Source: China Digital Times (5/17/24)
TV Song Contest Inspires Nationalist Angst
By Alexander Boyd
“I want the foreigners dead.” A still of Na Ying watching other performers on Singer 2024, photoshopped to resemble Empress Dowager Cixi in “Towards the Republic.”
China’s hottest television show, HunanTV’s “Singer 2024,” has inspired nationalist angst after two foreign contestants took first and second place—easily besting a field that included legendary Chinese pop star Na Ying. The show is wildly popular in part because it requires live singing without autotune or post-production touch-ups, common features of most Chinese variety television. The victory of relative unknowns Chanté Moore, an American, and Faouzia, a Moroccan-Canadian, has been called a “wakeup call for China’s music industry” by state-media tabloid Global Times. After the foreigners’ victory, a small subset of nationalist singers asked to be added to the show in order to defend China’s honor. The Tibetan-Han singer Han Hong took to Weibo to declare: “I am Chinese singer Han Hong and I ask permission to go to war!” Others followed suit.
To many, however, the nationalist outbursts were indications of deep national insecurity, as reflected in this partial translation of an essay posted by the WeChat public account 亮见 (liàngjiàn), run by a Nanjing University master’s student:
The writer Xiang Dongliang said, “Behind this wave of sentiment that ‘music is our national salvation’ lies a deep-seated inferiority complex.” Thinking that Chinese singers winning a competition is proof of China’s cultural superiority is a notion that only deeply insecure people would hold.
There may be some people who have never been personally “insulted” by foreigners, or who don’t feel much connection to grandiose terms such as “the Chinese nation” or “the Chinese people.”. Some sensitive souls need an intermediary to help connect them to these grand and lofty concepts. Continue reading TV song contest inspires nationalist angst