MCLC

announcements of MCLC book reviews, publications, etc.

Vol, 36, no. 1 of MCLC

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We are pleased to announce that the latest issue of Modern Chinese Literature and Culture, vol. 36, no. 1 (Summer 2024), has now been published and will be sent out in the coming days. Please find the table of contents below. Abstracts and full-text articles can be accessed from the journal’s online repository:

https://www.euppublishing.com/toc/mclc/36/1

Natascha Gentz and Christopher Rosenmeier, editors

Table of Contents

Note from the Editors

Trauma, Lu Xun, and the Specter of the Taiping Civil War
Andrew Emerson

Anticipatory Self-Martyrdom: The Image of Christ’s Crucifixion in Ai Qing’s Poetry
Andrew Kauffman

Seeing Others: Ethics of Ghost Narrative in Sinophone Hong Kong Literature
Di-kai Chao and Riccardo Moratto

Ethnicity in Print Media: Alternative Framings of the Short Story “The Gray Robe”
Mario De Grandis

Lü Ban’s Comedies, Transnational Film Auteurism, and Comedic Modernism in Early Socialist China
Chuanhui Meng

The Cult of Craftsmanship in China: The Industrial Hand and the Artisanal Hand in the Age of High Technology
Yu Zhang

Contributors

Routledge Handbook of Chinese Gender & Sexuality review

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MCLC Resource Center is pleased to announce publication of Chris Berry’s review of Routledge Handbook of Chinese Gender & Sexuality, edited by Jamie J. Zhao and Hongwei Bao. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/chris-berry2/. My thanks to Nicholas Kaldis, our literary studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Routledge Handbook of Chinese
Gender & Sexuality

Edited by Jamie J. Zhao and Hongwei Bao

Reviewed by Chris Berry

MCLC Resource Center Publication (Copyright July, 2024)

Jamie J. Zhao and Hongwei Bao, eds., Routledge Handbook of Chinese Gender & Sexuality Abingdon and New York: Routledge, 2024. Xvii + 379 pp. ISBN: 978-1-032-22729-0 (cloth); 978-1-032-22733-7 (paper); 978-1-003-27394-3 (e-book).

In their introductory essay in the Routledge Handbook of Chinese Gender and Sexuality, Jamie J. Zhao and Hongwei Bao acknowledge that there are already numerous monographs and anthologies in the field. However, they stake a claim for their book as an intervention rather than just a representative round-up of leading work. All the essays are new. Furthermore, although the editors aim for broad coverage, they also have what I see as four corrective interventions. Whereas, they claim, the field has favored the pre-1949 era, they aim to spotlight the contemporary. Whereas the roots of much work in area studies approaches China and Chineseness as a site of difference or even exceptionalism, they highlight work that is transnational in approach, understanding China and Chineseness as constant processes of becoming shaped and responding to transnational flows. In response to the proliferation of work on the peripheral areas of the larger Sinosphere favored by Sinophone scholarship, they center the volume on the People’s Republic of China (PRC). And finally, whereas the balance of existing work has tilted toward the social sciences, they emphasize arts, humanities, and cultural studies approaches, and, in particular, a “queering” approach that moves away from research that assumes fixed gender and sexual identities and toward work that questions them. In this review, I first briefly introduce the contents of this substantial volume of new writing, and then return to address some of the positions staked out by these four interventions. Continue reading Routledge Handbook of Chinese Gender & Sexuality review →

Thoughts from the Ice-Drinker’s Studio review

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MCLC Resource Center is pleased to announce publication of Leigh Jenco’s review of Thoughts from the Ice-Drinker’s Studio: Essays on China and the World, by Liang Qichao, edited and translated by Peter Zarrow. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/jenco/. My thanks to Michael Gibbs Hill, our translations/translation studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Thoughts from the Ice-Drinker’s Studio:
Essays on China and the World

By Liang Qichao
Edited and Translated by Peter Zarrow

Reviewed by Leigh Jenco
MCLC Resource Center Publication (Copyright July, 2024)

Liang Qichao. Thoughts From the Ice-Drinker’s Studio: Essays on China and the World Edited and translated by Peter Zarrow. Penguin Classics, 2023. 272 pp. ISBN: 9780241568781 (paperback); 9781802060140 (ebook).

