Rethinking Eileen Chang–cfp

Call for Papers: “Rethinking Eileen Chang” Session RMMLA Annual Convention, October 10-12, 2024, in Las Vegas, Nevada, USA

RMMLA 2024 is pleased to announce that Dr. Nicole Huang will appear as the featured speaker, delivering a lecture entitled “A Glimpse of Taiwan: Eileen Chang and Her Frontier Towns.” In conjunction with this keynote event, we seek to organize some sessions on the work of Eileen Chang. The essays, novels, translations, screenplays, life, and legacy of Eileen Chang (Zhang Ailing, 1920-1995) have risen steadily in prominence in world literature and scholarship over the decades, gaining increasing attention over time. Chang was raised in an aristocratic family in Shanghai and received elite education both there and in Hong Kong. Her short works were a sensation in Shanghai during the war; leaving Shanghai for Hong Kong in 1952 and heading to the United States in 1955, she embarked on a journey of global dialogues in her creative and scholarly activities. A voluminous amount of scholarship, translations, adaptations, seminars, and conferences have been devoted to Eileen Chang and her works over the last three decades. We seek paper proposals on Eileen Chang that utilize new perspectives in reconsidering Chang’s works and seek to understand it within a global frame of world literature. Prospective presenters should send a title, an approximately 300-word abstract, and 250-word bio to Jessica Tsui-Yan Li <jli@yorku.ca>, Christopher Lupke <lupke@ualberta.ca>, and Sijia Yao <syao@soka.edu>. Proposals received by March 15th will receive full consideration.

Posted by: Sijia Yao <syao@soka.edu>

The Moving Image in Contemporary Chinese Art–cfp

Journal of Contemporary Chinese Art
When the Shadow Flickers: The Moving Image in Contemporary Chinese Art
A special issue co-edited by Yang Panpan and Jiang Jiehong

Call for Papers

At a time when the moving image has become a ubiquitous presence in museums and galleries in China and the Sinophone world, the studies of the moving image in the sphere of contemporary Chinese art remain surprisingly scarce. The shadow that flickers on the walls of museums and galleries or on other surfaces has transformed what we understand as the art of curating today. In addition, documentary footage shot by Wu Wenguang, Wen Pulin, Chi Xiaoning and others retells the story of contemporary Chinese art.

This special issue of the Journal of Contemporary Chinese Art makes a radical gesture towards studying the moving image as an art object, as a curatorial method and as a new form of art historical writing. The collaborative, interdisciplinary endeavour participates in – and hopefully contributes to – what Georges Didi-Huberman, speaking of Aby Warburg’s thought, terms ‘an art history turned towards cinema’: ‘to understand the temporality of images, their movements, their “survivals”, their capacity for animation’.

Possible perspectives for proposals include (but are not limited to) the following:

  • Case studies of contemporary artists across Greater China and the Chinese diaspora working with the moving image
  • Curating the moving image and the moving image as a curatorial method
  • Documentary in relation to contemporary Chinese art
  • Discourses across Greater China on yingxiang yishu, and its partial semantic overlaps with video art, new media art, and artists’ film
  • Animation as contemporary art
  • Issues of acquisition, preservation and access surrounding the moving image
  • The market of the moving image

Publication Timeline

1 March 2024, abstract due (300 words)

1 November 2024, full manuscript due (7,000-8,000 words)

Publication: Spring 2025

Please send an abstract, along with a brief bio, in the same file, to Guest Editor Yang Panpan (py6@soas.ac.uk), Principal Editor Jiang Jiehong (joshua.jiang@bcu.ac.uk), and Assistant Editor Lauren Walden (ccva@bcu.ac.uk)

Journal of Contemporary Chinese Art is an associate journal of the Centre for Chinese Visual Arts at Birmingham City University.

Thirty Years of the Internet in China

Thirty Years of the Internet in China: A Retrospective
February 2, 2024, 8:30am-3:30pm

Perelman Center for Political Science and Economics, Suite 416, 133 S. 36th St, Philadelphia, PA 19104

Jointly organized by Center on Digital Culture and Society and Center for the Study of Contemporary China, University of Pennsylvania.

