Imagined Journey

I was super overwhelmed at first with the lack of specificity and all the infinite possibilities, but I think I have a pretty decent idea already (day 1) which surprised me because it usually takes me a while to come up with a solid idea for normal projects, much less this massive, open-ended one.  I want to create a map/model of the section of campus that I went through on my route.  I’ll map out everything flat, but for the buildings that I entered, I want to create models so they stand out.  I also want to include a can, water bottle, and toy police car since those were the main focuses on my original journey and didn’t involve buildings; plus, they can serve as a tactile factor.  I also want to include little notes in certain places to show my thoughts, and if I can find it, a business card about the Book of Mormon from when some girls tried to recruit me while I was sitting to sketch in the south oval.  For the other sensory piece, I think I might play the playlist that I was listening to at the time, or maybe even record my “thoughts” and play them out loud (e.g. “this is so weird, I’m just stopping in random places to take pictures of random things with my phone, people are gonna think I’m so creepy,” “Wait, what bus stop?  Does it really matter, I know the general area I need to get to, it’s not a big deal if I go a little bit off the directions.”)

 

ANALOGY EXERCISE

Thinking about all the things I have to do in a day and when I’m going to do them is like a puzzle with way too many pieces. Some things are bigger pieces that require more time, like working on studio projects. Some things have to be left out so more important pieces can be used. In this puzzle, I included the pieces that I usually (try to) get done every day, and left out the pieces that often get neglected (don’t worry, I shower most days). Some days, I might swap out pieces, like relaxing instead of reading for my psych class. It’s kind of like that saying where you get to pick two of three options: sleep, social life, and academics. You can’t have everything.

 

MIND MAP

When I first went on the journey, I wasn’t really focused on sensory aspects, but more so just looking for things that I thought I would be able to draw for the project.  I didn’t want to try to fabricate or imagine what the senses were (e.g. smell of fresh grass) because it didn’t feel authentic, so I focused more on thoughts, feelings, and ideas.

There were a few points that I wanted to focus on:

1) How places are connected/located in relationship to each other.  I took a couple classes at OSU through CC+ last year but because I didn’t live on campus and only visited a few buildings, I’d always take the bus from the Buckeye Lot to whichever stop was closest to my class and didn’t navigate a lot of campus so I really didn’t understand where buildings were in relation to other buildings.  Over the first few weeks of classes and going on this journey, I really started to understand how everything was connected and it was kind of a revelation for me; it made campus feel a lot more familiar and personal.

2) Anxiety/overwhelming qualities.  When I went on this journey, I decided to take pictures of the things that I wanted to draw for the assignment instead of stopping and drawing them right there.  I was very self-conscious about the fact that I was just stopping in random places and taking pictures with my phone and I knew I looked super weird.  I tried to ignore other people and just stay in my own bubble by putting in earphones and listening to music.  It was also a little overwhelming because I had a lot of things to think about at once: reading the directions, navigating, making sure I wasn’t stopping in from of people, looking for things that I thought I would be able to draw, worrying about how creepy I looked, etc.  I can be a pretty high-strung, anxious person and sometimes it feels like my mind is going faster than I can keep up with.  This chaotic, fast-moving quality eventually became something that I really wanted to incorporate into the project, so the high speed and shakiness of the video, although a little off-putting, doesn’t feel like a detriment; I think it helps reinforce the intent and the feelings that I want to evoke.

 

IDEA DEVELOPMENT

I started shifting more towards the recording aspect and away from the map/model.  I still wanted to have some sort of map to show how things connected and where I was going, but I decided that sketching a really detailed map or physically creating the buildings would take up a lot of time but not add enough substance to the project to warrant the effort; instead, I wanted to focus my energy on creating a video- something I’ve never done before.  A video would help add context about what was going on, rather than just where I was.

