- Beijing University scholars in a painting by Shen Jiawei (1988)
- Four Modernizations poster
- Xu Bing’s Tianshu
- Xu Bing’s Tianshu (天书)(close-up)
- Yang Mian 楊冕, “Family Standard” (家庭标准; )
- Zhang Hongtu, Mao
- Wang Shu, Between Dismantle and Construct (2003), installation prepared for Venice Biennale 2003
- Zhan Wang, Urban Landscape (2003), installation prepared for Venice Biennale 2003
- Yang Fudong, Heaven Heaven, Jasmine, Jasmine (2002), installation prepared for Venice Biennale 2003
- Lv Shengzhong, Landscape Study (2003), installation prepared for Venice Biennale 2003
- Liu Jianhua, Daily Fragile (2003), installation prepared for Venice Biennale 2003
- Wang Guangyi, Great Castigation Series: Coca-Cola (1993), oil on canvas
- Yu Youhan, Chairman Mao in Discussion with Peasants in Shao Shan (1991), acrylic on canvas
- Fang Lijun, Series II, no. 2 (1992), oil on canvas
- Liu Wei, The Revolutionary Family: Dad in Front of a Poster of Zhu De (1990), oil on canvas
- Cai Guoqiang, Rent Collection Courtyard (1999), installation
- Lv Shengzhong, Propitious Omen Descending (2003), installation
- Geng Jianyi, Second State (第二次状态, 1988). Oil. In Lu Peng, A Pocket History of 20th-Century Chinese Art (2010), p. 1040.
- Yue Minjun, Garbage Dump (partial) (垃圾场). In Yue Minjun, Lost Self (迷失的自我) (Hebei jiaoyu, 2005), p. 152-53.
- Yue Minjun, Contemporary Terracotta Warriors-6 (现代兵马俑-6, 2005). Bronze. In Reproduction Icons: Yue Minjun Works 2004-2006 (He Xiangning meishuguan, 2006), p. 20
- Yue Minjun, The Sun (太阳, 2000). Acrylic on canvas. In Yue Minjun: l’ombre du fou rire (Foundation Cartier pour l’art contemporain, 2012), p. 190-91.
- Yue Minjun, Idol (偶像) (partial). In Yue, Lost Self (迷失的自我) (Hebei jiaoyu, 2005), p. 114-15.