GE Writing Summary – Arthur Rackham

Creating the World of Fairies: Arthur Rackham

  • Rackham uses a unique mix of ink pen and watercolor to create mystical images found inside children’s fairy-tales. The dark features and colors, distinct details, and soft quality of Rackham’s pieces captivate his audience.
  • Rackham was born in England in 1867 as one of twelve children. He began drawing from a young age and attended the Lambeth School of Art when he was 18 (Art Passions).
  • The first book he illustrated was called To the Other Side and was a guide of both The United States and Canada published in 1893.
  • This and his other early books were successful but did not compare to the success of his images in The Fairy Tales of the Brothers Grimm where he began to find his unique style (Kosik, 2018).
  • Rackham’s work is now considered part of the Golden Age of Illustration—the period from 1875 – 1920.
  • His signature features include his personified tree drawings, blending of watercolors to embolden his images, and painstakingly detailed line work to bring his characters to life.
  • Some of the his most famous book illustrations include Rip Van Winkle (1905), Alice’s Adventures in Wonderland (1907), Peter Pan in Kensington Garden (1906), and The Wind in the Willows which was finished the year he died in 1939 (Kosik, 2018).

Works Cited

“Arthur Rackham Biography.” Pook Press, 2018, www.pookpress.co.uk/project/arthur-rackham-biography/.

“Arthur Rackham Fairy Tale Illustrations.” Art Passions, www.artpassions.net/rackham/rackham.html.

Kosik, Corryn. “Arthur Rackham.” Illustration History, Norman Rockwell Museum, Mar. 2018, www.illustrationhistory.org/artists/arthur-rackham.

Sketchbook Prompt #10 – Week 14

Prompt: Blacken a page of your sketchbook with charcoal or graphite. Use an eraser to draw a subject. Focus on creating an illusion of form.See Frank Auerbach’s drawings

Inspiration:

Frank Auerbach
Head of E.O.W. 1959–60
Tate

My Sketch:

GE Final Drawing

My drawing: 

Under the Sea

I wanted to draw something that evoked the wonder and excitement that Rackham’s drawings evoked in me. I immediately thought of the ocean and creatures like the octopus when I thought of a magical, mythical world. I tried to use dark lines with watercolors to imitate Rackham’s style. I did not have ink pens or water-color paper though, so this technique resulted in some bubbling of the paper.

Inspirational Pieces:

The Infancy of Undine from Undine

Illustration for Irish Fairytales

Man in the Wilderness from Mother Goose

Project 10 – Cartoon

My cartoon is titled “Unnatural.” I used pencil to sketch the story and then traced over everything with sharpie. I found that thickening the dark lines between panels made the drawings stand out more and created a better flow.

Exercise 7 – Cartoon Drawing exercises

Shown below are my two ideas for a narrative for my cartoon. I have decided I like idea 1 the best and I will continue with this one.

Idea #1: Unnatural   

Two manatees unknowingly relax over a toxic chemical dump vent

Idea #2: Drama Llama 

Anti-mask llama doesn’t believe Covid-19 is real but gets the vaccine before everyone

Homework 14 – The Secret of Drawing 2

Response to The Secret of Drawing 2: Storylines 

I found this documentary interesting because it first portrayed comics and story-telling drawings as dark and sometimes depressing. When I think of comics I usually think of humor or jokes, but when I look at them deeper (as this video showed) I do see the darker side. One theme of this film that stood out to me was the idea that comics provide a way to say something that cannot be expressed in words. I think this was especially true for some of the more serious work of Francisco Goya with his depictions of war. He was able to capture deep painful emotion in a more profound way than words can. Images are also often more capable of telling stories than words. I enjoyed viewing the work of story-board artist J. Todd Anderson because he showed what goes on behind the scenes of film. I think this touched on an important concept that drawing is a universal language. Everyone, no matter how they think or speak, could understand the plan for the film from Anderson’s drawings. Drawing for planning a film is one thing, but turning comic-like sketches into animation is a daunting task. I appreciated seeing the effort and time it took Sylvian Chomet to create an animated film from his drawings. Every movement of every character had to be drawn before it could be put in the film. His work truly does show dedication to storytelling through art. Many of the artists from this film found unique ways to capture feelings or thoughts that are often shared but unsaid.

6-Bullet Points to Caitlin McGurk’s talk

  • Billy Ireland Cartoon museum is the largest collection of comics and comic related items in the world.
  • Milton Caniff was an OSU student from 1920s and successful cartoonist. He made adventure comic strips including “Terry and The Pirates.”  He wrote the comics for every day of the week and used cinematic elements such as camera angle changes. He even received a letter from John Steinbeck
  • Will Eisner collection- touched every aspect of comics from the comic strip to teaching with comics and advertising; He is the father of the graphic novel format and published a graphic novel in the late 1970s.
  • P. Craig Russel collaborates with Neil Gaiman; Russel is an Ohio based artist who helped create Coraline and he is also one of the only artists to adapt a piece of music into a comic.
  • Jeff Smith is the author of Bone. He began his drawings as an OSU lantern comic strip and has created a popular young adult graphic novelist; He used the idea of masking for his main character to make it more relatable.
  • Edwina Dumm was the very first woman in the United States to be hired as a full time cartoon artists. She was hired to create political cartoons for a Republican magazine at a time when she didn’t even have the right to vote.

Sketchbook Prompt #6 – Week 13

Prompt: Following in the style of Beatrix Potter, choose a natural object and draw it multiple times in your sketchbook. See Beatrix Potter, sketches for children’s illustrations.  

Inspiration:

Studies of sheep and horses
Beatrix Potter
16 September 1904

My Sketches:

Study of Birds

GE Assignment In-Progress

I have outlined most of the drawing with sharpie. Next I plan to add some water-color then any more details to make the drawing more similar to Rackham’s style of immense detail and subtle color.