a slope next to a babbling brook, their pitched tiled roofs echoing the rocky peaks of the mountains behind. Through big picture windows, day-trippers look inside, watching big barrels of soya make the journey from bean to tofu, passing through different rooms for soaking, grinding, pressing and frying, in a mesmerising parade of beancurd production.

Caizhai has always been known as a centre of tofu. But, before this facility was built in 2018, families would produce small batches in their home workshops. They struggled to make ends meet, as the conditions didn’t meet the food safety standards for the tofu to be sold in supermarkets, while the younger generation saw little incentive to stick around in the countryside and join ailing family businesses.

Now, however, with a newly formed village co-operative running this purpose-built factory, they are processing 100kg of soybeans a day, supplying nearby schools and workers’ canteens, and selling the improved product – for almost double the previous price – to retailers in the cities. Around 30 younger villagers, who had been lured away by metropolitan life, have returned to Caizhai to join the production team, and visitors have increased 20-fold. They are drawn by an increasingly widespread nostalgia for the countryside, to see traditional tofu-making in action and get a taste of village life, creating demand for further cafes, guesthouses and related businesses nearby. Continue reading The architects rescuing villages from oblivion

HK’s West Kowloon Cultural District

Source: SCMP (1/22/21)
What to know about the 4 venues defining Hong Kong’s West Kowloon Cultural District
Conceptualised as one of the world’s largest cultural hubs, the waterfront area comprises museums, performance stages and green space. Its new architectural landmarks have designs influenced by Chinese culture and distinctive features such as the huge LED screen atop M+ museum
By Morning Studio Editors

Hong Kong’s West Kowloon Cultural District (WKCD) occupies 40 hectares (99 acres) of land on the westernmost tip of the Kowloon peninsula. Fusing art, education and recreational activities amid a collection of impressively designed buildings, this new cultural hub aims to raise the bar for what the city can achieve in the world of modern and contemporary art.

Not only will the district help elevate regional talent to new heights, but it is also contributing to Hong Kong’s expanding portfolio of architectural landmarks. Here are some of the unique features that define the four spaces at WKCD. Continue reading HK’s West Kowloon Cultural District

Serve the people, discipline the Party

Source: China Channel, LARB (2/19/21
Serve the People, Discipline the Party
By Jonathan Chatwin
Jonathan Chatwin visits a new museum dedicated to Party Discipline in Wuhan

A statue display of Chinese Communist Party founders at the Chinese Communist Party Discipline Building Exhibition Hall in Wuhan. All photos courtesy of the author.

“Do you know where Mao’s old house is?” the hotel receptionist asked his colleague. The screen of my phone was zoomed in on a small grey square, labelled ‘Comrade Mao Zedong’s Former Residence’. Neither of them had heard of it, so they called their manager over, and the four of us stood in the echoey, white-tiled reception of my cheap Wuhan hotel, reorienting my phone to try and figure out where I was going. Eventually, one of them spotted a nearby subway station they knew and told me the quickest way across town. “He came here in 1966,” the manager told me. “Did you know he swam in the Yangtze?”

A few hundred yards down the embankment from my hotel, I had already seen the enormous metal numerals which commemorate the date of the swim the hotel manager was referring to: 66.7.16. The hot morning of July 16 1966 was one of eighteen occasions when the Great Helmsman swam in China’s great river at Wuhan, and indisputably the most well-known. A showy demonstration of physical vigour, it prefigured his return to Beijing, where the next month he threw himself into promoting the Cultural Revolution. Continue reading Serve the people, discipline the Party