Sound as a Point of Contact

Recordings, photographs, and text by Lauren Pond and Isaac Weiner
Audio editing by Lauren Pond

One recurring motif to which the ARSP team has been attuned is how different sounds–including those deemed religious and those deemed secular–intersect and overlap in particular social contexts. We are interested in what it sounds like when religion spills outside of the institutional boundaries meant to contain it and, conversely, how the ambient sonic qualities of a given social situation shape the experience of religious life. In these moments, sound becomes a point of contact, mediating interactions among diverse religious communities, between religion and its broader social environment, and between human practice and the natural world. The following clips offer a few examples of what we have found.

1. Isha prayer at the Noor Islamic Cultural Center

 

Located just outside of Columbus proper, the Noor Islamic Cultural Center is one of Central Ohio’s largest mosques. On the day of the 2016 Presidential Election, the NICC served as one of the region’s largest polling sites. Likely for political and safety reasons, it abstained from projecting the Islamic call to prayer throughout the day, but resumed doing so for the last prayer of the evening, the Isha prayer, which took place shortly after the polls had closed. At the time this recording was made, it was pouring rain. The combination of the precipitation and the prayer made for a mournful-sounding recording — which, in retrospect, seems suggestive of the election outcome and the xenophobia and Islamophobia that have flourished since then.

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Sounds of the Holiday Season

Recordings by J. Caroline Toy, Isaac Weiner, and Lauren Pond
Audio editing by Lauren Pond
Photographs by Lauren Pond and Isaac Weiner

Religion is often portrayed as a discrete entity – as something that’s confined within the four walls of a church, mosque, temple, synagogue, or the like. Our current work on the American Religious Sounds Project begins to challenge these assumptions. Through our field recordings and essays, we have started to explore how religious sound can seep out of its traditional confines and interact with the surrounding sonic environment – sometimes in a confrontational manner, and sometimes in a more symbiotic one. We’re examining how sound can serve as a point of contact between different faiths, between religious and secular spheres, and among religious followers themselves.

It has been particularly intriguing to listen for overlapping sounds during the holiday season, when many faith communities celebrate in the public sphere. The following audio clips and collages illustrate some of the sonic diversity and overlap of the holiday season in Columbus, Ohio.

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