Maoist Art Images Dong Xiwen, “Founding of the Nation” Photograph of museum goers in the 1960’s PRC (China Pictorial) Zhang Leping, Sanmao nianhua (advertisement; 1950), from Wenhuibao, 1950 Wuli Jitu, People Love Chairman Mao (1950), from Rongbaozhai, 1950 Wanru Industrial Cooperative, One Hundred Sons (ca. 1950), Hermitage Museum, St. Petersburg Artistic Drawing and Printing Co., Farm Scenery (1950), Hermitage Museum, St. Petersburg Fei Nan, Lushan Publishers, Labour Heroes (1950), Hermitage Museum, St. Petersburg Fei Nan, Lushan Publishers, Army Picnic (1950) Hermitage Museum, St. Petersburg Guo Huailin, published by Pingyuan People’s Government Educational Artwork Group, Clean Home (1950), Hermitage Museum, St. Petersburg Anonymous, Success in Fishing (Success and Surplus), Yangjiabu, early 20th Century (reprint), collection of the James Flath Gu Yizhou, Labour Wins Glory (1950), from Rongbaozhai, 1950 Li Qi, Peasants Looking Over a Tractor (1950), from Rongbaozhai, 1950 Zhang Biwu, Raising Chicks, Contributing Toward Airplanes (1952), from Chen Lüsheng, 2000, fig.14, p. 14 Zhang Biwu, Zhou Enlai’s Visit to India (1955), from Hermitage Museum, St. Petersburg Tongji University Architecture department proposal for the Great Hall of the People Wneyuan Hall, home of Tongji University’s Architecture department, designed in 1953 and modeled after the Dessau Bauhaus From Hong taiyang zhaoligangle Dazhai qianjin de daolu (The red sun shines over the progressive road of Dazhai) (Beijing; Waiwen, 1969) Li Zhide, “The Old Party Secretary” (1973) Cheng Guoying, “Model.” (Source: 1974 quanguo meishu zuoping zhanlanhuia, ed. Zhongguo hua, youhua mulu. Tianjin: Renmin meishu, 52) Xu Xiangfei and Wu Jin, “To Study Painting One First Has to Study the Person in the Painting.” IN Xue hua xian xue huazhong ren: Shanghai zhongxuesheng huaxuan. Shanghai: Shanghai renmin, 1976, cover Cheng Miingsheng, “Women Hold Up Half of the Sky” Yuang Zhixian, “An Exhibition to Criticize Lin Biao and Confucius” Anonymous, “Follow Closely Mao’s Great Strategic Plan” (1968) (Source: Galikowski 1998: fig.14) Song Enming, “Rough Hands Want to Transmit the Truth” (1977) Han Baoku, “War Drums Speed Up the Coming of Spring” (1977) “Chairman Mao Goes to Anyuan,” 1967. Oil on canvas, 86.6″ × 70.9″. China Construction Bank. “Resolutely Follow the Great Leader Chairman Mao’s Forward March,” 1969. Poster, 28″ × 42.” Collection of Stefan Landsberger. “Man’s Whole World is Mutable, Seas Become Mulberry Fields” 1968. Poster, 24″ × 33.25.” Collection of Wang Mingxian. “Let philosophy become a sharp weapon in the hands of the masses.” Cultural Revolution poster.