Zoom option available for invited guests, and for the public during Panel 3.

Schedule

9:00-10:20 am

Chair: Guobin Yang
Ke Angela Li – Ethnographers and the Digital Industry in China: Beyond Access Barrier
Kaiping Chen – Computational Methods in Chinese Internet Studies – An Overview and Looking Ahead
Min Jiang – Chinese Internet Policies: Historical Reflections and New Research Directions
Discussant: Yang Zhang, American University Continue reading Thirty Years of the Internet in China

Paper Republic: Home–cfp

Call for Submissions! Read Paper Republic: Home

Hey everyone, it’s been a minute, almost exactly a year in fact. But we’re back! Though not quite to our regularly scheduled newsletter-ing. You’ll have to wait until next month for that. In the meantime, what better way to start 2024 (Happy New Year and all that) than with a call for submissions for a new series of translations from Chinese; this one on the theme of “Home”.

A refuge, a recollection, a promised land, a prison; the arms of family, or four concrete walls in the sky… Home means something different to each of us, but it means something to all of us. For our next Read Paper Republic series, we’re looking for stories of home: of the quest to find one; the struggle to escape one; the battle to defend one. Fiction, non-fiction or poetry: it’s all welcome.

If you are a Chinese>English translator and know of a home-related short story, essay or poem (or three) which you really like, we want to hear from you! This publication aims to support emerging translators (translators who haven’t published more than one book) and we particularly welcome entries from those new to the profession. Continue reading Paper Republic: Home–cfp

HK Studies Research School 2024

2024 Hong Kong Studies Research School (Targets: Current PhD Students)

Established in July 2015, The Academy of Hong Kong Studies (AHKS) of The Education University of Hong Kong (EdUHK) is the first academy dedicated to fostering Hong Kong studies within local tertiary institutions.

To encourage young scholars to conduct research on Hong Kong-related topics, the AHKS is organizing the “2024 Hong Kong Studies Research School”. The initiative is a FREE and intensive training program targeting current PhD students with opportunities provided to participants to present their papers at the Hong Kong Studies Annual Conference. Detailed programme information and application forms are available at the AHKS website: https://www.eduhk.hk/ahks/view.php?m=52866&secid=52874

The application deadline is 2 February.

Best regards,

The Academy of Hong Kong Studies
The Education University of Hong Kong

Journal of Chinese Cinemas special issue–cfp

Call For Papers (Deadline December 30, 2023)
Special Issue of the Journal of Chinese Cinemas
Energy and Media
Guest Editors: Weixian Pan (Queen’s University), Yandong Li (University of Washington)

Timeline:
December 30, 2023: Abstract of 350-500 words and author bios of 100 words maximum
May 30, 2024: Full article draft due
October 30, 2024: Article revisions due
Late 2024/early 2025: Special issue published

We invite essays that bridge studies of Chinese film and media with the burgeoning field of environmental humanities, with a particular focus on energy culture. In the past two decades, concepts such as “eco-media” and “media environment” have generated debates on the mediation of ecological crises, the philosophy of nature, and the materiality of media technologies (for example, Lu and Mi 2009; Chang 2019; Litzinger and Yang 2020; Bao et al. 2023). Whereas energy culture is deeply embedded in these concepts and prior debates, the distinct geographies and political economy call for different approaches to trace energy’s infrastructure, vectors of connections and disruptions, and in turn, how media becomes an integral part of the theorization and implementation of energy regimes (Mukherjee 2020; Cooper et al. 2023). Continue reading Journal of Chinese Cinemas special issue–cfp

Chinoperl 2024–cfp

The Call for Papers for the 2024 CHINOPERL conference has been extended to the end of December. Please check out the CFPs at the CHINOPERL website:

http://chinoperl.org/conference.html

CHINOPERL website:  http://chinoperl.org/

Chinese Oral and Performing Literature (CHINOPERL) (中國演唱文藝研究會) is an organization that is devoted to the research, analysis and interpretation of oral and performing traditions, broadly defined, and their relationship to China’s culture and society. Among the founders of CHINOPERL was Y.R. Chao, who gave the organization its acronym, CHINOPERL.