As a political theorist who works on Chinese thought within the notoriously Eurocentric fields of political science and philosophy, I have been waiting a very long time for a volume like this one. Peter Zarrow has finally undertaken the considerable scholarly effort to translate, masterfully and lucidly, key essays from Liang Qichao 梁啟超, arguably the most influential figure of twentieth-century Chinese thought barring only Mao Zedong. We can now easily include in our introductory courses several weeks of key readings from the greatest mover-and-shaker to come out of the late Qing period—the figure who “invented political journalism, promoted democratic reforms, and introduced Western political theory to Chinese readers,” and “led China’s break from tradition” (ix). This volume is a real milestone.

Zarrow begins the volume with a brisk and accessible introduction that sketches the historical context without becoming bogged down in irrelevant detail. His translator’s note explains how he chose the essays to translate: he focuses on those that mainly deal with questions we would consider closer to political theory than to historiography or journalism (the other contributions for which Liang is known), and that are representative of Liang’s thinking at distinct junctures in his life. These junctures also organize the volume’s four parts: Early Reformist Thought (1896-1898), Radicalism (1899-1903), Cultural Reform (1904-1911), and Syncretism and Progress (1912-1929).  Long known as a bit of a plagiarist, Liang’s Chinese translations of Japanese-language material published under his own name are also not included in this volume, nor are his writings on literature or history, which have been published elsewhere (and Zarrow helpfully provides a bibliographic list). Continue reading Thoughts from the Ice-Drinker’s Studio review →

When the Yellow River Floods review

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MCLC Resource Center is pleased to announce publication of Robin L. Visser’s review of When the Yellow River Floods: Water, Technology, and Nation-Building in Early Twentieth-Century Chinese Literature, by Hui-Lin Hsu. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/visser/. My thanks to MCLC literary studies book review editor, Nicholas Kaldis, for ushering the review to publication.

Kirk Denton, MCLC

When the Yellow River Floods: Water, Technology, and
Nation-Building in Early Twentieth-Century Chinese Literature

By Hui-Lin Hsu

Reviewed by Robin L. Visser

MCLC Resource Center Publication (Copyright July, 2024)

Hui-Lin Hsu, When the Yellow River Floods: Water, Technology, and Nation-Building in Early Twentieth-Century Chinese Literature Hong Kong: Hong Kong University Press, 2024, X + 163 pp. ISBN: 978-988-8842-77-3 (Hardback).

When the Yellow River Floods comprehensively analyzes polymath author Liu E’s (刘鹗, 1857-1909) popular late Qing novel, The Travels of Lao Can (老残游记, 1907), by engaging hydraulics, medicine, occult knowledge, and literary, social, and political history. Published in 2024 by Hong Kong University Press, the hardcover edition of 163 pages is comprised of an introduction, five chapters, and a brief conclusion. In his analysis, Hui-Lin Hsu challenges conventional understandings of late Qing literary history by connecting water management principles to literary nation-building, demonstrating how river engineering techniques inform the novel’s landscape descriptions and its medical, political, and national sentiment discourses. Though Liu E died in infamy after being exiled to Xinjiang on trumped-up charges, Travels was first serialized in 1903 to popular acclaim and retains scholarly relevance into the twenty-first century.[1]

The introduction pairs the frequent flooding of the Yellow River during Liu E’s lifetime to his work as a river engineer from 1888 to 1893 after a catastrophic dike breach in Zhengzhou killed over 930,000 people. Based on his surveys and mapping of the Yellow River in Henan, Zhili, and Shandong, Liu wrote Chart of the Course of the Yellow River (豫,直,鲁三省黄河图) and Five Essays on River Management (治河五说), key sources for Hsu’s analysis of The Travels of Lao Can. In them, Liu proposes a new embankment system of oblique dikes (斜提) that “defend water with water” (以水敌水), inspired by flood control methods attributed to the mythical Da Yu (大禹). Hsu argues that this pliant water management technique directly informs Liu E’s understanding of late Qing politics. Continue reading When the Yellow River Floods review →

HK Media and Asia’s Cold War review

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MCLC Resource Center is pleased to announce publication of Man-Fung Yip’s review of Hong Kong Media and Asia’s Cold War, by Po-Shek Fu. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/man-fung-yip/. My thanks to our new media studies book review editor, Shaoling Ma, for ushering the review to publication.