Creating the map with something to show where I was on it at any given time was really difficult; I had a bunch of different ideas about how to approach it. I wanted to use the time lapse feature on Procreate, but I needed to use a screenshot from google maps to reference and that would show up in the time lapse which ruled out a few ideas (e.g. drawing the actual map as I went through it – I would draw Hayes, then part of the oval, then Hagerty, the union, etc. as I went through the journey).  Another problem with the time lapse was that it didn’t take a picture every x amount of time, but every stroke.  So, if I drew one long line, even if it took 20 seconds, it would just show that line appearing all at once. Before figuring that out, I tried a screen recording app, but that would record exactly what was on my screen, so I couldn’t zoom in or move the canvas around.  After I figured out how the Procreate time lapse worked, it was a lot easier because I just used very short strokes to create my path instead of only using a few longer ones.  Once I had a good video of the map with the moving path on it, I used an app to overlay it on top of my time lapse; it ended up working pretty well, but during one of the initial critiques someone commented that it was kind of confusing and suggested that I try making the map a thumbnail rather than overlaying it over the whole screen, which I ended up liking better.

 

The next step was to make the map match where I was in the video, so I had to speed up and slow down parts of the map.  I’ve never used iMovie before, so the first way I tried to do this took forever and wasn’t perfect.  I had the time lapse in iMovie and split it into sections.  I then tried to add the map by selecting teeny tiny little clips from the thumbnail in My Media window, which was obviously pretty difficult.  After I finished doing this, I had an idea that I thought might work better.  I made the map video its own project, marked on my iPad the locations where I needed to split the video, and split it into different clips that I then dragged into iMovie and adjusted the speed.  I used the picture in picture setting to place the map in the lower right corner.  Then I added in background sounds of wind, walking, traffic, etc that I recorded and music from my playlist.  The song that I chose was Life Goes On by Quinn XCII.  I wanted to use a song from the playlist that I was listening to, and I thought this one fit well.  The idea behind the music was that I put earphones in to put myself in my own bubble and not focus so much on other people, and I think this song is something I’d listen to if I was trying to focus on myself.

My next step is to record a voiceover of thoughts and then edit the sound clips to fluctuate the volume and bring different parts forward at different times.

UPDATE – DEC 10

I watched the video all the way through and wrote down notes for the voiceover, then recorded it in VoiceMemos.  Most people don’t like hearing their own voice on recording, but I really hate it which is why I pushed that part off for so long, but I finally did it and added it into the video.  Now there’s a ton of sounds going on at once and a lot of the time you can’t hear my voice at all (great for me, not so much for the viewer).  Before I started to edit the sounds, I met with Emily to get some feedback.  The biggest thing was that there were some parts that were really shaky and some parts where not much going on, so I need to speed up the boring parts and slow down the shaky parts.  It doesn’t sound like too big of a deal, but that means I’ll also have to edit the map and probably redo the voiceover.  Then I can finally get into editing the sounds, which I have no idea how to do. Yay, Google!  Gabe was there and showed me how to save the video and how to make it loop for the gallery on Thursday.  I’ll be able to submit the file for this assignment, but I still need to figure out how to include the final video in my portfolio because it’s too big to upload directly to this site.  I can try YouTube, but there are copyrighted songs in the video so that might be a problem.

UPDATE – DEC 11

I am so happy I talked to Emily and Gabe! My video is looking so much better.  It was a ton of work – I literally had to start over – but totally worth it.  I tried editing what I already had, but changing the speeds got the map and audio off track with the video, and it was super confusing so I decided to start in a new project.  The video that I was using for the time lapse was originally taken in real time (~16 minutes), but I had sped it up in an app on my iPad to about 4 minutes, then sent it to my laptop to edit it with iMovie, so when I tried to slow down certain parts it got all wonky.  I got the original full-length video and started breaking it up into clips and speeding them up various amounts depending on the context and what I said in the voiceover.  Then, instead of breaking the map up into clips in a different project like I did before, I dragged the whole thing into the same project and broke it up and stretched it to fit right there – so much easier!  I had recorded some background sounds just walking between classes which I used in the first video, but I found out that I could separate the audio from my first full-length video.  I chopped out certain sounds that I wanted to use (leaves crunching, footsteps, buses, doors, etc.) and placed them where I wanted so the sounds made more sense in context, rather than just using one long clip of random sounds that might not match the content and had a lot of wind sound.  Finally, I laid in my super-bootlegged music (I played the song from my phone and recorded it on my iPad – credits to Quinn XCII) and broke it into chunks as well so it would be quieter when I was talking and louder to fill gaps.  When I watched the whole thing through, there were some parts that were too fast and shaky, but I had cut the video down to like 3 minutes so I slowed some of them down.  I had to readjust the map and audio but it wasn’t too bad.  There are still some parts that are shaky, but that comes down to the way I initially recorded it and if I tried to slow those parts down any more it would be awkward and too slow.  Again, I don’t mind the shakiness because it works with my intention – lots going on all at once.

