Throughout the course of my STEP Signature Project I was able to study Shakespeare in a deep and meaningful way. We were able to participate in seminars regarding the instruments and costumes used in shows which were authentic to the ones used in the first shows at The Globe Theatre in 1599. Additionally, we were able to look at playbills, props, directors notes, etc. of previous shows at The Globe through the archives. I was also able to get in depth teaching and discussion on the language of Shakespeare, scene work, movement, and voice in regards to the specific architecture of The Globe Theatre, and learn about all of the work that it takes to be a Globe actor. Additionally, outside of class we were able to participate in a day trip to Oxford, see multiple theater shows, and immerse ourselves in the overall culture of England.
At fifteen I tried my first ever Shakespeare intensive, and to put it plainly, I hated it. I had been doing theater for years and had finally decided I was ready to try Shakespeare, but when I started the class I couldn’t understand the prose or iambic pentameter, and was made to feel inferior because I couldn’t comprehend the dialogue without help. After that I made the assumption that I would never get Shakespeare and I just wasn’t at the level to be able to handle it. When I signed up for this program I was excited but very hesitant, expecting a similar experience to the one I had previously had and seeing Shakespeare as unachievable. However, throughout my classes at The Globe Theatre and the professors who showed the students such care and passion through their teaching, I came out of my education abroad program feeling rewarded and having changed my entire perspective on Shakespeare. Additionally, I feel like I’ve expanded the influences I pull from. Additionally, throughout this process I have truly learned the craft that it takes to be a Globe actor, and how different Shakespeare’s performance is compared to musical performance. I went into this program knowing that acting with Shakespeare would have some differences than other shows, but I underestimated just what went into being a Globe actor and how many elements go into acting with Shakespeare specifically on The Globe Stage. There is the architecture of the Globe Theater, which requires a specific use of voice, movement, and acting style. There is also the language of Shakespeare that is sometimes tricky to understand, and so it is important for the actor to make Shakespeare accessible for all audience members no matter what age.
Furthermore, before embarking on my STEP Signature Project I tried to have no preconceived opinions or expectations about the country I was traveling to, however I did have concerns and worries about dining. I was born with extensive food allergies, so in the United States it has always been difficult for me to find options at restaurants or even in grocery stores. When I knew I would be traveling to a new country I had no idea what to expect. However I was amazed and overwhelmed by my experience in London, and at England’s overall accommodation to food. Every restaurant I walked into had at least four options I was able to eat, and everyone I interacted with about my allergies had genuine care and concern about me having it be a safe meal and a good experience. It was truly an incredible experience and has not only changed my view on my theater profession and career, but also of London through the kindness and genuine care I experienced there. I truly feel like I have grown coming out of this program, and it has completely changed my view on England, Shakespeare, and acting on an overall scale. I learned that to be a Globe actor is to act as a character that has been performed for hundreds of years, but you should focus on bringing your own distinct qualities and personality to the character rather than obsessing over perfection. You the actor are the reason this iteration of the character will be unique.
The relationships that completely changed my view on Shakespeare was from the professors who taught us at The Globe Theater. Throughout my time there we had around six professors. Our four main professors we saw around two days a week, and their subjects consisted of scene rehearsal, voice, movement, and literature and text. Additionally we had a few guest professors, who popped in to teach us about various things such as the history of The Globe, the historical jig dance, and the instruments used in the shows. Our professor Michael was really a big influence on my acting, and I attribute his teaching style, kindness, and care for his students as some of the main reasons why I have regained my passion and love for acting. Michael would always tell us that acting was like a sculpture. You try all different things to find what works, and everything that doesn’t gets shaved off as pieces of marble from the sculpture. I loved that he wasn’t focused on perfection, he saw each of his students as their own actors with their own talents and there wasn’t one right way to do a scene or play a character. Additionally, a big thing that stuck with me was when Michael asked us to think about the fact that Shakespeare’s shows have been performed for hundreds of years. Why are they still being performed if people have seen them so many times? The one thing that makes the role and show special is the actors. You are your own actor and person, and no one will ever be able to perfectly copy your style which is what makes you so special. This advice truly spoke to me as a perfectionist who in the past has definitely tried to imitate other actors, thinking that was “the right way to act,” but at the end of the day it is the actor that makes the role special.
Furthermore, our literature and text professor Hanh also was a main reason why my view on Shakespeare has changed. I now find that I can understand and comprehend the text. I’ll never forget how she started off our first class by asking us all if we understood Shakespeare, and to my surprise many of my classmates were just as confused reading it for the first time as I was. Hanh then reassured us that doing research to understand the text does not make us bad actors or any less capable of doing Shakespeare. She had been studying Shakespeare’s text for years and said she still does research on certain lines and words. She then started us on an in-depth discussion of Midsummer Night’s Dream where we discussed the gender roles that occurred between the women and men in the show, the depth of female friendships, the normalization of violence against women in the Elizabethean era, and the depth of location in the show. These conversations were very meaningful and important to me, and allowed me to see the show and characters in completely new lights. Being able to have these discussions was incredible because of the different backgrounds of everyone in the program, and it allowed us to incorporate the places we’d come from, express our opinions about the language, and share our unique experiences with Shakespeare.