Kirk Denton, MCLC

Hong Kong Media and Asia’s Cold War

By Po-Shek Fu

Reviewed by Man-Fung Yip

MCLC Resource Center Publication (Copyright July, 2024)

Po-Shek Fu, Hong Kong Media and Asia’s Cold War Oxford: Oxford University Press, 2023. 256pp. ISBN: 9780190073770 (paperback); 9780190073763 (hardcover)

Over the decades, Po-Shek Fu has established himself as one of the most respected scholars in the field of Chinese-language cinema. His latest book on the cultural Cold War in Hong Kong of the 1950s and 1960s, with a focus on film and print media, offers the first systematic English-language study of this important but little-examined subject.

Divided into four main chapters, plus a preface and an epilogue, the book covers the period—from the late 1940s to the late 1960s—to which the cultural Cold War in Hong Kong was most germane. The first chapter offers a comprehensive mapping of the cinematic Cold War in Hong Kong and makes a convincing case for what Fu calls the “cinematic containment” of leftist or pro-communist “patriotic” cinema on the part of pro-Taiwan forces and the United States. Each of the following three chapters focuses on a case study to further explore the complex dynamics and meanings of the cultural Cold War in Hong Kong: the US-sponsored Chinese Student Weekly and its ties with the liberal “third force” movement in Republican China in chapter 2; Asia Pictures, a film studio founded by Chang Kuo-sin 張國興 with support from the Asia Foundation (a CIA-funded nongovernmental organization), in chapter 3; and the Shaw Brothers studio in chapter 4. The epilogue concludes the book by focusing on the period of the late 1960s and 1970s, when the rise of a new, local-born generation challenged and reshaped the Cold War networks of émigré cultural production, which in turn led to a gradual winding down of Hong Kong’s status as a battlefield of Asia’s cultural Cold War. Continue reading HK Media and Asia’s Cold War review →

Look Back in Anger

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MCLC Resource Center is pleased to announce publication of Thomas Chen’s “Look Back in Anger: The Long Season (2023),” an essay on the TV series The Long Season. The essay appears below and at its online home: https://u.osu.edu/mclc/online-series/the-long-season/. My thanks to Prof. Chen for sharing his work with the MCLC community.

Kirk A. Denton, MCLC

Look Back in Anger:
The Long Season (2023)

By Thomas Chen

MCLC Resource Center Publication (Copyright July 2024)

Figure 1: Marketing poster for The Long Season.

First released in China in April 2023 and now available to stream on Amazon Prime Video, The Long Season (漫长的季节) is the most popular and critically praised Chinese miniseries in recent memory. On Douban, China’s near-equivalent of IMDb, it has over 900,000 ratings, with an average score of 9.4 out of 10. What accounts for this stupendous acclaim?

The Long Season has an arresting storyline: complex, tightly written, and unpredictable. It is a double-plotted crime drama set in the fictional steel town of Hualin in northeastern China, deftly interweaving a mysterious hit-and-run incident in 2016—the present in which the series opens—with a case of murder by dismemberment in 1998.

Generically a whodunit, The Long Season is also a riot. The Northeast constitutes the wellspring of comedy in the Chinese cultural imagination. Some of the country’s most famous comedians hail from the region, and their skits and sketches on China Central Television’s annual New Year’s Gala have entertained generations of viewers. Directed by Xin Shuang 辛爽, a Northeasterner, the dialogue crackles with repartees, delivered impeccably in the distinctive local idiom by well-known actors Fan Wei 范伟 and Qin Hao 秦昊, both of whom themselves are from the Northeast. They play, respectively, Wang Xiang 王响, a former locomotive engineer for Hualin Steel who is now a taxi driver, and Gong Biao 龚彪, a fellow taxi driver who used to be an entry-level manager in the same factory. The third male lead is Ma Desheng 马德胜, a police captain turned amateur Latin ballroom dancer. All three give bravura performances in dual roles spanning almost two decades that anchor the temporal shifts in the narrative. Continue reading Look Back in Anger →

Theater and Politics in Socialist China: A Review Essay

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MCLC Resource Center is pleased to announce publication of Letizia Fusini’s review essay, “Theater and Politics in Socialist China,” which treats recently published books on modern Chinese drama by Maggie Greene, Siyuan Liu, and Xiaomei Chen. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/fusini/. My thanks to Jason McGrath, our soon-to-be-former book review editor for media, film, and drama studies, for ushering the review to publication.

