Call for Proposals MIAHE 2020

Mapping International Histories of Art Education Conference is intended to provide a forum for the presentation and discussion of ideas, issues, information, and research approaches utilized within the historical investigation art education in the international context. The organizers of the conference seek paper proposals that center on major historical events as well as overlooked people and episodes/issues within the national and international terrain of art education, including but not limited to K-12 public and private schooling, museums and community-based art education and higher education. Paper proposals that focus on historical research methods, cultural contexts, individuals, institutions, and events within and related to local and global art education are encouraged. A post-conference website and publication of the conference proceedings will be developed where copies of papers as well as a selected bibliography of historical research resources will be made available to the conference attendees.

Historical research over the past 5O years in art education has primarily focused on Anglo-European and North American contexts. Missing from the contemporary discourse are inquiries into the history of art education from non-western, non¬ Anglophone milieus. Mapping International Art Education Histories conference seeks to highlight these varied voices of research and scholarship to address the following questions (but not limited to):

What alternate questions might be raised through new interpretations of International histories of art and design education that could forge new connections and alignments for global art education in the 21st century?

What actions are needed to actively include diverse geographic and linguistic participation we increase the possibility of generating a more robust discourse in the field of art education?

How can we foster and amplify the long-marginalized histories that have the potential for transforming the field of art education?

How do we generate new interpretations of international histories of art and design education to create diverse connections and ways of knowing for global art education in the 21st century?

How meaning is produced in historical research and representations locally and globally?

Presenters are required to submit the following:

500 word summary of the paper to be presented
5-10 references supporting the research (APA 6th edition style)
5-7 keywords
Name & Institutional Affiliation & Email address (can we have separate boxes here that include Name, Rank/Title, Institutional Affiliation, Email)
Professional Biography (100-150 words)

Proposal Deadline: January 1 2020 (firm). Proposals will not be accepted after this date.

Proposal Notification Date: By March 1st 2020

 

https://docs.google.com/forms/d/e/1FAIpQLSeBRNn6HbWyN7K1fRBejPHIIYeSJ-ivDaVWRyNRV5cstDdjOg/viewform

The Museum Scholar: New Journal

The Museum Scholar (TMS) accepts manuscripts or multi-media work that provide empirical or theoretical-based material of broad interest to the international museum community. Submissions are welcome from all emerging professionals, museum students, recent graduates, and post-docs from any country.

Texts may consider any type of museum including: Art Museums, Science Museums, History Museums, Children’s Museums, Historic Homes, Libraries, and Archives. There is no fee to publish in TMS, and each article is free to read.

https://www.themuseumscholar.org/theory-practice?sfns=mo

POW Arts Salary Survey

http://www.powarts.org/salarysurvey?fbclid=IwAR0XaJuXMf66aPpVtq58Ryqf2nfkXukkwBkm_ORIq0FQ1xyNW0cxbExHm1Q

 

Click here for additional resources on salary transparency and professional development.

The POWarts Salary Survey was developed by POWarts in collaboration with Maricar Mabutas, MS, Research Scientist at the NYC Department of Finance, and Ging Cee Ng, PhD, Associate at Analysis Group Inc. The views and opinions expressed in this report are those of the authors and do not necessarily reflect that of the NYC Department of Finance or Analysis Group, Inc.

Special thanks to Pelham Communications for their support.

For press inquiries related to the POWarts Salary Survey, please contact press@powarts.org.

Graphics by @msjonesnyc.

Call for Submissions: Assemblage

 

CALL FOR SUBMISSIONS

 

Sullivant Hall Conceptual Study, Aycock Associates Architects

 Assemblage

An exhibition of work by alumni, faculty, and students

Department of Arts Administration, Education and Policy at Ohio State

Tuesday, October 1 to Saturday, November 9, 2019

City Center Gallery at the OSU Urban Arts Space

50 West Town Street, Suite 130, Columbus, OH, 43215

 

 

 

Assemblage Entry form

Assemblage has two distinct definitions: the first refers to three-dimensional works of art comprised of natural, found, and ready-made objects that are permanently attached to a foundation. The second is a theoretical understanding of the ways in which we as knowers, creators, and producers become entangled and are continually rearranged—or assembled— in relationship to one another.

Assemblage serves as a metaphor for the myriad forms of creative work that emerge from members of our transdisciplinary academic department. The arts serve as the foundation of our work, the underpinnings on which we build creative lives as artists, educators, makers, scholars, and cultural workers. Our collective work in those realms overlaps, propels, and evokes continual movement for our colleagues, our students, and our world. The works of visual art in this exhibition are reflections of the rich trajectories of the students, alumni, and faculty of AAEP @ OSU.

This exhibition is curated by Dana Carlisle Kletchka, assistant professor of art museum education in AAEP, and presented by the talented staff of the Urban Arts Space, a gallery and reciprocal learning space for students, faculty, and staff of The Ohio State University as well as the Columbus, OH community.

 

 

Terms and Conditions

Information and Eligibility

Open to all current faculty, adjunct faculty, instructors, undergraduate and graduate students, and alumni of the Department of Arts Administration, Education and Policy (or their previous iterations) at the Ohio State University.

Entry Deadline

Send up to three color jpgs of each submission to kletckha.1@osu.edu by August 1, 2019 @ midnight. You are welcome to submit up to three work of art. Artists are responsible for shipping or delivering works of art to UAS.

Dates of Exhibition

Tuesday, October 1 to Saturday, November 9, 2019

 

 

 

TED-style art history platform aims to promote arts education online

“There was a national outcry in 2016 when the last exam board in England to offer A-level art history announced that it would drop the subject. Following a high-profile campaign by leading art world figures, including the Tate’s former director Nicholas Serota and the artists Anish Kapoor and Cornelia Parker, the exam board Pearson decided to plug the gap. But it was this rumble in art education that inspired Heni Talks, a new online platform for educational videos about art that launches today (25 April).”

 

https://www.theartnewspaper.com/news/new-online-platform-aims-to-promote-art-history-education

 

 

 

Labor of Love: Revaluing Museum Work

http://labs.aam-us.org/blog/labor-of-love-revaluing-museum-work/

 

For further reading on this topic, we recommend the following pieces:

A recap of the 2015 AAM rogue session. https://storify.com/MuseumWorkers/aam-2015

Sarah Erdman, Claudia Ocello, Dawn Estabrooks Salerno, and Marieke Van Damme, “Leaving the Museum Field.” http://labs.aam-us.org/blog/leaving-the-museum-field

Michael Hare, “Hard Times at Plimoth Plantation.” https://theoutline.com/post/2511/hard-times-at-plimoth-plantation

Nicole Ivy, “The Labor of Diversity.” http://www.aam-us.org/docs/default-source/museum/the-labor-of-diversity.pdf

Amy Tyson, The Wages of History: Emotional Labor on Public History’s Front Lineshttp://www.umass.edu/umpress/title/wages-history

Andy Urban, “Lifting the curtain on living history.” http://ncph.org/history-at-work/lifting-the-curtain-on-living-history

Cleveland Museum of Art Focuses on Bringing Diversity to Museums

“The Cleveland Museum of Art opens its doors every day to all visitors free of charge.  However, if very few of the people working there look like you, do you really feel welcome?

“It’s absolutely essential that when you walk into the door of an art museum, like the Cleveland Museum of Art, you see yourself reflected and you feel welcome.  When you don’t see that, you feel like an outsider, it’s very difficult to fully welcome you,” said CMA’s director of education and academic affairs Cyra Levenson.”

 

http://wcpn.ideastream.org/news/cleveland-museum-of-art-focuses-on-bringing-diversity-to-museums