For The King o’ Sumpn-sumpn, an array of digitally printed marks provide a foundation for a figurative drawing completed with gouache, color pencil and ink. Some of the marks are nearly 30 years old, scanned from drawings collected over time. Physically rendered graphics are digitally re-purposed, layered and arranged, then addressed again with plastic media.
The paintings look mysterious. It gives a feeling geometry dash lite of antiquity and time. I like your analysis. Detailed and clear issues .
Wonderful fusion of traditional and digital art techniques seamlessly blending the past with the present. The intricate details and layering create a captivating visual experience.
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