Kirk Denton, MCLC

Theater and Politics in Socialist China:
A Review Essay

Resisting Spirits, by Maggie Greene
Transforming Tradition, by Siyuan Liu
Performing the Socialist State, by Xiaomei Chen

Reviewed by Letizia Fusini
MCLC Resource Center Publication (Copyright May, 2024)

Maggie Greene, Resisting Spirits: Drama Reform and Cultural Transformation in the PRC Ann Arbor: University of Michigan Press, 2019. 260pp ISBN: 9780472074303 (hardcover)

Siyuan Liu, Transforming Tradition: The Reform of Chinese Theater in the 1950s and Early 1960s Ann Arbor: University of Michigan Press, 2021. 472pp. ISBN: 9780472132478 (hardcover); 9780472128723 (ebook)

Xiaomei Chen, Performing the Socialist State: Modern Chinese Theater and Film Culture New York: Columbia University Press, 2023. 384pp. ISBN: 9780231197762 (hardcover); 9780231552332 (ebook)

Nearly a decade ago, in Autumn 2016, I had the opportunity and the privilege to teach an undergraduate survey course on the history of Chinese theater, the only one of its kind in the UK back then. I was a freshly minted PhD graduate and that was my first teaching post. Aside from developing my lecturing skills, the main challenge was to find creative strategies to make the subject more accessible to students who were majoring in theater studies and knew almost nothing about Chinese culture and history. The task became even more daunting when, due to time constraints, I had to condense the history of the rise of modern drama (huaju 话剧) and the transformations of classical theater (xiqu 戏曲) throughout the late-Qing, Republican and early socialist epochs within the space of a couple of hours. Since I wanted to avoid information overload, I began to look for a unifying thread that could hthelp me connect these three periods and, in my research, I came across an excerpt from a text written by Chen Duxiu 陈独秀 in 1904, where the future founder of the CCP eulogizes theater as the best “vehicle for social reform” (120), tracing the paternity of this idea to Confucius, who once said that “nothing is better than yue [乐, the performing arts lato sensu] at transforming social conventions” (118). These thoughts, written just before the dawn of the Republican period and yet rooted in the Confucian tradition, prefigured the Zeitgeist of the New Culture and May Fourth Movements, which, in turn, would be lauded by Mao Zedong in his essay “On New Democracy” as “having pioneered an unprecedentedly great and thoroughgoing cultural revolution” (361) whose only fault was that it failed to serve the interests of the masses of workers, peasants, and soldiers. Through these connections, I was able to visualize the (r)evolution of Chinese theater in the first half of the twentieth century as a tree growing out of Confucian roots and projecting its branches and foliage in a Marxist direction culminating with the Cultural Revolution of 1966-1976. My goal was to convey to my students the impression I had gotten vis-à-vis that short statement by Chen Duxiu about the power of theater to effect social change. The fact that in China, the attribution of a pedagogic and political function to theater is a traditional concept rather than a twentieth-century novelty, hence not an exclusive prerogative of the Communist period or of the Cultural Revolution, was the unifying thread I was looking for. What was initially a mere perception on my part, found confirmation in Richard Schechner’s foreword to the collection in which I originally found Chen Duxiu’s text, where he notes that “the roots of Mao’s attitude—that theater is an excellent educator and that rulers ought to use it as such—go deep in Chinese history. From an early date, theater was seen as a way of reaching ordinary people who could not read” (x). Continue reading Theater and Politics in Socialist China: A Review Essay →

Angloscene review

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MCLC Resource Center is pleasesd to announce publication of Ruodi Duan’s review of Angloscene: Compromised Personhood in Afro-Chinese Translations, by Jay Ke-Schutte. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/ruodi-duan/. My thanks to Michael Gibbs Hill, our translations/translation studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Angloscene: Compromised Personhood
in Afro-Chinese Translations

By Jay Ke-Schutte

Reviewed by Ruodi Duan

MCLC Resource Center Publication (Copyright May, 2024)

Jay Ke-Schutte, Angloscene: Compromised Personhood in Afro-Chinese Translations Berkeley: University of California Press, 2023. 219 pp. ISBN: 9780520389816 (paperback); 9780520389823 (ebook).

