New poem by Shen Haobo

Shen Haobo
NO TITLE

you don’t have to take part
of course you don’t dare since long ago
you don’t have to support it
of course you don’t dare either
but please don’t deride
please keep some respect
for the last bit of good
in your fearful heart
long tamed into submission
please don’t hang your head from far away
don’t say with a sigh
“what use is this?
this is no use.”
even if you have been steeped in desperation
you should know
this is not a question of useful or not.

June 2019, shared on WeChat
Translated by Martin Winter, June 2019 Continue reading

The Nuoso Book of Origins

The Nuosu Book of Origins: A Creation Epic from Southwest China
TRANSLATED BY MARK BENDER AND AKU WUWU FROM A TRANSCRIPTION BY JJIVOT ZOPQU (University of Washington Press, 2010). 296 pp., 17 bandw illus., 1 map, 6 x 9 in.
$30.00S PAPERBACK (9780295745695)
$95.00X HARDCOVER (9780295745688)

The Nuosu people, who were once overlords of vast tracts of farmland and forest in the uplands of southern Sichuan and neighboring provinces, are the largest division of the Yi ethnic group in southwest China. Their creation epic plots the origins of the cosmos, the sky and earth, and the living beings of land and water. This translation is a rare example in English of Indigenous ethnic literature from China. Continue reading

Liu Na’ou’s “Scenery”

MCLC Resource Center is pleased to announce publication of Liu Na’ou’s “Scenery,” translated by Travis Telzrow. The translation appears below and at its online home: http://u.osu.edu/mclc/online-series/scenery/.

Enjoy,

Kirk Denton, editor

Scenery

By Liu Na’ou 劉吶鷗[1]

Translated by Travis Telzrow


MCLC Resource Center Publication (Copyright June 2019)


Cover of the original edition of Scenes from the Metropolis.

People were sitting on speed. Fields flew by. Streams flew by. Thatched cottages, stone bridges, willow trees; every piece of scenery existed in the eyes for just a split-second before vanishing. But here in Ranqing’s hands was a newspaper smelling of fresh oil, its pages covered with typed letters aligned like soldiers in the Roman legion that bounced along with the train’s easy back-and-forth rocking as the morning sun shone on them through the car’s window. Ranqing was hoping to obtain some information about a very important conference being held in Xindu on Monday, so he was being whisked away from that dimly-lit editorial office, which reeked of oil and paper, on this early morning express train. Continue reading

Empires of Dust review

Source: LARB, China Channel (5/27/19)
Socialist Literature for the Capitalist Era
By Dylan Levi King

Dylan Levi King reviews Empires of Dust by Jiang Zilong

Jiang Zilong’s novel Empires of Dust, newly translated by Olivia Milburn and Christopher Payne, is unlike anything else published in translation from Chinese in the past decade or so. Jiang, a 78-year-old native of Hebei Province, made a name for himself with A Day in the Life of the Chief of the Electrical Equipment Bureau (机电局长的一天), a 1976 novella first criticized for revisionism and then praised as the future of Chinese literature. Decades later, in 2008, came Empires of Dust (农民帝国), a sprawling epic of modern Chinese history that can only be defined as capitalist realism.

Jiang comes from the same literary background that produced established names such as Mo YanYan Lianke and Jia Pingwa. All of those writers got their start with politically-approved hack work, too. But while they went in other directions, Jiang Zilong continued to write in a literary style codified in the 1950s. Although he published most of his major works in the 1980s and 1990s, and Empires of Dust in the mid-2000s, Jiang is something of a living literary fossil. To understand his work, one has to step back to the era of socialist realism and revolutionary romanticism. Continue reading

I Love XXX and Other Plays review

MCLC and MCLC Resource Center are pleased to announce publication of John B. Weinstein’s review of I Love XXX and Other Plays, by Meng Jinghui, edited by Claire Conceison. The review appears below and at its online home http://u.osu.edu/mclc/book-reviews/john-weinstein/. My thanks to Michael Berry, MCLC book review editor for translations, for ushering the review to publication.

