Volume 62, Number 1 (Spring 2018)
- Note: The full text of SEEJ articles and reviews can be accessed via Ebscohost if you are affiliated with an institution that subscribes to the journal.
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Forum 1: Russian Philosophers on Symbol, Word, and Icon
(James P. Scanlan)
- Vladimir Marchenkov: James Patrick Scanlan: In Memoriam
- Kåre Mjør: Metaphysics, Aesthetics, or Epistemology? The Conceptual History of tvorchestvo in Nineteenth-Century Russian Thought
- David Powelstock: The Center Cannot Hold: Freedom, Akrasia, and Self-Conception in Notes from Underground
- Andrea Oppo: Overturning Nature: Pavel Florenskii’s Aesthetic Realism
- Olga Lyanda-Geller: From Language to Word-Concept: Gustav Shpet’s Variations on Inner Form
- Vladimir Marchenkov: The Continuing Relevance of Symbolist Thought: The Case of Clifford Geertz and Aleksei Losev
Forum 2: Reading Kurtág, Reading with Kurtág: Musico-Literary Perspectives
- INTRODUCTION by Dina Lentsner, Karl Katschthaler, and Julia Galieva-Szokolay
- Julia Galieva-Szokolay: “In stile popolare”: Kurtág’s Reading of Lermontov’s “So Weary, So Wretched”
- Dina Lentsner: A Composer’s Literary Indulgences: Epigraphs in György Kurtág’s Russian Works
- Karl Katschthaler: Reading Kurtág with Kafka: The Fragmentary and the Theatrical in Kafka-Fragmente, Op. 24
ARTICLES
- Fabian Heffermehl: From Curved Space to Reverse Perspective: Interdisciplinary Tendencies in Russian Theory of Painting (Tarabukin reads Florenskii)
- Katya Jordan: Between Aestheticism and Populism: The Purpose of Art in Mamin-Sibiriak’s Shooting Stars
REVIEWS
- Andrei Sinyavsky. Strolls with Pushkin (Jerome H. Katsell)
- Andrew Donskov, ed. Tolstoy and Tolstaya: A Portrait of a Life in Letters (Michael Katz)
- Nancy Perloff. Explodity: Sound, Image, and Word in Russian Futurist Book Art (Jonathan Stone)
- Duncan White. Nabokov and His Books: Between Late Modernism and the Literary Marketplace (Julian W. Connolly)
- Marijeta Bozovic. Nabokov’s Canon: From Onegin to Ada (Alexander Spektor)
- Konstantin Andreevich Somov. Dnevnik: 1917–1923 (Djamilia Nazyrova)
- George Huppert. Comrade Huppert: A Poet in Stalin’s World (Anastasiia Belik)
- Benjamin Paloff. Lost in the Shadow of the Word: Space, Time, and Freedom in Interwar Eastern Europe (Sarah Pratt)
- Paolo Mancosu. Inside the Zhivago Storm: The Editorial Adventures of Pasternak’s Masterpiece (Elena Glazov-Corrigan)
- Vladimir Aristov. What We Saw from This Mountain (Sibelan Forrester)
- T. I. Afanas’eva, V. V. Kozak, A. N. Sobolev. Glagolicheskaia pis’mennost’ Zapadnykh Balkan X–XVI vekov: uchebno-metodicheskoe posobie (Julia Verkholantsev)
- Tatyana V. Bakhmetyeva. Mother of the Church: Sofia Svechina, the Salon, and the Politics of Catholicism in Nineteenth-Century Russia and France (Gary Marker)
- Dragana Obradović. Writing the Yugoslav Wars: Literature, Postmodernism, and the Ethics of Representation (Vladislav Beronja)
- Gwido Zlatkes, Paweł Sowiński, and Ann M. Frenkel, ed. Duplicator Underground: The Independent Publishing Industry in Communist Poland, 1976–89 (Robert Looby)
- Vladislav Vančura. Marketa Lazarová (C. M. Coppage)
- Marat Grinberg, Aleksandr Askoldov: The Commissar (Marya Zeigler)
- Olga Partan. The Commedia dell’Arte in the Russian Artistic Imagination (Evgeniya Koroleva)
- Irina Sirotkina and Roger Smith. The Sixth Sense of the Avant-Garde: Dance, Kinaesthesia and the Arts in Revolutionary Russia (Olga Seliazniova)
- Margaret Beissinger, Speranţa Rădulescu and Anca Giurchescu, ed. Manele in Romania: Cultural Expression and Meaning in Balkan Popular Music (Anna Gąsienica Byrcyn)
- Sarah Badcock. A Prison without Walls: Eastern Siberian Exile in the Last Years of Tsarism (David J Galloway)
- Matthew Romaniello and Tricia Starks, ed. Russian History through the Senses from 1700 to Present (Natalia Chernysheva)