New approaches to China-Africa studies that center the mediating role of race remain greatly needed. Jay Ke-Schutte’s Angloscene: Compromised Personhood in Afro-Chinese Translations, which is available for free in electronic format from Luminosa, takes on this call. Through an ethnography conducted in the 2010s of the relationships and micro-interactions between Chinese and African students in Beijing, Ke-Schutte argues that these encounters are continually articulated through the vectors of whiteness, cosmopolitanism, and use of the English language. This landscape, Ke-Schutte argues, comprises the “Angloscene,” which is constituted through acts of interpersonal and intercultural translation.

I appreciate many aspects of the book. The ethnographic descriptions are rich and well-composed. Ke-Schutte accords much-deserved attention to how the dynamic afterlives of Third World unity still manifest in current-day grassroots exchanges, such as when an African student implores a Chinese street vendor to “help out a Third World brother!” (5). Relatedly, I find very provocative the connections that Ke-Schutte highlights between labor migrancy in apartheid-era South Africa and the aspirations of female rural-to-urban migrant workers in contemporary Beijing (72-75). Ke-Schutte’s willingness to tackle some of the most impossible questions in the articulation and reception of Black identities in modern Chinese society (i.e., who can be a racist?) leads to unanticipated and deeply insightful observations. For one, I am intrigued by the global reach of “white political correctness” as a register of the civilizational expectations that govern subaltern subjects (89). The exchanges between Adam, a Zimbabwean student, and his Chinese ex-girlfriend Lili at a costume party capture this dynamic. Adam and Lili found themselves trapped in an impossible bind given their use of English language as the vehicle for communication, unable to escape the racialized positions and aspirations that elevate Tim, Lili’s new white boyfriend, to relative unassailability and authority. Continue reading Angloscene review →

Utopian Fiction in China review

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MCLC Resource Center is pleased to announce publication of Hang Tu’s review of Utopian Fiction in China: Genre, Print Culture and Knowledge Formation, 1902-1912, by Shuk Man Leung. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/hang-tu/. My thanks to Nicholas Kaldis, our literary studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Utopian Fiction in China:
Genre, Print Culture and Knowledge Formation, 1902-1912

By Shuk Man Leung

Reviewed by Hang Tu

MCLC Resource Center Publication (Copyright May, 2024)

Shuk Man Leung, Utopian Fiction in China: Genre, Print Culture and Knowledge Formation, 1902-1912 Leiden: Brill, 2023, Xiii + 306 pp. ISBN: 978-90-04-68038-8 (Hardcover).

May 1, 2024 was a strange day to reflect on the theme of utopianism. On university campuses across America, anger and frustration was rife among participants of protests and counter-protests. The violence of the Middle East crisis spilled over into the American public, sharpening partisan divisions in an already polarized country. In such an atmosphere of mutual recriminations and accusations of political crimes, many would dismiss any utopian vision as naïvely, if not recklessly, pedantic, a pale intellectual legacy discussed in seminar rooms. Indeed, throughout the post-pandemic world, regional wars, power rivalries, and the law of the jungle have been taking over. East and West, dystopian sentiment was ascendant—the shared affect of those confronting various failed utopian projects with bitter resignation and cynicism. A second decade into the twenty-first century, to borrow from Enzo Traverso’s apt phrase, we find ourselves in an era that suffers the “eclipse of utopia,” one without visible, thinkable, or imaginable alternatives. Hence, isn’t it simply anachronistic to still be speaking about utopia today? Continue reading Utopian Fiction in China review →

Stories from an Ancient Land review

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MCLC Resource Center is pleased to announce publication of Mark Bender’s review of Stories from an Ancient Land: Perspectives on Wa History and Culture, by Magnus Fiskesjö. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/bender/. My thanks to Nicholas Kaldis, MCLC literary studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Stories from an Ancient Land:
Perspectives on Wa History and Culture

By Magnus Fiskesjö

Reviewed by Mark Bender

MCLC Resource Center Publication (Copyright May, 2024)

Magnus Fiskesjö, Stories from an Ancient Land: Perspectives on Wa History and Culture New York: Berghahn Books, 2022. Xiv + 414. ISBN: 9781789208870 (Hardcover).