My video is by no means perfect, but I am really proud of myself for tackling a whole new media and teaching myself how to use it.

Here’s a link to the video before I met with Emily and Gabe:  https://drive.google.com/file/d/1tNkTmM3FYlF7bUkm3VSkZhh-K0g6MMPr/view?usp=sharing

And here’s the final: https://drive.google.com/file/d/1oC9DJjQpE_CpJkiQ-6aH6N56AkYW9PsL/view?usp=sharing

Song Credits:

Quinn XCII. “Life Must Go On.” Spotify, 15 Feb. 2019, open.spotify.com/track/3vmsnZF4KPLjbDgZEqwTdL?si=JJ-kC-mgTsa8RF_7cOYaPQ.

Abstracted Metamorphosis

This was my favorite project so far in this class, and also the one I am most proud of! There are always more things I’d like to change, but I actually impressed myself.

BREAK DOWN/BUILD UP EXERCISE

I did rush a little on this exercise so my execution was a little lacking, but I think I did a good job with the overall concept and understanding the break down/build up process.

 

ABSTRACTIONS

I did A LOT – not to be extra, but because I wanted to give myself lots of options to work with later on.  The goats were my on-campus forms (I got to do goat yoga!!) I enjoyed breaking down the forms and found it pretty easy; it would have been relaxing if I didn’t have a million other things to do.  As far as identifying the essential components, I think I did a pretty good job.  One of my strengths was that I chose to overlap certain pieces if I felt like that would provide a better description of both the individual parts and the whole.

 

ITERATIONS

I chose a goat, a cuttlefish, and a woman holding an umbrella.  From the 15 iterations, I narrowed it down to my 5 favorites – a grabber tool and a lamp from the goat, a spaceship and a recliner from the cuttlefish, and a baby carriage from the woman holding the umbrella.  If I could have made two of my final constructions from the same original form, I probably would have chosen the recliner for ‘supports a person,’ but since the spaceship was the only thing I made that could contain multiple people, I chose not to use the recliner and instead went with the baby carriage.  That left the object for use by one person to come from the goat; I picked the grabber tool over the lamp because it was more unique and interesting, and the forms worked better in this construction.

RECONSTRUCTION

I was pretty scared to start adding detail into these new forms because I had to imagine and create it all myself, something I hadn’t done yet.  It wasn’t too bad once I started, though, and I looked up some reference images to help me understand how certain materials would look.

The following videos are time lapse recordings from Procreate so you can see how I went about building up detail in the objects:

 

FINAL PIECES

Goat to grabber tool: object for use by one person

 

Woman with umbrella to baby carriage: object that could support one person

 

Cuttlefish to spaceship: volumetric structure that could contain more than one person

 

Overall, I really enjoyed this project and I’m very pleased with my work! I much prefer working digitally, and the whole idea of breaking something down into seemingly arbitrary parts and then creating something new was really cool.  I’m really happy with my final rendered pieces – even though they aren’t perfect (nothing ever is) I keep seeing improvement. Yay for practice makes progress!

 

REFERENCE IMAGES

Supplier #2252. “Woman Holding Umbrella, Stock Image.” Google Image Result for Https://d2gg9evh47fn9z.Cloudfront.net/800px_COLOURBOX4186128.Jpg, Colourbox, 1 June 2012, images.app.goo.gl/d279ZzaSxQAZRSWr8.

 

Dasgupta, Ajay. “A Fish with Three Hearts: Cuttlefish.” Google Image Result for Https://Www.pitara.com/Wordpress/Wp-Content/Uploads/2002/03/Cuttlefish.jpg, Pitara, images.app.goo.gl/Tagi7dtR1pQFmcgx5.

Interpreted Journey

RESPONSE TO SAUNDERS

  1. How do you know when a drawing is done?

There are many different standards by which a drawing could be completed; it often depends on the goal, and who is evaluating it.  From the artist’s perspective, a drawing might be done when they feel they have accurately drawn what they were intending to draw.  Many might say a drawing is never done and can always be improved upon.  In general, a drawing is done when the artist decides that they are satisfied with their work.

