A History of Taiwan Literature review

MCLC Resource Center is pleased to announce publication of Po-hsi Chen’s review of A History of Taiwan Literature, by Ye Shitao, translated and edited by Christopher Lupke. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/po-hsi-chen/. My thanks to Michael Hill, our translation/translation studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

A History of Taiwan Literature

Ye Shitao

Translated, Edited, and Introduced by Christopher Lupke


Reviewed by Po-hsi Chen

MCLC Resource Center Publication (Copyright April, 2023)


Ye Shitao, A History of Taiwan LiteratureTranslated, with introduction and epilogue, by Christopher Lupke. Amherst, NY: Cambria Press, 2020. 404 pp. ISBN: 9781638570035 (paperback).

In 2022, Yeh Shih-tao, a Taiwan Man 台灣男子葉石濤 (dir. Hsu Hui-lin 許卉林) was released, marking a rare occasion where a documentary about a Taiwanese literary writer hit the big screen. The film’s subject, Ye Shitao (1925–2008), was a renowned novelist and literary historian. In the previous year, Christopher Lupke’s much-anticipated translation of Ye’s A History of Taiwan Literature 台灣文學史綱 was awarded the well-deserved MLA Aldo and Jeanne Scaglione Prize for a Translation of a Scholarly Study of Literature. Before its translation, this book was long considered a must-read for students interested in pursuing a degree in Taiwanese literature. Given the relatively marginalized status of Taiwanese literary history in English-language curricula, Lupke’s contribution is significant. Although a general history of Taiwan can be taught by using Wan-yao Chou’s A New Illustrated History of Taiwan,[1] a similar resource for literature was not available until this translation was published. Moreover, before Lupke’s translation, there was no comprehensive book in English that systematically covers the history of Taiwanese literature from the late imperial to the post-martial law period.[2] In the English translation, Ye’s original text is bookended by Lupke’s detailed introduction and an epilogue that chronicles the post-1987 development of Taiwanese literature. Continue reading A History of Taiwan Literature review

Indigenous Taiwan, Transpacific Connections talks

Indigenous Taiwan, Transpacific Connections
台灣原住民文化: 跨越太平洋的聯結

Bilingual videos of eight talks with four Taiwan writers and filmmakers about Indigeneity, art, and life in contemporary Taiwan:

Writer Badai 巴代

“Indigenous literary practices in postcolonial Taiwan” (43 mins): https://youtu.be/df48hcX2xCw

“Indigenous culture in modern society” (41 mins): https://youtu.be/z89TuiduB7o

Filmmaker Wei Te-sheng 魏德聖

“The making of the first blockbuster film about Taiwan’s Indigenous history” (43 mins): https://youtu.be/2lfaTFpm5tE

“Representing Taiwan tribes in ‘Warriors of the Rainbow'” (37 mins): https://youtu.be/-wEsvAS0EV4

Writer Ahronglong Sakinu 亞榮隆撒可奴

“Reviving Taiwan Indigenous practices for a new generation” (58 mins): https://youtu.be/vfMpMUpFEqI

“Mountain boars and flying squirrels in ‘Hunter School'” (44 mins): https://youtu.be/ISDPzkXTPrI
Continue reading Indigenous Taiwan, Transpacific Connections talks

Ma Ying-jeou visits China

Source: AP (3/27/23)
Taiwan’s former leader Ma begins China visit
By HUIZHONG WU and JOHNSON LAI

In this photo released by Ma Ying-jeou Office, Former Taiwan President Ma Ying-jeou, center, waves as he arrivers with his delegation at the Pudong airport in Shanghai, China, Monday, March 27, 2023. Ma departed for a tour of China on Monday, in what he called an attempt to reduce tensions a day after Taiwan lost one of its few remaining diplomatic partners to China. Monday, March 27, 2023. (Ma Ying-jeou Office via AP)

In this photo released by Ma Ying-jeou Office, Former Taiwan President Ma Ying-jeou, center, waves as he arrivers with his delegation at the Pudong airport in Shanghai, China, Monday, March 27, 2023. Ma departed for a tour of China on Monday, in what he called an attempt to reduce tensions a day after Taiwan lost one of its few remaining diplomatic partners to China. Monday, March 27, 2023. (Ma Ying-jeou Office via AP)

TAOYUAN, Taiwan (AP) — Former Taiwan President Ma Ying-jeou departed for a tour of China on Monday, in what he called an attempt to reduce tensions a day after Taiwan lost one of its few remaining diplomatic partners to China.

The ex-president is visiting in a private capacity, bringing a delegation of academics and college students for exchanges, as well as members of his family, but the trip is loaded with political meaning.