Stories from an Ancient Land: Perspectives on Wa History and Culture is a much-needed examination of the history and culture of the Wa (Va) people of the borderlands of Yunnan province in southwest China and the Wa State located in eastern Myanmar (Burma). Stories from an Ancient Land was published in 2021 by Berghahn Books, New York, in a hard cover edition of 414 pages, along with black and white photos and maps. Within studies of ethnicity in Southwest China and Southeast Asia, the Wa (Va) are a well-known but relatively understudied ethnic group in comparison to the Yi, Dai, Lahu, Bai, Miao/Hmong, Yao, and other ethnicities that have received ample treatment in Anglophone scholarship in recent decades, from researchers in various fields (especially anthropology), including Stevan Harrell, Shao-hua Liu, Erik Mueggler, Sara Davis, Shanshan Du, Beth Notar, Louisa Schein, Nicholas Tapp, Ralph Litzinger, Anthony Walker, Helen Rees, Katherine Swancutt, Yanshuo Zhang, Duncan Poupard, and others. Based on his extensive fieldwork in Ximeng county, Yunnan, and supported by archival data from various sources, some dating into antiquity, Fiskesjö tells the stories of a misunderstood ethnic group that has figured in the upland economies, regional and international politics, and popular imaginings of the border regions they have for millennia called home. Continue reading Stories from an Ancient Land review →

Malaysian Crossings review

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MCLC Resource Center is pleased to announce publication of Carlos Rojas’s review of Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature, by Cheow Thia Chan. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/rojas2/. My thanks to Nicholas Kaldis, our literary studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Malaysian Crossings: Place and Language
in the Worlding of Modern Chinese Literature

By Cheow Thia Chan

Reviewed by Carlos Rojas

MCLC Resource Center Publication (Copyright April, 2024)

Cheow Thia Chan, Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature New York: Columbia University Press, 2023. xviii + 298. ISBN: 9780231203395 (Paperback); ISBN: 9780231203388 (Hardcover); ISBN: 9780231555029 (E-book).

In 1831, Charles Darwin left England for a trip to South America that included a five-week stay in the Galápagos Islands off the coast of Ecuador. Darwin was struck by how these islands were home to numerous endemic species, many of which appeared to have adapted in response to the specific environmental pressures found in the Galápagos. It was these observations that provided the basis for Darwin’s theory of evolution, which seeks to explain processes of species differentiation not only in the Galápagos but throughout the world.

Meanwhile, in 1826, at nearly the same moment but half a world away, the British East India Company established a group of colonies in Penang, Malacca, and Singapore known as the Straits Settlements. These settlements were redesignated as the Crown Colonies in 1858, and they subsequently became British Malaya, the Federation of Malaysia, and ultimately the Republic of Malaysia. Just as the evolution of the flora and fauna of the Galápagos was shaped by the unique evolutionary pressures that characterized their isolated archipelago, the distinctive sociopolitical environment of former British Malaya—including British, Japanese, and Chinese imperial legacies, multiple waves of migration, a large indigenous population, and so forth—has similarly helped shape the distinctive configurations of what has come to be known as modern Malaysian Chinese (“Mahua” 馬華) literature. Continue reading Malaysian Crossings review →

New MCLC media studies book review editor

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After ten years of service, Jason McGrath has decided to step down from his position as MCLC‘s media studies book review editor. Over the years, Jason worked tirelessly and with integrity—and, needless to say, without remuneration—to assist in the production of dozens of excellent reviews, and we should all be grateful for his contribution to building knowledge in our field. Our deepest appreciation.

We are, however, fortunate that Shaoling Ma has agreed to take over the position. Many of you will know Professor Ma’s research, but here’s a short introduction:

Shaoling Ma is Associate Professor of Asian Studies at Cornell University. An interdisciplinary scholar and critical theorist of global Chinese history, literature, and media, she is the author of The Stone and the Wireless: Mediating China, 1861-1906 (Duke UP, 2021), and other works on political-technological forms in postwar-to-contemporary Singapore, Malaysia, and the PRC, and in criticism more generally. She serves on the advisory and/or editorial boards for the Technicities book series (Edinburgh University Press), Cultural Politics (Duke University Press), and World Picture (University of Toronto Press).