  1. What makes a haiku good?

In order for a poem to be a haiku, it must meet several requirements: three lines with five syllables in the first and last lines, and seven syllables in the middle line. There are no such requirements for what constitutes a “good” haiku, because “good” is a relatively subjective term and can mean different things based on each person’s taste.  For me, a good haiku is simple, not too pretentious, and linguistically pleasing.

Create: describe a complex action in way that is as detailed and long as possible, then describe the same action is a few words as possible yet maintaining as much detail as possible.

Retrieve a loaf of sliced bread, a bag or other container of cheese slices, butter or margarine, a plate, a butter knife, a pan, and a flipping spatula.  Place the pan on the stove and set it to medium heat.  Unwind the twist-tie on the bread bag, remove two slices of bread, and place them on the plate.  Open the butter container, use the butter knife to scoop out butter, and spread the butter onto one slice of bread.  Place the bread back on the plate with the buttered side facing down and proceed to the next piece of bread.  Again, use the butter knife to scoop out butter, and spread the butter onto this slice of bread before placing it on the plate next to the first slice, this time with the buttered side facing up.  Place the lid back onto the butter container or otherwise close it and open the cheese. Pick up a slice of cheese and place it on top of the bread slice that is facing butter-down, on the left side; do this again but place the cheese on the right side.  Layer one more slice of cheese on top of each of the first two. Take the other piece of bread and place it on top of the bread and cheese, so that the buttered side is still facing up.  Slowly and gently lay the sandwich down into the pan.  Wait about a minute, then use the edge of the spatula to lift up the corner of the sandwich to see how dark the bread is; do this occasionally until the bread is the desired color.  Then slide the spatula under the entire sandwich, lift, and flip it so that the other side is on the pan.  Check color occasionally until it is approximately the same on both sides and use the spatula to move the sandwich back onto the plate.

Gather bread, cheese, butter, a plate, knife, pan, and spatula.  Put the pan on the stove on low heat. Butter two pieces of bread and put four slices of cheese between them, touching the unbuttered sides.  Place the sandwich in the pan, and flip when it reaches the desired color.  Remove from pan when both sides are the desired color.

MOOD SWINGS 

Exploring how content and composition can influence different moods, such as order & focus, confusing & overwhelming, and exploration and diversity.  I used frame within a frame and angles/diagonals to reinforce the intended moods.

 

ITERATIONS

I chose to use the perspective of being chased; instead of just focusing on the motion of the images that would come from speed, I wanted to explore the mindset of being chased: what would I be looking for?  I focused on places to hide, escape routes, and anything that could get me help.  Using my iPad definitely made this process a lot easier for me because I could grid out my frame, and move and erase things quickly, as well as draw straight lines.

 

PROCESS SKETCHES

 

FINAL SELECTIONS

Location 1: The first location in my new journey was a low stairwell.  The darkness of the stairwell drew my attention as a place to possibly hide.  Compositionally, the golden triangle follows the handrail and draws attention to the shadowy hiding spot.

Location 2: This is a close-up shot of one of the Police-Fire-Medical emergency posts around campus; I thought I might use it to call for help.  Rule of thirds draws the eye to the large HELP button in the lower right.  The most troubling part of this was the bush in the background.  I wanted the focus to be on the emergency button, so I tried to soften the background to make it fade away, but it just ended up looking weirdly soft and fuzzy.  Later, I went back and added more texture which I think definitely helped.

Location 3: In this shot, I am looking over my shoulder to try and see who is chasing me.  I used a canted angle to give the effect of looking over the shoulder (versus straight on) as well as disorientation.  I also used blur and motion lines to show the speed and movement of the scene.  This is my favorite of the six drawings; I think it really shows my improvement in natural, organic textures from the first project.

Location 4: This location inside the Union was difficult to draw because there were so many people in the way, but I worked around it. I really wanted to highlight the diamond pattern on the floor leading to the exit, so I didn’t use too much contrast in other areas in order to bring the focus where I wanted it.  The path and exit are reinforced by the rule of thirds, as the diamonds lead up the left third and meet the exit in the top right corner.  I also used leading lines in the form of chair backs and structural elements to lead the eyes toward the exit.

