A Museum Manifesto for a More Equitable Future

A Museum Manifesto for a More Equitable Future
May 1, 2018

A Museum Manifesto for a More Equitable Future

 

“The museum sector often thinks about equity in terms of access to exhibits and educational programs. There is also a robust and growing movement to make museums’ digital assets, including documentation and images of collections, open and accessible. But museums also control immensely powerful intangible assets: notably reputation, reach, and networks of influence. I’m developing a workshop to help museums figure out how to use their assets, tangible and intangible, to redress inequities in their communities. By sharing the rough outline of this work in this post I hope to solicit your input, and your help in identifying potential partners, hosts, funders, and participants in this work.

One of the biggest challenges facing the United States today is wealth inequality. One percent of the population now holds well over a third of the nation’s wealth, while the bottom 90% holds less than a quarter. This inequality in wealth is part of a pernicious feedback loop of inequity in education, housing, our legal system, job opportunities, health care, political power to name a few. In addition to being a social justice issue in and of itself, economists, historians and policy experts warn that escalating inequality can lead to social and economic instability and some feel it poses a significant threat to our democratic system. I believe there is a huge opportunity for museums to prove their value to society, and tap new sources of support, by taking that second road.”

Why museum professionals need to talk about Black Panther

“The seminal film Black Panther has become an international sensation in the week following its release. Notable for its impeccable dialogue, witty banter, and nearly all POC cast, Black Panther provides a platform to discuss a multitude of topics on a national scale. With issues such as police brutality, the ever-present effects of slavery in Western society, and black identity approached in the film, it is easy to gloss over one of the more exposition-driven scenes of the film that engages with the complicated relationship between museums and audiences affected by colonialism.”

https://jhuexhibitionist.com/2018/02/22/why-museum-professionals-need-to-talk-about-black-panther/amp/?__twitter_impression=true

 

CfS from Fwd: Museums

Submission topics may include, but are not limited to:
· Museums as sites of social and political resistance
· Museums as sanctuary spaces
· The politics of representation
· Investigating the ways objects are labelled within collections
· Issues of repatriation of cultural heritage
· Community engagement/detachment
· Examples of resistance in digital spaces
· Alienated labor
· Migration
· Terminology
· Othering of marginalized groups
· Queering museum spaces
· Experiences of alienation as a visitor
Fwd: Museums invites academic articles, essays, exhibition/book reviews, artwork, creative writing, experimental forms, and interviews. All submissions should follow the guidelines and relate to the journal’s mission statement. We strongly encourage reviews and interviews and require all other submissions to connect to the third issue’s theme, “alien.” Scholars, artists, practitioners, and activists from all fields are welcome to submit.

– Deadline: January 5, 2018 by 11:59 pm (CT)

https://fwdmuseumsjournal.weebly.com/

Met Defends Suggestive Painting of Girl After Petition Calls for Its Removal

“The Metropolitan Museum of Art will not remove a controversial painting by the French painter known as Balthus from public display. The painting, entitled “Thérèse Dreaming” (1938), depicts a young girl in a suggestive pose that leaves her underwear visible.

In reference to the museum’s decision, the Met’s chief communications officer, Ken Weine, said, “Moments such as this provide an opportunity for conversation, and visual art is one of the most significant means we have for reflecting on both the past and the present and encouraging the continuing evolution of existing culture through informed discussion and respect for creative expression.”

Feminism + Museums

“In two volumes (each 600+ pages), Feminism and Museums explores how museums are responding to these wider socio-political challenges, in which they too play a part. In an unprecedented range, depth and variety of case studies and analyses these volumes present feminist actions, interventions and disruptions which are impacting the processes of collecting, learning, interpretation and engagement in today’s museums, galleries and heritage organisations.”

Museums, Etc.’s Feminism and Museum, Volumes I &II

 

Feminism and Museums