Please welcome Professor Shaoling Ma to the MCLC team. All inquiries regarding book reviews in the areas of film, media studies, and drama should be directed to her. Her email address is: sm2863@cornell.edu.

Kirk Denton, MCLC

Wang Jingwei and China in Dark Times review

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MCLC Resource Center is pleased to announce publication of Haihong Yang’s review of Poetry, History, Memory: Wang Jingwei and China in Dark Times, by Zhiyi Yang. The review appears below and at its online home: https://u.osu.edu/mclc/book-reviews/haihong-yang/. My thanks to Nicholas Kaldis, our literary studies book review editor, for ushering the review to publication.

Kirk Denton, MCLC

Poetry, History, Memory:
Wang Jingwei and China in Dark Times

By Zhiyi Yang

Reviewed by Haihong Yang

MCLC Resource Center Publication (Copyright April, 2024)

Zhiyi Yang, Poetry, History, Memory: Wang Jingwei and China in Dark Times. Ann Arbor: University of Michigan Press, 2023. xxiv + 326 pages: ISBN: 9780472076505  (hardcover); ISBN: 9780472056507 (paperback); ISBN: 9780472903917 (Open Access).

In the Chinese literary tradition, lyric poetry is often hailed as a necessary supplement to official histories. The famous quote “words reflect the heart-mind” (言為心聲) suggests that poetic language is an almost transparent medium of the writer’s inner thoughts, beliefs, and emotions. Classical poems are often cherished for their biographical value because they are thought to delineate a writer’s political inclinations, personality, and literary competence. Collectively, they portray a society’s political and cultural landscape. In the past few decades, scholars of classical Chinese poetry have challenged the conflation of a historical subject with a poetic one and the presumed binaries between the inside of a person (heart-mind) and the outside (language), the individual and society, and history and poetry. Zhiyi Yang’s Poetry, History, Memory: Wang Jingwei and China in Dark Times is a significant addition to these non-binary scholarly examinations of a writer and his era. The book provides a nuanced analysis of a slice of modern Chinese history, bringing one of it most controversial figures, Wang Jingwei (汪精衞), under a critical lens. Through an innovative theoretical approach, thorough archival research and fieldwork, and astute close readings of poetic texts, Yang investigates the complex interrelationship between the textual subject, the human subject, and the collective cultural memory of the former two.

The book consists of two main parts (each of which is comprised of three chapters that are themselves made up of four to eleven separately titled subsections): “Part I: The End of Literati Politics,” which is a critical biography of Wang Jingwei, and “Part II: The Poetics of Memory,” comprising a study of the complex relations between Wang’s poetry, cultural memory, and historiographies. The author divides Wang Jingwei’s life into three stages: his status as a revolutionary pioneer, his reputation as a well-respected statesman, and his being labeled a national “traitor” [quotation marks in the original]. Whereas Yang’s narration of Wang’s life follows a chronological order, the three chapters in Part I of the book employ distinct ways of organizing important personal and historical events. Continue reading Wang Jingwei and China in Dark Times review →

Zodiac, a Graphic Memoir review

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MCLC Resource Center is pleased to announce publication of Sean Macdonald’s review of Zodiac, a Graphic Memoir, by Ai Weiwei, with Elettra Stamboulis, illustrated by Gianluca Constantini. The review appears below and at is online home: https://u.osu.edu/mclc/book-reviews/zodiac/.

Enjoy, Kirk Denton, MCLC

Zodiac, a Graphic Memoir

By Ai Weiwei
With Elettra Stamboulis, illustrated by Gianluca Costantini

Reviewed by Sean Macdonald
MCLC Resource Center Publication (Copyright March, 2024)

It is too often forgotten that some if not all symbols had a material and concrete existence before coming to symbolize anything . . . Another example is the zodiac, which represents the horizon of the herder set down in an immensity of pasture: a figure, then, of demarcation and orientation. Initially- and fundamentally- absolute space has a relative aspect. Relative spaces, for their part, secrete the absolute.[1]—Henri Lefebvre, The Production of Space

If so far in this book the word “dissident” has been used sparingly, it is because the vast majority of intellectuals who desired change and a shift towards a more democratic and open system did not perceive themselves as “dissident.” [2]—Gregory B. Lee, The Lost Decade

Figure 1: The cover. Zodiac, a Graphic Memoir (Ten Speed Graphic, 2024). 176pp. ISBN: 978-1-9848-6299-0.