CHINOPERL’s annual conferences are held in conjunction with the Association for Asian Studies (AAS). The upcoming AAS annual meeting will be held in Seattle on 14-17 March 2024. CHINOPERL also plans to host an online event in the last week of March (date not yet set) via Zoom. So, there are options to present in person in Seattle, or virtually after the on-site presentations.

Note that in the following year, AAS and CHINOPERL will be held in Columbus, Ohio! Yes, here in Columbus! So, we in DEALL will definitely be involved in various ways, be it with respect to CHINOPERL and/or other activities.

Young Scholars’ Forum in Chinese Studies 2024–cfp

CUHK – Call for Paper Proposals: Young Scholars’ Forum in Chinese Studies 2024 中國文化研究青年學者論壇: 論文徵集

Co-organized by Chiang Ching-kuo Foundation Asia-Pacific Centre for Chinese Studies and Institute of Chinese Studies, The Chinese University of Hong Kong

主題:穿越學科的中國研究:自然、文化與社會生活
Theme: Chinese Studies across Disciplines: Nature, Culture, and Social Life

INTRODUCTION

Celebrating its 10th anniversary, the Young Scholars’ Forum 2024 plans to invite Ph.D. candidates (after completing qualifying examination) or Ph.D. graduates with less than 5 years of work experience (including postdoctoral fellows), and gathers young scholars from around the world, including past YSF participants, to share their latest research, engage in intellectual dialogue, and foster interdisciplinary networks in the field of Chinese Studies.

The upcoming three-day Forum will focus on the intersections of nature, culture, and social life in the multifaceted field of Chinese Studies, in a series of thought-provoking panel discussions and sharing sessions. The Forum welcomes submission of abstracts on the following sub-themes: Continue reading Young Scholars’ Forum in Chinese Studies 2024–cfp

MLA 2024 China/East Asia panels

For your convenience, here is a list of the China/East Asian-related panels at MLA in January.–Patricia Sieber

Thursday, January 4

17 – Play and Performance: Party Games in Early Modern Chinese Literature and Art
Thursday, 4 January, 12:00 PM – 1:15 PM, Marriott 411-412
Presider: Jiayi Chen (Washington U)

Presentations:

  • Playing Cards for Drinking Games: Literary Paradigms for Performative Play, Suzanne Wright (U of Tennessee, Knoxville)
  • Banqueting through Improvisation: The Game of Hiding the Hook and the Qing Court Theater, Jiayi Chen (Washington U)
  • A Laughing Flower’s Guide to the Party: Knowledge, Pleasure, and Pattern in Flowers in the Mirror, Rania Huntington (U W, Madison)
  • Ludic Heroines, Feminine Mirth: The Courtesans’ Drinking Games in The Dream in the Green Bower, Li Guo (Utah State U)

59 – Between Europe and Asia: Circulation, Exchanges, and Early Modernity
[LLC Ming and Qing Chinese; LLC 17th-Century English]
Thursday, 4 January, 1:45 PM – 3:00 PM, Marriott – Franklin 8
Presider: Su Fang Ng (Virginia Tech)

Presentations:

  • Chinese Sea Novels and the Making of the Modern World, E. Kile (Michigan)
  • China in the Moon: Technology, Cosmology, and Orientalism in Francis Godwin’s Lunar Voyage, Andrea Yang (UC Davis)
  • The Empire’s Watery Ways: The Grand Canal in Chinese Painting, Dutch Travelogues, and French Thought, Paize Keulemans (Princeton)
  • Metaphor as Method, David Porter (Michigan)

Continue reading MLA 2024 China/East Asia panels

CU Boulder grad conference–cfp

The CU Boulder Asian Studies Graduate Association (CUBASGA) invites submissions for its annual graduate student conference, to be held fully in-person on the CU Boulder campus on February 24 & 25, 2024.