Kirk Denton, editor

I Love XXX and Other Plays

By Meng Jinghui
Edited by Claire Conceison


Reviewed by John B. Weinstein
MCLC Resource Center Publication (Copyright February, 2019)


Meng Jinghui, I Love XXX and Other Plays Ed. Claire Conceison. New York: Seagull Books, 2017. Viii+355 pp.+DVD. $45.00 ISBN 9780857423849

I nearly encountered Meng Jinghui’s 孟京辉 play Longing for Worldly Pleasures (思凡) in 1998, when I arrived in Beijing for a few weeks of research for my dissertation on the development of modern comic drama in China. When I met with a theater official in Beijing, I asked what I should see while there; although I cannot recall what he did ultimately suggest I see, I do recall him showing me a program or poster or some such artifact for a production called Longing for Worldly Pleasures.  That, he noted, was what I should have seen, but its run was already over. Had I only planned the trip better.

What I did not yet know, and maybe no one truly knew, though perhaps this official surmised it, was that Meng Jinghui would become THE big thing in Chinese drama in the coming years, and his work, though by no means strictly comedy—and by no means strictly any one thing—might have formed the ending of my research project. To this date, while I have been fortunate enough to see the English-language adaptation of Head without Tailreferenced in the volume’s introduction, and even more fortunate to spend an evening hanging out with Meng himself in his hotel room in Boston, I have never seen a production of Meng’s work within China itself. Can a volume of English translations of Meng Jinghui’s work compensate? Continue reading

China’s Chaplin

Dear list members,

Just in time for April Fool’s Day: a new translation of comic fiction and drama from modern Shanghai. Happy spring,

Christopher Rea <leiqinfeng@gmail.com>

China’s Chaplin: Comic Stories and Farces by Xu Zhuodai
Translated and with an introduction by Christopher Rea
Ithaca, NY: Cornell East Asia Series, 2019
ISBN: 9781939161048
300 pages

https://uhpress.hawaii.edu/title/chinas-chaplin-comic-stories-and-farces-by-xu-zhuodai/

Hoaxes! Jokes! Farces and fun! China’s Chaplin introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era. Xu was a popular and prolific literary humorist who styled himself variously as Master of the Broken Chamberpot Studio, Dr. Split-Crotch Pants, Dr. Hairy Li, and Old Man Soy Sauce. He was also an entrepreneur who founded gymnastics academies, theater troupes, film companies, magazines, and a home condiments business. Continue reading

The Reincarnated Giant

Dear List Members,

This is a rather belated announcement of the publication of The Reincarnated Giant: An Anthology of Twenty-First Century Chinese Science Fiction (co-edited by Mingwei Song and Theodore Huters, Columbia University Press, 2018). As editors, we hope the anthology will be useful to literary scholars for classroom teaching and academic research.

The TOC of the anthology can be found on this webpage:

https://cup.columbia.edu/book/the-reincarnated-giant/9780231180238

The anthology features some of the most important science fiction stories from the contemporary authors, including Liu Cixin, Han Song, Chen Qiufan, Bao Shu, Xia Jia, as well as excerpts from the experimental novels based on variations of the theme, style, rhetoric, language of science fiction, by authors such as Taiwan’s Lo Yichun and Hong Kong’s Dung Kai-cheung. Continue reading

Chen Qiufan goes to Burning Man

Source: Logic 7 (2019)
The Chinese Burner
by Chen Qiufan
A Chinese science fiction writer goes to Burning Man.
Translated by Julian Gewirtz and Wenbin Gao.

Burning Man. Photo by Chen Qiufan.

This piece appears in Logic’s upcoming seventh issue, “China.” To pre-order the issue, head on over to our store. To receive “China” along with future issues, subscribe.

