Xiao Kang performs with his lifeless costar in Tsai Ming-liang’s The Wayward Cloud
Camp and history in Tsai Ming-liang’s The Wayward Cloud: “First Love” in front of the National Palace
The ticket vendor makes “eye contact” with the screen heroine in Tsai Ming-liang’s Goodbye Dragon Inn
Wanjun is informed that her “cousin” has found success in Shanghai in Li Xing’s Four Loves (1965)
Grandmother offers advice to her neighbors in Li Xing’s Our Neighbor (1963)
Poster for A Beautiful Duckling (1965), directed by Li Xing
Artist Wu Songming playing the role of Huang Rongcan working on a woodblock print in the documentary Scars of 2/28
An actor playing Lin Maosheng, who is seen shouting joyously upon hearing the radio broadcast by Emperor Hirohito, in the documentary Scars of 2/28
An actor playing a young man putting up a sign to welcome the arrival of the Nationalist soldiers in the documentary Scars of 2/28
Actors playing Nationalists harassing a waitress in the documentary Scars of 2/28
An actor playing the role of a journalist writing an editorial in the documentary Scars of 2/28
An actor playing Chen Yi, Governor-General of Taiwan, in the documentary Scars of 2/28
A photo of Lee Teng-hui apologizing to the people of Taiwan in the documentary Postwar Era and the 2/28 Incident
Li Mingdian appears frequently to address the audience in the documentary Postwar Era and the 2/28 Incident
Ye Yousan showing the interviewer, Ruan Meishu, the site where his father dug his own grave in the documentary Postwar Era and the 2/28 Incident
Zhang Xianming holds back tears as he recounts his father’s death in the documentary Postwar Era and the 2/28 Incident
Lin Muqi and the interviewer, Ruan Meishu, demonstrating how Lin’s hands were strung together by wire before his near-execution in the documentary Postwar Era and the 2/28 Incident
Female victimization in Opium War (1963): an innocent, homeless blind singer is almost beheaded for a crime beyond her vision.
Endangerment of nation/family in Opium War (1963): a rehabilitated opium addict carries his youngest daughter while selling vegetables.
Double-faced woman in Early Train from Taipei (1964): a male painter recounts the tragic urban degradation of a country girl.
Two troubled lovers in Early Train from Taipei (1964): Xiulan (Bai Lan) pleads for understanding from Huotu (Chen Yang).
A missed reunion in Last Train from Kaohsiung (1963): Cuicui (Bai Lan) falls from an ox cart and fails to catch a train with her lover.
The male to-be-looked-at-ness in Lingering Passions (1962): long lost daughter recognizes her singer father on a poster outside a theater.
Male suffering in Bamboo Wrapped Meat Dumplings (1969): the disabled father and his young daughter are caught in the rain selling dumplings.
A caring father in Lingering Passions (1962): Hong Yifeng rocks his baby daughter to sleep after his wife has been taken away.
Female investigation in Bride from the Hell (1965): Ruimei (Jin Mei) peeks into the keyhole and sees an eyeball.
Gothic horror in Bride from the Hell (1965): Ruimei (Jin Mei) screams in terror after seeing an eyeball in the keyhole.
Femme fatale in Bride from Hell (1965): the scheming cousin Fengjiao (left) lures Ruimei (Jin Mei) to a secret room behind a Buddhist altar where Ruimei’s sister was murdered.
Romance in Bride from the Hell (1965): Ruimei (Jin Mei) and Yiming (Ke Junxiong) as the blissful newlywed on route to their honeymoon.
Mr. Yi and Wang Jiazhi in Lust, Caution (色戒)
Poetic representation in Nimbus, a Taiwan documentary film.
Formosa Corporate Kingdom, from Formosa vs. Formosa, a Taiwan documentary film.