Ma’s policies brought Taiwan and Beijing to their closest relationship ever, but his exit from office was overshadowed by massive protests against a trade deal with the mainland and his successor has focused on bolstering ties with the U.S. and defending the autonomy of the democratically governed island that China claims as part of its own territory.

Current President Tsai Ing-wen is expected to launch a 10-day diplomatic tour of her own Wednesday, ostensibly to visit the island’s remaining allies in Latin America. She will stop in the U.S., Taiwan’s biggest unofficial partner and supplier of arms.

Ma’s visit comes amid rising tensions. Beijing has stepped up pressure against Taiwan in recent years, poaching its diplomatic allies while also sending military fighter jets flying towards the island on a near daily basis. On Sunday, Honduras established diplomatic relations with China, leaving Taiwan with only 13 countries that recognize it as a sovereign state. Continue reading Ma Ying-jeou visits China

Newman Prize in Chinese Literature 2023

The Newman Prize in Chinese Literature Symposium, which was held on March 2, can be viewed on Youtube here: https://www.youtube.com/watch?v=mDyWPkAUUT8. It features Zhang Guixing 張貴興, the 2023 prize winner, reading from a new novel, and talks by Shu-mei Shih, E. K. Tan, and Carlos Rojas. The video starts at around minute 7:00.  The award ceremony, held yesterday, can be seen here: https://www.youtube.com/watch?v=oDRhiAjHntI. Speeches start at minute 41:40.

Taiwan Literature in the 21st Century

Dear colleagues,

We are thrilled to announce that Taiwan Literature in the 21st Century: A Critical Reader has been published by Springer.

This anthology involves wide-ranging topics, such as the rewriting of Taiwanese history, human rights, political and social transitions, post-nativism, Indigenous consciousness, science fiction, ecocriticism, gender and queer studies, and localization and globalization. The goal is to rethink these existing topics and further explore innovative takes on Taiwan literature in the contemporary era.

If you are interested, please check out the book via the link below.

https://link.springer.com/book/10.1007/978-981-19-8380-1

Sincerely,

Chia-rong Wu, Associate Professor, University of Canterbury, New Zealand <chiarong.wu@canterbury.ac.nz>
Ming-ju Fan, Professor, National Chengchi University, Taiwan

Writer on death row

Source: Taipei Times (1/15/23)
Taiwan in Time: Writer on death row
Condemned for masterminding a kidnapping, award-winning author Tang Chen-huan’s first piece — a heart-rending letter to his young son — was published on Jan. 18, 1972
By Han Cheung / Staff reporter

The cover of The Confessions of A Death Row Inmate, published in 1975. Photo courtesy of National Central Library

Titled “Confessions of a Father on Death Row,” (一個死刑犯父親的心聲), Tang Chen-huan’s (唐震寰) literary debut was one of sorrow and regret.

It ran in the literary supplement of the China Daily News (中華日報) on Jan. 18, 1972, and marked the beginning of Tang’s literary career, which included several awards and a movie adaptation. He was the nation’s first inmate to pay taxes on book royalties.

The well-liked former junior high school teacher was condemned for kidnapping the children of a businessman who had cheated him out of a large sum of money. Although he returned the kids unharmed, such crimes were punishable by death during the Martial Law era.

“I wrote for nearly 20 hours a day, because I didn’t know if I would be dragged out and executed when the morning came,” he writes in a Xiangguang Magazine (香光莊嚴) article in 1996. “As long as I could still breathe, I wanted to write down all the words I wanted to say … I hoped that those in precarious situations, or those who sought revenge, could see me as an example and refrain from doing something they would regret forever.” Continue reading Writer on death row

Comedies in East Asian Media

New Publication
Comedies in East Asian Media: Laughing in Bitter Times, a special issue of Archiv orientální
Archiv orientální Vol. 90 No. 3 (2022)
Editors: Ta-wei Chi, Elaine Chung, and Jessica Siu-yin Yeung
https://aror.orient.cas.cz/index.php/ArOr

Table of Contents

Introduction/ Ta-wei Chi, Elaine Chung, Jessica Siu-yin Yeung

Cultural Memory, the Trope of “Humble Wage Earners,” and Everyman Heroism in the Hui Brothers’ Comedies and Their Remake/ Jessica Siu-yin Yeung

Laughter Suspended: Japanese Surreal Comedy and the Ends of Progress/ David Humphrey

Neoliberal Subjectivities and Cynicism in China: Feng Xiaogang’s Dream-play Comedies/ Yung-Hang Bruce Lai

A Tale of Two Dragons: Politics of the Comedic Kung Fu Body in Chinese Cinema/ Wayne Wong

