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- Dong Xiwen, “Founding of the Nation”
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- Photograph of museum goers in the 1960’s PRC (China Pictorial)
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- Zhang Leping, Sanmao nianhua (advertisement; 1950), from Wenhuibao, 1950
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- Wuli Jitu, People Love Chairman Mao (1950), from Rongbaozhai, 1950
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- Wanru Industrial Cooperative, One Hundred Sons (ca. 1950), Hermitage Museum, St. Petersburg
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- Artistic Drawing and Printing Co., Farm Scenery (1950), Hermitage Museum, St. Petersburg
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- Fei Nan, Lushan Publishers, Labour Heroes (1950), Hermitage Museum, St. Petersburg
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- Fei Nan, Lushan Publishers, Army Picnic (1950) Hermitage Museum, St. Petersburg
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- Guo Huailin, published by Pingyuan People’s Government Educational Artwork Group, Clean Home (1950), Hermitage Museum, St. Petersburg
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- Anonymous, Success in Fishing (Success and Surplus), Yangjiabu, early 20th Century (reprint), collection of the James Flath
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- Gu Yizhou, Labour Wins Glory (1950), from Rongbaozhai, 1950
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- Li Qi, Peasants Looking Over a Tractor (1950), from Rongbaozhai, 1950
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- Zhang Biwu, Raising Chicks, Contributing Toward Airplanes (1952), from Chen Lüsheng, 2000, fig.14, p. 14
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- Zhang Biwu, Zhou Enlai’s Visit to India (1955), from Hermitage Museum, St. Petersburg
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- Tongji University Architecture department proposal for the Great Hall of the People
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- Wneyuan Hall, home of Tongji University’s Architecture department, designed in 1953 and modeled after the Dessau Bauhaus
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- From Hong taiyang zhaoligangle Dazhai qianjin de daolu (The red sun shines over the progressive road of Dazhai) (Beijing; Waiwen, 1969)
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- Li Zhide, “The Old Party Secretary” (1973)
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- Cheng Guoying, “Model.” (Source: 1974 quanguo meishu zuoping zhanlanhuia, ed. Zhongguo hua, youhua mulu. Tianjin: Renmin meishu, 52)
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- Xu Xiangfei and Wu Jin, “To Study Painting One First Has to Study the Person in the Painting.” IN Xue hua xian xue huazhong ren: Shanghai zhongxuesheng huaxuan. Shanghai: Shanghai renmin, 1976, cover
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- Cheng Miingsheng, “Women Hold Up Half of the Sky”
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- Yuang Zhixian, “An Exhibition to Criticize Lin Biao and Confucius”
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- Anonymous, “Follow Closely Mao’s Great Strategic Plan” (1968) (Source: Galikowski 1998: fig.14)
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- Song Enming, “Rough Hands Want to Transmit the Truth” (1977)
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- Han Baoku, “War Drums Speed Up the Coming of Spring” (1977)
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- “Chairman Mao Goes to Anyuan,” 1967. Oil on canvas, 86.6″ × 70.9″. China Construction Bank.
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- “Resolutely Follow the Great Leader Chairman Mao’s Forward March,” 1969. Poster, 28″ × 42.” Collection of Stefan Landsberger.
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- “Man’s Whole World is Mutable, Seas Become Mulberry Fields” 1968. Poster, 24″ × 33.25.” Collection of Wang Mingxian.
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- “Let philosophy become a sharp weapon in the hands of the masses.” Cultural Revolution poster.