We invite current graduate students from across the US and around the world engaged in research on Asia, particularly in the fields of Chinese and Japanese studies, to submit proposals on their research across fields, such as: Anthropology, Art & Art History, Literatures, Economics, Ethnic Studies, Ethnomusicology, Film Studies, Geography, History, Linguistics, Philosophy, Political Science, Religion, Sociology, Theatre & Dance, Urban & Regional Planning, and Women’s Studies.

The conference will include keynote addresses from two prominent scholars in Chinese and Japanese studies: Professor Wai-yee Li (1879 Professor of Chinese Literature, Harvard University) and Professor Zev Handel (Department Chair, Asian Languages and Literatures, University of Washington). Keynote speakers and University of Colorado faculty will be on hand to provide feedback to presenters throughout the conference. Above all, the conference is a forum through which graduate students, researchers, and faculty are able to engage in dialogues of critical importance to the development of our respective fields, providing participants with opportunities to expand their academic perspectives as well as academic and professional networks.

To apply, please submit a 300-word conference paper proposal and a CV to cubasga@colorado.edu by December 15, 2023. Successful applicants will be notified of acceptance by the end of 2023. For inquiries, please email CUBASGA student administrators at cubasga@colorado.edu.

We look forward to your submissions! Sincerely,
Camille Byrne, President
Raisa Stebbins, Vice President

CU Boulder Asian Studies Graduate Association (CUBASGA)

https://www.colorado.edu/alc/graduate/graduate-student-conference

Making Kin in the Swarm–updated cfp

An updated CFP for an edited volume on Making Kin in the Swarm: Lived and Interlaced Agency in Speculative Fiction co-edited by Xinmin Liu (Washington State University), Ban Wang (Stanford University), and Hua Li (Montana State University)

With a creatively misleading title The World Without Us, Allan Weisman’s book retrogressively exposes humans’ failures and errors that once led the Earth in a downward spiral to her inevitable demise. Weisman’s extrapolative imaginary sheds fresh light on one pivotal obligation of the eco-themed speculative writings. To humanists and scientists alike, the causes of the disastrous future are front and center to our own times! They engulf and menace us in such urgent and palpable ways, i.e., our lived and interlocked agency through our choice of habitat, career and professional paths, and daily life habits in connection to the on-going ecological crises. Given this trend of “global swarming,” it compels us, firstly, to scrutinize our complicity in tolerating abusive high-tech applications to endanger the natural lifeworld, which in turn makes it urgent for us all to get involved in causes of environmental activism here and now. Secondly, it in particular inspires us to direct our shared concern to the intersected areas between “hard sciences” and humanistic values, where our robust critical inquiry can bring fresh insights and shared wisdom to impact the interconnected subject areas through comparative approaches as the indigenous, the trans-local (inter-Asian) and the Global South. Contributors are encouraged to take speculative fiction as their primary focus of analysis and draw upon perspectives informed by the historical, the trans-local (inter-Asia), the Global South vs. Global North themes including, but not limited to: Continue reading Making Kin in the Swarm–updated cfp

Bridging Glocal Asias–cfp

CFP – Tenth Annual Trans-Asia Graduate Student Conference: Bridging Glocal Asias – University of Wisconsin-Madison

The Trans-Asia Graduate Student Association is pleased to announce the Tenth Annual Trans-Asia Graduate Student Conference at the University of Wisconsin-Madison, encompassing Asia-related research. Participants will have the opportunity to present their work, receive constructive feedback from peers and senior researchers, and gain insights into the latest developments in interdisciplinary Asia-related research.

This year’s theme, “Bridging Glocal Asias,” encourages conversations about connections and interconnections, balance and imbalance, micro and macro tendencies and perspectives across and within regions of Asia. “Glocal,” a fusion of “global” and “local,” seeks to delve into the potential intersections between the global and local spheres. It encapsulates the complex interconnectedness and recognition that characterize the interplay between global and local dimensions, seeking a re-examination of the “trans-” from the perspective of the “periphery” across time and space.

