This brings organic, computer, and human into one piece. The color green represents the natural world, but it creates a bizarre delusion of natural harmony. The green inspires a freaky departure from the beauty of trees and flowers as it is unnatural to see human parts painted in green. The circuit board emerges from the head of the human to portray the birth of technology from the human mind. While it still holds elements of human parts, it has lost its beauty by the dissociation of the head, hands, and feet. It has morphed into a disgusting chimera that has lost its original meanings. The potential of danger is shown by the color red and a fist emerging from the brain at the top of the column. The use of a broccoli highlights the organic portion of the piece, but it fails to really mean organic since it has become a label that everyone uses to say whether something is organic. Becoming a grotesque abomination, the sculpture dehumanizes the artificial intelligence into our fears.

Inspired by the fusion of beauty and technology, Artificial Babies is a reflection of the world as it continues to advance into the age of information and artificial intelligence. Stereotypically, a baby represents innocence and happiness since it correlates with the notion of birth and new beginnings, but many babies in one image do not have the same connotation. Instead, the image becomes eerily creepy, and it imbues the feelings of alarm when observers look upon the fusion of fifty babies. While a baby is meant to be cute, the creation of many babies becomes disgusting. As the development of artificial intelligence ignites more controversy among humans, the initial positive notion of artificial intelligence becomes disgusting and corrupted. Nothing that we believe in can help us realize how many of our stereotypical impressions can be warped when it gets larger. We are unaware of an innocently benign system that can dramatically change into something tyrannical and cold.