MCLC Resource Center is pleased to announce publication of Jeffrey Kinkley’s review of The Anaconda in the Chandelier: Writings on China, by Perry Link. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/kinkley2/. My thanks to Nicholas Kaldis, our literary studies book review editor, for ushering the review to publication.
Kirk Denton, MCLC
Writings on China
By Perry Link
Reviewed by Jeffrey C. Kinkley
MCLC Resource Center Publication (Copyright January, 2025)
Perry Link’s eminence as scholar and as public intellectual is well known to most MCLC readers. His pioneering scholarship on twentieth-century Chinese popular narratives and on the linguistic inventiveness of Chinese oral and written expression more generally is embodied in full-length monographs,[1] supplemented by studies of the circulation of Mao-era printed novels and unapproved hand-copied manuscripts, as well as essays on comedians’ dialogues (xiangsheng 相声) of the Mao and post-Mao years. Link’s 2007 essay on xiangsheng in the early People’s Republic of China (PRC) serves as a bang-up penultimate chapter for The Anaconda in the Chandelier.[2] The book prints in total thirty-one of Link’s 1998-2023 short and medium-length essays, book reviews, and prefaces, including a number of Link’s longer and more academic articles, together with their footnotes. Most are reprints—with revisions, says the preface, but changes are scarcely visible. Many of these contributions take on the dark task of explaining the finely tuned mechanics, psychology, and social psychology of Chinese Communist Party (CCP) control of Chinese communication through censorship, pre-censorship, and, above all, the creation of an unconscious, second-nature self-censorship among writers and the general public. Link calls the condition “fossilized fear.” That was the subject of a landmark monograph from Princeton University Press he published in 2000—on the “uses” of literature in China.[3] He updated the story in newsy and learned essays published in The New York Review of Books and various op-ed and human rights forums. (NYRB-related contributions make up about half of the essays anthologized in The Anaconda in the Chandelier.) The author’s expertise, Chinese friends and informants, and ever-critical yet always humanely empathetic social probings enabled what is probably now his best-known research: historical and biographical accounts of Chinese dissidence and protest. That focus, too, dates back to the 1980s, when he began to translate, edit, and publish short fiction and essays by freethinking PRC writers who surfaced, or, like Liu Binyan 刘宾雁, resurfaced, after the demise of Mao.[4] Consideration of the 1989 June Fourth massacre accelerated Link’s major collaborative academic projects and human rights activism, which includes documenting and explaining the before-and-after of China’s nationwide 1989 calamity, the Charter 08 movement, and the life story of the 2010 Nobel Peace Prize winner, Liu Xiaobo 刘晓波.[5] Through it all, Link has pursued yet another vocation: teaching in and administering Chinese language programs, while coproducing textbooks for them.[6] Continue reading The Anaconda in the Chandelier review