Every year at the end of August, the Nevada desert, with its dense, corrosive, dusty air, welcomes tens of thousands of pilgrims who call themselves “burners.” They come in house cars, peculiar floats, or private jets to this “Black Rock City,” which only exists for nine days. They build hundreds of art installations, attend sexy dance parties with roaring music all night long, and take part in more than one thousand activities—from yoga and meditation to S&M and orgies to artificial intelligence (AI) exhibitions. There is no commerce here. All you can get with money is ice and coffee. Everything else must be gotten for free or shared voluntarily. A hug or a song can be payment for bread and alcohol. Continue reading

Insects in Chinese Literature

NEW BOOK ANNOUNCEMENT

Cambria Press is pleased to announce the publication of Insects in Chinese Literature: A Study and Anthology by Wilt L. Idema.

This gist of Professor Idema’s newest book is well captured by Professor Judith T. Zeitlin (University of Chicago) who notes, “That prodigiously productive scholar and translator of Chinese literature is at it again. This time Wilt Idema takes us into the teeming world of creepy, crawling things—insects. Entertaining and erudite, and covering a mind-boggling range of genres, serious and parodic, the extraordinary range of Chinese writing on this subject—from culturally venerated insects like silkworms, cicadas, and crickets to universal scourges like fleas, mosquitos, and lice—over millennia is here made available for the first time.” Continue reading

Love in the New Millennium nominated for Man Booker

Source: Radii (3/13/19)
Can Xue’s “Love in the New Millennium” Nominated for 2019 Man Booker International Prize
The 2019 Man Booker International Prize long list has been announced, with Chinese author Can Xue’s fantastical Love in the New Millennium among the nominees
By RADII CHINA

Chinese avant-garde author Can Xue’s “darkly comic” novel Love in the New Millenium has made the Man Booker International Prize 2019 long list. The story follows “a group of women [that] inhabits a world of constant surveillance” and represents the “most ambitious work of fiction by a writer widely considered the most important novelist working in China today”, according to its English language publisher, Yale University Press.

Deng Xiaohua, the author behind the Can Xue pseudonym, was born in Changsha, in China’s southern province of Hunan. Her father, the one-time editor-in-chief of a prominent newspaper in the province, was labelled an “Ultra-Rightist” in the late 1950s along with other intellectuals of the period, and was sent to the countryside for two years for allegedly leading an anti-Communist group at the paper. Continue reading

“Wuhouci” Tibetan community of Chengdu

Source: High Peaks Pure Earth (2/25/19)
“Wuhouci” The Tibetan Community of Chengdu – Guest Post and Poetry Translation
By Lowell Cook

Photo taken in Wuhouci, Chengdu (Photo credit: Nina Robyn and Drolma Dondrup)

“The Tibetan Community of Chengdu” – An Introduction by Lowell Cook*

There are a number of Tibetan communities outside of the indigenous Tibetan lands and the community of Wuhouci is one of the most vibrant. Wuhouci is a neighborhood in the city of Chengdu, the capital of the Sichuan province, and has earned a name for itself as Chengdu’s Tibetan quarter.

With Sichuan encompassing large parts of Kham and Amdo, Chengdu acts as one of the major centers for Tibetans from these regions to access certain goods and medical care, find work and attend language schools or universities, and even spend their winters. It is said that at any given time, there are around 300,000 Tibetans in Chengdu. When you think about the overall Tibetan population (roughly 6 million), this is a sizable number. Yet, when you consider the entire population of Chengdu (over 14 million), it becomes clear that they are still very much a minority. Continue reading

Wolf Totem and the Post-Mao Utopian review

MCLC and MCLC Resource Center are pleased to announce publication of Yiyan Wang’s review of Wolf Totem and the the Post-Mao Utopian: A Chinese Perspective on Contemporary Western Scholarship (Brill 2018), by Li Xiaojiang and translated by Edward M. Gunn. The review appears below and at its online home: http://u.osu.edu/mclc/book-reviews/yiyan-wang/. My thanks to Nicholas Kaldis, MCLC book review editor for literary studies, for ushering the review to publication.