We seek research that surpasses established boundaries of disciplines, ideologies, and knowledge, uncovering potential connections, fostering exchanges, and facilitating dialogues. Potential fields include, but are not limited to: literature, linguistics, history, art history, geography, philosophy, economics, anthropology, sociology, education and any other related humanities and social science fields. Continue reading Bridging Glocal Asias–cfp

27th International Conference on Yue Dialects

Logo for the 27th International Conference on Yue DialectsThe 27th International Conference on Yue Dialects (2023)

This conference — hosted by The Ohio State University — will be held virtually via Zoom on the evenings of November 30 to December 2, 2023 (Eastern Time Zone). The dates correspond to the mornings of December 1-3 (Friday to Sunday) in East Asia.

The conference Program is now online. Check it out!

Online Registration (free and open to the public):

Registration 報名表格

The International Conference on Yue Dialects, first launched in 1987 in Hong Kong by the Linguistic Society of Hong Kong and The Chinese University of Hong Kong, debuts this year as the first overseas event, outside China and its two SARs, Hong Kong and Macau! We at The Ohio State University are honored to serve as the 2023 host of this prestigious conference series. We look forward to welcoming presenters and attendees from around the world with interest in linguistic research on Cantonese and other Yue dialects.

As part of the conference, we are excited to welcome three keynote speakers. Continue reading 27th International Conference on Yue Dialects

The Avant-Garde X Hong Kong and the New South

Harvard-Lingnan Symposium (2): The Avant-Garde X Hong Kong and the New South

You are cordially invited to attend the second Harvard-Lingnan Symposium: “The Avant-Garde X Hong Kong and the New South,” to be held on December 4-5, 2023 in the M+ Tower in the West Kowloon Cultural District, Hong Kong and live-streamed on Zoom and Youtube. The symposium will feature a literary dialogue between Professor David Wang of Harvard University and three prominent Sinophone writers, Lee Wai Yi, Ban Yu, and Chen Chuncheng. Please refer to the attached posters and the link below for more information.

https://www.ln.edu.hk//aigcs/symposiums-HLS

Posted by: Fangdai Chen <fangdaichen@ln.edu.hk>

Translating Chinese Internet Literature–cfp

Call for Contributions for an Edited Volume
Translating Chinese Internet Literature: Global Adaptation and Circulation
Publisher: Routledge (Routledge Studies in Chinese Translation)
Deadline for abstracts: 15 January 2024
Editors: Wenqian Zhang, University of Exeter, UK; Sui He, Swansea University, UK

Chinese Internet literature (CIL), also known as Chinese online/web/network literature, refers to “Chinese-language writing, either in established literary genres or in innovative literary forms, written especially for publication in an interactive online context and meant to be read on-screen” (Hockx 2015, 4). While CIL is commonly equated with Chinese web-based genre fiction known for entertainment value, it encompasses a broader range of genres such as poetry and comic strips, covering realistic themes prevailing in serious literature (Inwood 2016; Feng 2021). CIL is born-digital, but it differs essentially from ‘electronic literature’ or ‘digital literature’ that originated in the West. While Western e-literature is “more technology-oriented” (Duan 2018, 670) and usually involves “some sort of computer programming or code” (Hockx 2015, 5–6), CIL is relatively less technologised and experimental in format. In fact, what makes CIL stand out is its interactive features facilitated by professional literary platforms, its underlying profit motive, and mass participation in terms of literary writing, reading and criticism (Hockx 2015).

Over the past three decades, the proliferation of CIL has been fuelled by advancements in internet technology and formulation of larger social media communities, alongside other key factors such as economic growth and the constantly changing ideological and political discourses in and outside mainland China. One notable landmark in the trajectory of CIL is the implementation of a pay-per-read business model by the literary website Qidian (起点 Starting Points) in 2003 – in this model, Qidian charges readers for accessing serialised popular novels and their ‘VIP chapters’ (Hockx 2015, 110). This step marks the beginning of the commodification of CIL. It reshapes the literary writing practices and author-reader/producer-consumer dynamics in Chinese cyberspace (Schleep 2015, Tian and Adorjan 2016). Further developments along this line have enabled CIL to grow into a streamlined industry and mature ecosystem, with a vast number of popular titles being adapted into films, TV/web series, video games and other types of media products, generating enormous economic value and revenue. Continue reading Translating Chinese Internet Literature–cfp