We had many standout movement and voice classes that really changed my perspective on Globe Theater acting, but I best remember the special Sam Wanamaker PlayHouse seminar. During this session our professor allowed us to completely play in the space, changing how we addressed the audience and picking different places on stage to find who we could see, who we could connect with, and to figure out how we could best connect the audience. In all of my previous experience with theater I was taught never to address the audience, and it became a very permanent thing that you should never address the audience because it could take away the magic of the show. However, at the Globe Theater they want you to address the audience; they want you to bring the audience into the world of the show by connecting with them through eye contact, lines, movement, and more. Our movement professor especially taught us about how to use our bodies to address everyone when we’re on the Globe stage, as it has an audience on almost all sides from the top of the Globe to the very bottom. There are even ‘groundlings’ who are audience members that crowd around the very edge of the stage. As actors we need to use our body to address them all and not forget about anyone. For example if we look down the entire show at the groundlings, the people sitting in the top tier balcony will only see the top of your head instead of experiencing your acting. Furthermore, our professor for voice had us find the sweet spots on the Globe stage where our voice was very prominent and heard, as the Globe stage is an open top so there is consideration to weather, outside sounds, and noise when performing with voice. Lastly, one of the most influential moments for me was getting the opportunity to see Midsummer Night’s Dream live on the globe stage. My friend and I had gone super early to the show and were right up against the stage as groundlings holding onto the edge of the stage for support. It was incredible to see the actors perform right above us and even interact with us. Since we were performing scenes from the show for our final, it was incredible to see the character I would be playing and how this actor had chosen to portray her.
The experiences I had with food and people in England I can not rave enough about. The first night I was incredibly nervous as my friends and I had all decided to go out to eat. We sat down at the restaurant and I expected an experience very similar to the ones I constantly experience in the States. However, I was thrilled when I looked at the menu and saw multiple options on the menu I could eat. Every item had its allergens listed and when I talked to the waiter she was incredibly kind about my allergies, assuring me that she would check with the kitchen about cross contamination and that we would make something work. As my program in London continued, every place I went I was met with kindness. Whether it was in regards to food and my allergies, or even outside it like when I was lost, everyone in England seemed to convey genuine care, concern, and politeness. I tried so many foods I never thought I would be able to try due to my allergies, such as gnocchi, pad thai, meringues, and my personal favorite, pain au chocolat. If I were to recommend any place to eat it would definitely be Borough Market and Circolo Popolare. They had so many options to try, and Borough Market is super close to The Globe Theater.
The transformation I experienced throughout my education abroad program has completely changed my life, in not only a personal manner but also professionally and academically. This program has truly reignited my love for theater. I never realized how deeply affected I was by some of the acting teachers I had in high school who were not very supportive or caring. However, as I entered this program I found professors who truly cared for me and wanted me to be the best actor I could be. They supported me and allowed me to try different things in my pursuit of acting instead of bringing me down, and this support affected my rehearsals, acting, and class so much. I realized that before this program, I was dreading coming to class but in this program and with the support I received I loved coming to class and acting with all my classmates. I believe personally for this program it has taught me so much about the passion I have for theater, and how I cannot let professors whose teaching styles don’t work for me affect my love for theater because there will always be other professors and people who want to support you.
In terms of academic goals I have always wanted to give Shakespeare a real try, as my past experiences with Shakespeare have left me seeing Shakespeare as something only certain people can understand and achieve. Throughout this program my professors have given me advice and assistance with Elizabethan dialogue, given us time as actors to play with our scenes, experiment with what choices did or didn’t work, and have given us the opportunity to see two Shakespeare shows right on the Globe stage. All that has really changed my view and experience with Shakespeare. Furthermore, it was reassuring to listen to my classmates talk about their experiences with Shakespeare, as many of them had had similar experiences to me where they felt isolated or like Shakespeare wasn’t for them. Yet when talking about the overall experience at the end of the program, we all came out of it saying how grateful we were for the experience and how we now have such an appreciation for Shakespeare. I definitely am interested in pursuing some Shakespeare classes at Ohio State that I might not have tried before, so I feel like it has definitely exceeded my academic expectations and has given me a lot to think about.
Lastly, it has completely made me reevaluate my professional goals to incorporate Shakespeare into my acting style. I never really thought I would bring a ton of influence from Shakespeare into my acting style, specifically because it is a very unique style of acting using the language of the text. However I realized that you can take so much from Shakespeare and apply it to modern day theater, and in the future I want to incorporate Shakespeare more into my acting style and career. I want to bring in the movement, voice, and acting techniques I have learned into my current acting style and how I prepare for roles. Before this program I would’ve never auditioned for a Shakespeare show, but now I would audition for one and feel confident in my performance. Additionally, I specifically want to take all the good advice I have received from my professors from this program into my confidence in my career in theater. Overall, I fell in love with this program, England, and Shakespeare, and I would recommend the program to anyone who’s interested.