Kirk A. Denton, editor

Wolf Totem and the Post-Mao Utopian: 
A Chinese Perspective on Contemporary Western Scholarship

By Li Xiaojiang
Translated by Edward Mansfield Gunn


Reviewed by Yiyan Wang
MCLC Resource Center Publication (Copyright March, 2019)


Li Xiaojiang, Wolf Totem and the Post-Mao Utopian: A Chinese Perspective on Contemporary Western Scholarship Tr. Edward Mansfield Gunn. Leiden: Brill, 2018. Ix-xviii + 574. ISBN: 978-90-04-27672-7 (Hardcover).

Li Xiaojiang 李小江 is a scholar well-known for her ground-breaking research and extensive publications on gender and women’s issues in Chinese society. Her monograph, Post-Allegory: A Rigorous Explication of Wolf Totem  (后寓言:〈狼图腾〉深度诠释) (Wuhan: Changjiang wenyi, 2010), is a remarkable departure from her usual areas of research. The version here being reviewed is a translation of the 2013 revised edition (修正版), Wolf Totem and the Post-Mao Utopian: A Chinese Perspective on Contemporary Western Scholarship (后乌托邦批评:〈狼图腾〉深度诠释) (Shanghai: Shanghai renmin), rendered into English by Edward Gunn. It offers, exactly as the subtitle indicates, “A Chinese Perspective on Contemporary Western Scholarship.”[1] Li’s analysis and positioning of the novel, Wolf Totem 狼图腾 (Jiang Rong 2004; translation by Howard Goldblatt 2009), as a “post” allegory, is a preparation for the core task of the book—to critique contemporary Western scholarship and to propose a new critical paradigm: post-utopian criticism. While Gunn faithfully translates the title of this revised edition as “the Post-Mao Utopian,” I use Li’s original term, “post-allegory” (后寓言), because it is her point of entry for and may help us understand her argument about “post-utopianism.” Continue reading

Roles of Translation in the Course of History–cfp

Culture and Politics: Roles of Translation in the Course of History
The Third International Conference on Chinese Translation History
Organised by Research Centre for Translation, Institute of Chinese Studies, The Chinese University of Hong Kong

Co-organised with Department of Translation, The Chinese University of Hong Kong

21 December 2019
Venue: The Chinese University of Hong Kong

The “International Conference on Chinese Translation History” series organised by the Research Centre for Translation, The Chinese University of Hong Kong, aspires to explore Chinese translation history within the bigger framework of world civilisation and human thought. It aims to lay groundwork for new models, methods, and perspectives in this innovative interdisciplinary branch of learning through detailed case studies. Since 2015, the conference series are held every two years, with a different central theme for every conference.

The third conference, “Culture and Politics: Roles of Translation in the Course of History,” now invites submission of panel abstracts as well as abstracts for individual papers. Continue reading

Xiqu surtitle editors and translators needed

Dear MCLC colleagues:

I’m the Artistic Director at Hong Kong’s West Kowloon Cultural District, one of the largest cultural developments in the world right now.

We’ve just opened our first major arts centre, The Xiqu Centre, and are urgently looking to expand our army of people to help us with surtitles for the Xiqu performances.

Please contact me at alison.friedman@wkcda.hk  if you, any of your colleagues, or any of your students have the necessary skills and are looking for freelance work.

Deadlines can be quite tight, so we need committed, professional, knowledgeable and reliable translators and editors.

With appreciation,
Alison


Alison M. Friedman 方美昂
西九文化區表演藝術總監
Artistic Director, Performing Arts
West Kowloon Cultural District
T: (+852) 2200 0862
www.westkowloon.hk
alison.friedman@wkcda.hk