Post-Mao Art Images

Beijing University scholars in a painting by Shen Jiawei (1988)

Four Modernizations poster

Xu Bing’s Tianshu

Xu Bing’s Tianshu (天书)(close-up)

Yang Mian 楊冕, “Family Standard” (家庭标准; )

Zhang Hongtu, Mao

Wang Shu, Between Dismantle and Construct (2003), installation prepared for Venice Biennale 2003

Zhan Wang, Urban Landscape (2003), installation prepared for Venice Biennale 2003

Yang Fudong, Heaven Heaven, Jasmine, Jasmine (2002), installation prepared for Venice Biennale 2003

Lv Shengzhong, Landscape Study (2003), installation prepared for Venice Biennale 2003

Liu Jianhua, Daily Fragile (2003), installation prepared for Venice Biennale 2003

Wang Guangyi, Great Castigation Series: Coca-Cola (1993), oil on canvas

Yu Youhan, Chairman Mao in Discussion with Peasants in Shao Shan (1991), acrylic on canvas

Fang Lijun, Series II, no. 2 (1992), oil on canvas

Liu Wei, The Revolutionary Family: Dad in Front of a Poster of Zhu De (1990), oil on canvas

Cai Guoqiang, Rent Collection Courtyard (1999), installation

Lv Shengzhong, Propitious Omen Descending (2003), installation

Geng Jianyi, Second State (第二次状态, 1988). Oil. In Lu Peng, A Pocket History of 20th-Century Chinese Art (2010), p. 1040.

Yue Minjun, Garbage Dump (partial) (垃圾场). In Yue Minjun, Lost Self (迷失的自我) (Hebei jiaoyu, 2005), p. 152-53.

Yue Minjun, Contemporary Terracotta Warriors-6 (现代兵马俑－6, 2005). Bronze. In Reproduction Icons: Yue Minjun Works 2004-2006 (He Xiangning meishuguan, 2006), p. 20

Yue Minjun, The Sun (太阳, 2000). Acrylic on canvas. In Yue Minjun: l’ombre du fou rire (Foundation Cartier pour l’art contemporain, 2012), p. 190-91.

Yue Minjun, Idol (偶像) (partial). In Yue, Lost Self (迷失的自我) (Hebei jiaoyu, 2005), p. 114-15.