Location 5: The brick pillar on the left is the same one that was visible in the same location of the first project, but I focused on the long pathway to a door this time.  I used leading lines and shading to show the depth of the corridor, emphasizing how far away escape was.

Location 6: The statue in the background was my subject in the first project; this time around, I focused on a security vehicle sitting on the road that might be able to help me. I used rule of thirds again to bring attention to the car in the bottom right.  I wanted to really focus on that car, so I chose not to add a lot of distracting elements in the buildings in the background.

Overall, I was very pleased with how these drawings turned out, and looking back at the first project I see so much improvement in my drawing skills, especially with organic textures.  I watched some tutorials on tree texture which helped a lot in breaking down the parts of the tree into more manageable pieces, and I practiced creating grass.

Essential Forms Exercise

The first image was my first attempt at creating each form, and the second image shows the final version with shading included.  I began with the five main line drawings of the shapes, and then chose to add in smaller versions with unique perspectives before I remembered that they needed to be shaded, so the drop shadows may be a little off due to the angle.

For my first attempt at drawing forms interacting, I wanted to combine many of them and wasn’t completely sure about how to do the shading.  After Leah’s lesson in shading, I decided to go with a simpler composition and focus on how the shadows and shapes would interact.  If I could improve it, I would take down the contrast on the leftmost shapes and increase the contrast on the sphere.

Planning my Workspace

EXPLORING PERSPECTIVE

I started by using Notability to play with several different variations on dimensions and making a perspective grid:

 

PRACTICING OBJECTS IN PERSPECTIVE

I also practiced creating objects in the space using the perspective grid.  I succeeded with the couch and clock, but the table was a little weird because I created the base on the “floor” of the space and then moved it up, which meant that it did not recede to the vanishing point.

 

SELECTING DIMENSIONS AND OBJECTS

After getting an idea of what different dimensions would look like, I decided on a 14’x16’x8’ (w*d*h) room with a 3’x8’ cutout to create a nook for my desk.  When I started making the perspective grid for this design, I ran into problems because I didn’t put my special vanishing point on the same line as my regular vanishing point, but Leah and Emily helped me figure why that would create issues and I moved it to a more appropriate location.  I decided to include a trash can, lamp, clock, laptop, couch, bookshelf, and table in addition to the desk, cactus, chair, and cutout that fulfilled the requirements, although I may remove some of these items in my final drawing depending on how the process goes.  I also wanted to add lights in the ceiling to help me with shading in the future.  First, I drew a plan view of the space so I could decide where to put everything.

In the above illustration, the green line represents my sketch pad, so I know that everything will fit on the page.  My next step is to draw the space in my sketchbook.

Spatial Assembly Final Drawing

This is the first drawing that I did, based off of my digital plan.  I chose to omit the laptop and cactus because I had a lot of difficulty drawing them and didn’t think they added much to the space.  Although not visible in this scan, the perspective grid was included, so I chose to use the light table to trace over the original without the grid.

I included both a scan and a photo of my final work because the shading did not come through well on the scan, as well as the digital plan for reference.  In my final piece, I decided to try the cactus again, but in a different style, and I was very happy with how it turned out.  I also removed some of the lights because of their awkward positioning and added a window to open up the space.  The final piece also includes shading, which took some work but ended up really enhancing the depth and perspective aspects.  One of my favorite parts was the shading on the bookshelf; I looked at shelves in our studio to see how the light would fall to guide me.

Notes on directions to my treasure & Exercises

EXERCISES

In your Moleskine, observe the following objects and draw a polygon that encases them. Draw straight lines that connect contour edges to create the bounding shape, and then draw one basic shape (circle, square, triangle) inside that best communicates the objects overall form.

1 – What does it mean to look? What does it mean to see? Is there a difference?

2 – How can you tell what a form’s function is?

3 – Give an example of when you knew how to use something even if it didn’t have instructions. How did you know?

I’m a very detail-oriented perfectionist but have little experience with drawing, so this was a challenge for me.  The observational drawing exercise was helpful because I could create my own simple scene to draw and I was able to grid it out.

 

Final sketches

Added detail & context into Brutus, the statue, and the can; redid the water bottle and lamppost to allow room for detail and context; stairwell sketch and notes are from second walk-through of the directions.