Un-becoming Carbon

Un-becoming Carbon: Traveling in Intercellular Space focuses on the importance of carbon sequestration by plants. The viewers enter the plants’ intercellular space, beginning their journey as a molecule of carbon dioxide, donating their carbon to the plant’s body, and emerging as life-giving oxygen. The interactive installation explores this process through physical, audio and virtual experiences. Entering a giant leaf through a stomatal opening, the viewers are surrounded by sculptural plant cells. Palisade Parenchyma droop from above while below Spongy Parenchyma and Stomata line the floor. Soft structures invite viewers to rest and continue their experience by entering virtual reality. An exploration between the macroverse and the microverse begins in a forest where the viewers take on the role of a carbon particle being absorbed into a leaf; first traveling through intercellular space, then moving into a cell to become part of its substance.

Concluding the experience, visitors are invited to adopt and nurture a living plant propagule to continue its carbon-binding work in their own home. Plant awareness posters act as a souvenir from their intercellular space travel.

This multimedia art installation was collaboratively created by the students and professors of an Art & Science class (Art 5001) by Ellie Bartlett, Jacklyn Brickman, Ashley Browne, Amanda Buckeye, Diva Colter, Mona Gazala, Youji Han, Saba Hashemi Shahraki, Brice Jordan, Liam Manning, Iris Meier, Brooke Stanley, Lily Thompson, Zachary Upperman, Stephen White, Taylor Woodie, and Amy Youngs.

Art and Technology show poster 2019

 

Presented as part of the Art & Technology exhibition, Non-Human Intelligence.

Come out and celebrate with us at the opening on December 4th, 5 – 7pm.

Hopkins Hall, the Ohio State University –  campus map and transportation

Non-Human Intelligence

Art and Technology show poster 2019Art & Technology exhibition

Non-Human Intelligence: In the realm of animal, insect, plant and computer systems, can humans co-create with “other”? Can we look beyond human-dominated ways of understanding?

Artists, technologists, and scientists are as likely to collaborate with bees, bacteria, spiders as with artificial intelligence in the creation of their work, provoking difficult questions regarding the nature of creativity and non-human others’ consciousness. When working with living systems, the biggest struggle is to keep the systems alive and this requires a sensitive humility and respect. Donna Haraway’s concept of “becoming with” describes the back and forth nature of interacting with animals as we form a connection and broaden our notion of the nature of the intelligence of others. It entertains the idea of multispecies and transspecies interactions in the co-creative process. “Becoming-with” allows us to better acknowledge “others” right to exist, thrive, and express individual agencies.

Through an expanded understanding of the intelligent, intertwined, symbiotic nature of our living planet, might we become more human?

“Becoming-with” allows us to better acknowledge “others” right to exist, thrive and express individual agencies. Through accommodating non-human others, might we become more human in the process, by demonstrating an understanding of the deeply intertwined symbiotic nature of our living planet?

This semester, students in the Art & Technology courses – ranging from animation, art-science, 3D modeling, and internet art to robotics –  have created individual and group artworks related to this theme and they will be presenting them in this juried exhibition. Make sure to visit the special installation in the Emerging Technology Studios on the 3rd floor of Hopkins Hall.

  • Opening celebration: Wednesday, December 4, 2019, 5:00pm – 7:00pm
  • Open hours: Thursday, December 5, 11:00am – 5:00pm & Friday Dec 6, 11:00am – 4:00pm
  • Where: Hopkins Hall, the Ohio State University –  campus map and transportation
  • 1st floor lobby, corridor, and collaboratory, plus rooms 156, 160, and 346
  • Admission is free and open to the public.

 

Jacklyn Brickman presents “Spellbreaker”

Jacklyn Brickman, MFA student in Art & Technology, was awarded a Tech Hub grant to produce an art installation that connects the human body to black walnut trees. She discusses her finished work Spellbreaker and her thoughts on the role that technology can play in helping us understand living systems.

Art Contest

SUBMISSION DEADLINE EXTENDED TO APRIL 19

The Center for Ethics and Human Values has teamed up with the Department of Art to create an art contest related to the theme of “Technology”. Artworks of all media are eligible. Graduate and Undergraduate students apply by filling out the online form and by exhibiting their artwork in the Fall and/or Spring open house exhibitions in the Department of Art. Prizes will be awarded at both times and the award-winning artworks will be exhibited at the STEAM Factory, which will include artworks juried from the larger Columbus community.

More info about this year’s COMPAS theme and events.

OverClocked Exhibition

Overclocked computers have been configured to run at faster speeds than intended. Overclocking can lead to instability in the system and unpredictable behavior. Overclocking is an act of pushing computers for more speed, while it is also a metaphor for high tech low brow techniques of hacking to wrest control from computer engineers. Overclocking can reference the dream of a higher-performance computer as well as the nightmare of runaway technological growth at the expense of biological and ecological systems. Now fueled by new forms of artificial intelligences that allow machines to upgrade themselves, who might be holding the joystick?

This semester, students in the Art & Technology courses – ranging from animation, digital imaging, moving image art, and 3D modeling, to robotics –  have created individual and group artworks related to this theme and they will be presenting them in this juried exhibition.

Opening: Monday April 23, 5:00pm – 8:00pm

Open hours: Tuesday 4/24 – Thursday 4/26, 11:00am – 5:00pm & Friday 4/27, 11:00am – 4:00pm

Where: Hopkins Hall Gallery, Lobby, Corridor, and Collaboratory – directions

Admission is free and open to the public

Pinar Yoldas

Yoldas is an infradisciplinary designer/artist/researcher. Her work develops within biological sciences and digital technologies through architectural installations, kinetic sculpture, sound, video and drawing with a focus on post-humanism, eco-nihilism, anthropocene and feminist technoscience. She is a is a Turkish-American architect, artist and an assistant professor at University of California, San Diego.

  • Thursday April 19th, at 2:30pm 
  • Room 362 Hopkins Hall

Sponsored by the Student Art and Tech Club, Science and Technology Studies: a Humanities and Arts Discovery Theme and The Graduate Student Art Club.

Ecosystems of Excess, by Pinar Yoldas