YouTube Vidding and Participatory Memories of Stephen Chow’s Stardom in South Korea/ Elaine Chung

“I wish my films would bring hopes to the spectators”: An interview with Michael Hui/ Jessica Siu-yin Yeung

City of Laughter: On the Traditions and Trends of Hong Kong Comedy Films/ Fiona Yuk-wa Law

A Brief History of Taiwanese Comedy Cinema/ George Chun Han Wang

For query about access, please contact the editors:

Ta-wei Chi (tw@g.nccu.edu.tw)
Elaine Chung (ChungE@cardiff.ac.uk)
Jessica Siu-yin Yeung (jessica_yeung@soas.ac.uk)

Classical trash

Source: The Guardian (12/26/22)
Classical trash: how Taiwan’s musical bin lorries transformed ‘garbage island’
Army of yellow garbage trucks blasting out classical jingles brings out a Pavlovian response to take out bins
By Helen Davidson and Chi Hui Lin in Taipei

Mr Li, a 32-year-old binman in Taipei: “Whenever I hear Für Elise, I feel like I need to take out the garbage as well.’ Photograph: Chi Hui Lin/The Guardian

The sound is inescapable. Wherever you are in Taiwan – be it three beers deep at a city bar, floating in the Taiwan Strait, or hauling yourself up a mountain – you’ll still hear the tinny, off-key classical jingle, and it will trigger a Pavlovian surge of panic: I have to take the bins out.

In the last few decades, Taiwan has transformed itself from “garbage island” to one of the world’s best managers of household trash, and it’s done so with a soundtrack. Armies of yellow trucks trundle through the streets five days a week, blasting earsplitting snippets of either Beethoven’s Für Elise or A Maiden’s Prayer by Tekla Bądarzewska-Baranowska.

In the Taipei suburb of Guting, Ms Chen, 60, sits on the steps of a Buddhist temple with her neighbour waiting for the trucks to arrive. They and the surrounding neighbours are dressed casually, some in pyjamas and hair curlers, chatting or looking at their phones. Continue reading Classical trash

Repositioning Taiwan–cfp

Call for Proposals: Resistance and Resilience: Repositioning Taiwan
28th NATSA Annual Conference | June 22-24, 2023 | Irvine, California

Recent years have seen challenges, both new and old, for the global community. Such new challenges include the expansion of authoritarian influence and aggression, a global pandemic that has reignited debates on different forms of governance, polarization in democratic societies, and technological developments further enabling digital authoritarianism and inequality. Old modes of domination and marginalization, such as those pertaining to race, ethnicity, gender, religion, colonialism, and beyond also continue to persist and interweave with new global conditions. These dynamics play out not only in entrenched ways of seeing and framing but also in the dominant narratives, subject matters, and methodologies in academic research. Standing at this historical juncture of instability and change, we seek reflexive and critical engagements that can open up opportunities to reimagine ways of coping with, navigating, and collaboratively shaping the new realities of today’s world.

The North American Taiwan Studies Association (NATSA) has, since its inauguration, dedicated itself to being a platform that can exhibit the diverse perspectives and values of Taiwan and Taiwan Studies. We believe that the inclusivity and diversity of Taiwanese society provide a space for developing alternative views, theories, and narratives that deconstruct and destabilize dominant and hegemonic perspectives. It is in the midst of transitions and transformations that different modes of resistance, resilience, and repositioning emerge. We see these new opportunities as a fluid process of recognizing power dynamics, implementing multifaceted methods of ensuring inclusivity and sustainability, and negotiating meaning-making paradigms that span the wider relations of scholars/practitioners/activists and the communities we work with/for. We welcome proposals that shed light on different modes of resistance, resilience, and repositioning using Taiwan as a case, a method, a theory, a practice, a substantive area, or in any other capacity.

Click here for the full Call for Papers.

The Post-Truth World review

Source: Taipei Times (11/4/22)
Movie review: The Post-Truth World
This glossy murder-mystery thriller offers a sharp critique of today’s sensationalist media and raises questions about the pursuit of truth
By Han Cheung / Staff reporter

Edward Chen and Caitlin Fang star in The Post-Truth World. Photos courtesy of Vie Vision Pictures

This is the type of movie that makes people hate journalists. Not only does Chang Hsiao-chuan (張孝全) effortlessly play the stereotypical dogged, slimy reporter who discards any ethical boundaries to get a story, he habitually manipulates facts to boost online views for his floundering news program.

But the grim truth for the industry, as shown in an exaggerated manner in The Post-Truth World (罪後真相) is that clicks rule the news these days, and viewers should not entirely trust the information being presented. Neither should the journalists themselves.

