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- Photo and text dedicated to the memory of Xu Xinhua; her poetry was published in Xiaoshuo yuebao
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- Lu Xun in Japan, ca. 1904
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- A mature Lu Xun
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- Lu Xun seated
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- Lu Xun
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- Literary Association
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- Cover of Xiaoshuo yuebao, used for only 2 issues
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- Yu Dafu and family
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- Yu Dafu/Wang Yingxia
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- Yu Dafu/Cheng Fangwu/Guo Moruo
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- Feng Zikai, “Kong Yiji”
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- Feng Zikai, “White Light”
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- Feng Zikai, “Ah Q”
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- Ding Ling, 1933
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- Lu Xun’s Sendai residence
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- Execution scene
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- Hu Feng speaks at Lu Xun memorial meeting, 1939
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- Hu Feng and others carry Lu Xun’s coffin, 1936
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- Mao with writers and artists in Yan’an (1942)
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- “Illustration of literary tea talk” (Liuyi; Fed. 15, 1936); Numbered list of the figures in the illustration
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- Sketch of Wen Yiduo
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- Lu Ling (ca. 1942)
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- Hu Group members Lu Ling, Ji Fang, Ah Long (front row, left to right), Hua Tie, Huang Ruohai, Zhao Meijia (back row)
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- Shi Zhecun, in his later years
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- Lu Bicheng in New York, circa 1921 [Lu Bicheng ji, 1929]
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- Lu Bicheng in Switzerland, circa late 20’s [Lu Bicheng ji, 1929]
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- Cover of Lan Xin’s Miss Modern: The Biography of Miss Ah Q (1950)
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- Images in the appendix of Miss Modern: The Biography of Miss Ah Q (1950)
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- Cover image of The Short Story Magazine issue (vol. 14, no. 3) containing Zhu Ziqing’s poem “Destruction”
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- A wartime representation of poetry recitation by artist Lu Hongji (from Zhongguo xinxing banhua wushi nian xuanji; 1982)
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- Cover art from special poetry recitation issue of Zhongguo shitan, vol. 2, no. 3 (1938)
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- Rou Shi, leftist writer of the 1930’s, famous as one of the Five Martyrs of the League of Left-Wing Writers
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- Cast of original production of Tian Han’s play Tragedy on the Lake (Hushang de beiju); Wan Laitian, Zuo Ming, Tian Hainan, Wang Su, and Tian Han (left to right)
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- Lin Huiyin, writer and architectural historian
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- Ling Shuhua
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- Huang Pingsun, editor of Yuefeng (Airs of Yue)
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- Signatures of supporters of Yuefeng‘s (Airs of Yue) guiding principles from the inside cover of issue 1 of the journal
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- Cover of Xihu (West Lake), a supplement to the journal Yuefeng (Airs of Yue)
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- “Girl on her Way to the Shinto Shrine on a Stormy Night,” by Suzuki Harunobu; this painting is mentioned in Shi Zhecun’s story “One Evening in the Rainy Season” (Meiyu zhi xi)
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- Title page of “A Mixed-Blood Woman.” From: Xin Manzhou 新满洲 6, no. 4 (April 1944): 16.
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- Shulan and Baoerdun in the climactic scene of “A Mixed-Blood Woman.” From Xin Manzhou 新满洲 6, no.4 (April 1944): 21.
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- Eileen Chang’s ‘Half a Lifelong Romance’ has been widely popular with the author’s Chinese readers since it was first published in 1950 in serial form. PHOTO: PENGUIN BOOKS
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- Latinized New Script edition of Dazhong bao,
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- A copy of Lu Xun’s “revolutionary” photograph taken in 1903. The calligraphy on the right is of the verse originally inscribed on the back of the image, which Lu Xun re-copied in “the second month of the year xinwei” (i.e. 1931). The original photo with the inscription is no longer extant (Zhou 2005:10).
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- Lu Xun, standing on the right, with four Japanese dorm mates and a Chinese student, Shi Lin, seated on the leftmost corner, taken in Sendai in 1905 (Zhou 2005:12).
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- Lu Xun in Western suit with moustache, taken in 1909 after his return to China (Zhou 2005: 17).
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- Zhou Shuren (third from the right in the first row), dressed in a 3-piece Western suit with colleagues in Hangzhou (Zhou 2005:18).
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- Lu Xun in a purportedly self-designed suit, 1912 (Zhou 2005:19).
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- In 1922, Association for Esperanto in Beijing, Lu Xun in long robe and jacket, seated in the front row, third from the right. (Zhou 2005: 24).
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- Photo of members of the woodcut association during a workshop in 1931. Lu Xun the elder appears in the front row dressed in a white long robe (Zhou 2005: 55).
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- Xu Zhimo in Western suit (Xu 2005, 1:n.p).
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- Cover of Igo fungz di Rhgin (1936), a Latinized rendition of Lu Xun’s “Diary of a Madman.”
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- Members of the Ohio State University Cosmopolitan Club, Feb. 12, 1918. Playwright Hong Shen 洪深 is second row, third from right. The Ohio State University Archives.
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- Hong Shen 洪深 (third from the right in the back row) and the employees of the American film equipment company Multicolor. From Shenghuo 6, no. 42 (1931).
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- Hong Shen 洪深 (second from right) and Nanjing’s high officials. From Sheying huabao 9, no. 18 (1933).
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- Hong Shen 洪深 on a nude beach in Zhejiang. From Sheying huabao 364, no. 3 (Sept. 1932).
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- Hong Shen 洪深 on a nude beach in Zhejiang. From Sheying huabao 364, no. 3 (Sept. 1932).
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- Production shot of Act 2 of The Young Mistress’s Fan directed by Hong Shen 洪深. Shanghai, May 1924 (Anon. 1924b).
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- Climax of The Black Bat by the Shanghai Stage Society. From Tuhua shibao 287 (Jan. 31, 1926).
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- A scene of the 1934 Mary Farnham School production of The Black Bat (Qichang 1934).
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- Act 1 of The Second Dream. Hong Shen 洪深 is second from the left as the character Qu Zhibai (Will Dearth). From Huishan 1926.
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- Act 2 of The Second Dream. From Huishan 1926.
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- Illustrations from Hong Shen’s Techniques of Film and Theater Performance for acting disappointment (1) and extreme disappointment (2) (Hong 1935b: 272).