Ai Weiwei 艾未未 is a true postmodern artist. When Ai started producing art in New York City in the 1980s, Andy Warhol was still alive. But Ai did not just pick up techniques from contemporary Western art, he entered into it headfirst through a kind of performance of personality. In traditional Chinese visual culture, personality is as important as individualism is in the avant-garde.[3] Ai Weiwei’s personality is an important component of his art. In some ways, this gives the impression that his role is analogous to that of a film director, organizing performances and happenings to remind the public he has not gone away.

For many scholars of contemporary Chinese culture, Ai Weiwei is a presence, even a cultural icon of dissident culture. As Xiaobing Tang noted almost a decade ago, Ai was “the darling of Western mainstream media and art establishments.”[4] And his influence has only grown with social media, of which Ai is a very savvy and capable user. For anyone who has followed Ai Weiwei’s work, the overarching narrative of Zodiac—his recently published graphic novel memoir—is familiar. It tells of his father Ai Qing’s life as a poet arrested and imprisoned in 1932 by the KMT for his revolutionary activities. Under the CCP, Ai Qing was arrested as a “rightist” and class enemy of the state in 1957 and subsequently exiled to Xinjiang. Ai Weiwei accompanied his father on his exile (12-14). Following his work on the Sichuan earthquake in August 2009, Ai was beaten by police. In 2010, he would be placed under house arrest. In April 2011, he was arrested at the Beijing airport and prosecuted for tax evasion, among other charges, and lost the ability to travel outside the country until 2015 when he was given a passport. Ai’s politics is very public, and he has become a global citizen, perhaps one of the most identifiable contemporary Chinese artists, or contemporary artists period. He is a celebrity avant-garde artist, who has already made a historical impact and has a globally-known personality. Continue reading Zodiac, a Graphic Memoir review →

So Long, My Son review

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MCLC Resource Center is pleased to announce publication of “The Two Versions of So Long, My Son,” by Thomas Chen. The review–of a Wang Xiaoshuai film–appears below and at its online home: https://u.osu.edu/mclc/online-series/so-long-my-son/.

Enjoy,

Kirk Denton, MCLC

The Two Versions of So Long, My Son

By Thomas Chen

MCLC Resource Center Publication (Copyright February 2024)

Advertising poster for So Long, My Son.

Wang Xiaoshuai’s 王小帅 So Long, My Son (地久天长; 2019), now available to stream for the first time in the U.S. on Mubi, is a tour de force of epic proportions. Ostensibly about the human costs of China’s one-child policy, which was implemented around 1980 to curb population growth, the story of the 185-minute film spans over thirty years from the early 1980s to the 2010s and is centered around two families. Liyun and Yaojun—played by Yong Mei 咏梅 and Wang Jingchun 王景春, respectively, in Silver Bear-winning roles—are factory workers in a fictionalized city in the northern province of Inner Mongolia. They are close friends with Haiyan and Yingming, the former the supervisor of family planning at the same factory. Liyun and Yaojun lose their son, Xingxing, in a drowning accident involving Haiyan and Yingming’s son, Haohao. In the aftermath of the tragedy, Liyun and Yaojun flee and eventually settle along the coast of Fujian province in the south. The film’s nonlinear narrative crisscrosses the three decades and two locales.

So Long, My Son is Wang Xiaoshuai’s twelfth fictional feature. Born in 1966, the year the Cultural Revolution began, Wang is frequently dubbed a member of Chinese cinema’s “Sixth Generation” that started making films in the 1990s outside the state studio system. Like others of his “generation,” most notably Jia Zhangke 贾樟柯, he eventually reentered the system, his films screened by censors in order to be then screened in theaters. Not coincidentally, Wang first conceived So Long, My Son in 2015, when the one-child policy—replaced by a two-child policy—effectively ended. Although popular films such as Dearest (親愛的; 2014, d. Peter Chan 陳可辛) and Wrath of Silence (暴裂无声; 2017, d. Xin Yukun 忻钰坤) have dealt with the loss of the only child, Wang’s is the first film widely released in China to broach the policy explicitly. Continue reading So Long, My Son review →