This biting critique of Taiwan’s increasingly sensationalist media landscape is smartly packaged as a glossy murder-mystery thriller, boosted with celebrity cameos. It’s slick and entertaining enough, but it’s the understated complexity of the main characters that makes the film thought-provoking.

Despite his flaws and questionable behavior, Chang’s character, Brother Li-min, somehow still manages to come off as a sympathetic hero. He seems to want to do the right thing, especially at the behest of his late wife, who was an award-winning investigative journalist, but also faces immense pressure from his boss (who at the same time makes righteous comments about delivering fair and balanced news) to get views. Continue reading The Post-Truth World review

Taiwan’s Bomb Shelters

Source: NYT (11/6/22)
Taiwan’s Bomb Shelters: ‘A Space for Life. And a Space for Death.’
Preparing for war over hundreds of years has left a mark on the island, with its hundreds of bomb shelters. Some are being turned into cultural oases.
By Damien Cave and Amy Chang Chien

A bunker that has been converted into a temple in Keelung, Taiwan.

A bunker that has been converted into a temple in Keelung, Taiwan. Credit…Lam Yik Fei for The New York Times

KEELUNG, Taiwan — Visitors to Keelung, a mountainous port city on Taiwan’s northern coast, might reasonably think that the white wall at the back of Shi Hui-hua’s breakfast shop is, well, a wall. Only a few air vents suggest that there might be something on the other side.

“It’s a bomb shelter,” said Ms. Shi, 53, as she waited for the morning rush. “Because we’re Keelung people, we know these kinds of places.”

“It’s a space for life,” she added. “And a space for death.”

All over her street and many more in Keelung — which suffered its first foreign attack, by the Dutch, in 1642 — the landscape has been carved up for protection. Kitchens connect to underground passageways that tunnel into the sandstone. Rusty gates at the ends of alleys lead to dark maws that are filled with memories of war, and sometimes trash or bats — or an altar or restaurant annex.

There are nearly 700 bomb shelters in this city of 360,000 people, leading officials to declare that Keelung has a higher density of places to hide than anywhere else in heavily fortified Taiwan. And for a loosely organized band of urban planners, artists and history lovers, Keelung’s bomb shelters have become a canvas — for creative urban renewal and civil defense.

Some of these havens have been recast as cultural spaces. But these subterranean spaces are not just cool relics; on a self-governed island that China considers lost property it plans to reclaim, they are also vital infrastructure. Continue reading Taiwan’s Bomb Shelters

Tsai Ming-liang NYC retrospective

Source: SCMP (10/26/22)
How Taiwan’s art-house film icon Tsai Ming-liang has evolved over 30 years, as New York retrospective takes deep dive into his work
One of Taiwan’s foremost directors, Tsai explains how empathy has become more important in his work and how film students need to find their own voice. He says he doesn’t want to manipulate viewers into ‘manufactured feelings’ like mainstream films do, but use a purely cinematic language that doesn’t distract.
By Daniel Eagan

Malaysian-Taiwanese filmmaker Tsai Ming-liang moved to Taiwan in 1977 to study theatre. Photo: Claude Wang

Malaysian-Taiwanese filmmaker Tsai Ming-liang moved to Taiwan in 1977 to study theatre. Photo: Claude Wang

Thirteen years after Malaysian-Taiwanese filmmaker Tsai Ming-liang last visited the United States, a retrospective of his work kicked off at New York’s Museum of Modern Art (MoMA) – and Tsai was there to greet the audience.

Titled “Tsai Ming-Liang: In Dialogue with Time, Memory and Self”, the retrospective began on October 20 and includes 14 of Tsai’s feature films and four short films, as well as examples of his art.

It’s an opportunity to “take a big, deep dive into his body of work that lets viewers see how he has evolved over 30 years”, says La Frances Hui, curator of film at MoMA.

Tsai has been recognised as one of Taiwan’s foremost directors since his earliest films, but he playfully dismisses his influence on other filmmakers.

“Do I have that kind of impact?” he says with a laugh, via a translator. “What I tell my film students is just be yourself. Even if you have writer’s block, find your own voice. The process of creating is developing and exploring and finding yourself.” Continue reading Tsai Ming-liang NYC retrospective

Jing-Mei White Terror Memorial Park

Source: NYT (10/25/22)
Why People Are Flocking to a Symbol of Taiwan’s Authoritarian Past
At a museum dedicated to Taiwan’s not-so-distant authoritarian past, Taiwanese see China’s present, and a dark vision of one possible future under autocratic rule.
By Amy Chang ChienJohn Liu and Chris Horton

The Jing-Mei White Terror Memorial Park in Taiwan has seen a surge of visitors since Speaker Nancy Pelosi toured the site in August.

The Jing-Mei White Terror Memorial Park in Taiwan has seen a surge of visitors since Speaker Nancy Pelosi toured the site in August. Credit…Lam Yik Fei for The New York Times

TAIPEI, Taiwan — Ringed by barbed wire and high gray walls, and once the site of a secretive military detention center, the museum just south of Taipei makes for a surprising tourist hot spot.

The Jing-Mei White Terror Memorial Park, housed on the campus of a former military school, is a chilling reminder of the excesses of Taiwan’s not-so-distant authoritarian past when its rulers imposed martial law for four decades. The moldering concrete buildings with fading paint were once the site of secret tribunals where political dissidents were tried and the detention center where at one point several hundred people were held in crowded quarters.

Once known as the Jing-Mei Detention Center, the site has found new appeal in Taiwan after Speaker Nancy Pelosi and pro-democracy activists who have criticized China met there in August, with visitor numbers rising in the weeks since. Its relevance was also underscored at the Chinese Communist Party’s twice-a-decade congress that took place last week, during which Beijing’s determination to absorb its democratic neighbor was a major talking point.

On a recent afternoon, groups of local visitors explored dimly lit cells and small courtrooms where political dissidents were prosecuted during the four decades until 1992 known in Taiwan as the White Terror. Some stopped at a fountain with the statue of Xie Zhi, a mythical, single-horned Chinese beast said to represent justice, as a guide described the irony of its presence in a place where more than 1,100 were handed the death penalty, many for their political beliefs. Continue reading Jing-Mei White Terror Memorial Park

UC Santa Barbara, Endowed Chair in Taiwan Cultural Studies

Endowed Chair in Taiwan Cultural Studies for the East Asian Languages and Cultural Studies Department
Job #JPF02285
UC Santa Barbara

POSITION OVERVIEW

Position title: Associate Professor or Professor in Taiwan Studies
Percent time: 100
Anticipated start: July 1, 2023

APPLICATION WINDOW

Open date: October 14, 2022
Next review date: Wednesday, Nov 16, 2022 at 11:59pm (Pacific Time)
Apply by this date to ensure full consideration by the committee.
Final date: Friday, Jun 30, 2023 at 11:59pm (Pacific Time)

Applications will continue to be accepted until this date, but those received after the review date will only be considered if the position has not yet been filled. Continue reading UC Santa Barbara, Endowed Chair in Taiwan Cultural Studies

Untold Herstory

Source: No Man Is an Island (10/11/22)
Taiwan’s Founding Mothers?: Untold Herstory
by Jennifer Ruth

Poster for Untold Herstory.

GIVE US ART forms that tell an honest history not a whitewashed one of so-called founding fathers. If America, for example, needs more 1619 stories than it does 1776 ones, then Taiwan needs more stories about 228 and the White Terror.

thuànn Taiwan, founded by Yao Wenzhi, and director Zhou Meiling (Zero Chou) deliver with Untold Herstory 流麻溝十五號), the film that opens the Kaohsiung Film Festival on October 14th and begins its theatrical run in Taipei on October 28th. The film is based on true events and the lives of real women, as documented by Cao Qinrong in the 2012 book Liumagou No. 15: Green Island Girls Team and others. Through oral interviews with those who survived (one of the five women, Shi Shuehan, was executed), official documents from the files, and letters they sent while imprisoned, the book details the experiences of five female prisoners on Green Island in the early 1950s.

Photo credit: 湠臺灣電影 thuànn TAIWAN/Facebook

Out of this material, Untold Herstory‘s screenwriters have crafted a story about three female prisoners representative of the women targeted for “ideological reeducation” during the White Terror. Two are clearly depicted as heroes but heroes whose strategic choices are diametrically opposed: Yan Shuixia, played by Herb Hsu (徐麗雯), refuses to compromise, holding to her principles with a strength she derives from her Christian faith. Hers is a fairly uncomplicated portrait of courage. The other, Chen Ping, played by Cindy Lien (連俞涵), is the stereotype of the “collaborator,” a person willing to do anything to survive. She, too, though, is a hero, having landed in prison by offering herself up as the ringleader of a Marxist book club so as to save others and, at the “New Life Correction Center” on Green Island, continuing to use the advantages she gains by “selling out” to save lives. These two characters both protect the third main character, Kyoko (played by Yu Pei-Jen [余佩真]), a wide-eyed innocent swept up in the terror for one or another of the nonsense reasons the KMT gave at the time. Continue reading Untold Herstory