This New Museum Doesn’t want Instagram or Crowds

This new museum doesn’t want Instagram or crowds. Does that make it elitist?

August 30, 2018 at 3:58 PM

This time-lapse video shows the development of the Pavilions, a 204,000 square foot art gallery in Potomac, Md. that is scheduled to open on Oct. 4. (Courtesy of Glenstone Museum)

 

https://www.washingtonpost.com/amphtml/entertainment/museums/this-new-museum-doesnt-want-instagram-or-crowds-does-that-make-it-elitist/2018/08/30/eaf0028a-aa2b-11e8-8a0c-70b618c98d3c_story.html

The Rise of Artistic Censorship on College Campuses Should Worry the American Public

Josephine Meckseper, Untitled (Flag 2), 2017. Photo by Guillaume Ziccarelli. Courtesy of Creative Time.

Josephine Meckseper, Untitled (Flag 2), 2017. Photo by Guillaume Ziccarelli. Courtesy of Creative Time.

Artistic freedom protects high and low art alike; notions of “good taste” and artistic worthiness are the realm of the artist or curator, not the bureaucrat. But at a number of American universities, controversy has been acting as the curator, leading to the degradation of both freedom of speech and students’ ability to interact with challenging artwork.

 

https://www.artsy.net/article/artsy-editorial-rise-artistic-censorship-college-campuses-worry-american-public

 

 

To Fight Racism Within Museums, They Need to Stop Acting Like They’re Neutral

https://www.vice.com/amp/en_us/article/pavpkn/to-fight-racism-within-museums-they-need-to-stop-acting-like-theyre-neutral?__twitter_impression=true

“In April, the Brooklyn Museum hired a white curator, Kristen Windmuller-Luna to oversee its collection of African art. The appointment outraged skeptics who felt that a black curator should oversee the institution’s African objects. Decolonize This Place, a New York activist group, staged a protest occupying the museum’s Beaux-Arts Court and penned a letter publicly accusing the museum of racism and aiding gentrification, demanding prompt change. One protester flung a pink banner over a balcony that read: “THEY WANT THE ART, NOT THE PEOPLE.”

The sign, for me, gets at the heart of the debate around how to combat racism in cultural institutions, which are both succeeding and failing to address the issue.”

A Museum Manifesto for a More Equitable Future

A Museum Manifesto for a More Equitable Future
May 1, 2018

A Museum Manifesto for a More Equitable Future

 

“The museum sector often thinks about equity in terms of access to exhibits and educational programs. There is also a robust and growing movement to make museums’ digital assets, including documentation and images of collections, open and accessible. But museums also control immensely powerful intangible assets: notably reputation, reach, and networks of influence. I’m developing a workshop to help museums figure out how to use their assets, tangible and intangible, to redress inequities in their communities. By sharing the rough outline of this work in this post I hope to solicit your input, and your help in identifying potential partners, hosts, funders, and participants in this work.

One of the biggest challenges facing the United States today is wealth inequality. One percent of the population now holds well over a third of the nation’s wealth, while the bottom 90% holds less than a quarter. This inequality in wealth is part of a pernicious feedback loop of inequity in education, housing, our legal system, job opportunities, health care, political power to name a few. In addition to being a social justice issue in and of itself, economists, historians and policy experts warn that escalating inequality can lead to social and economic instability and some feel it poses a significant threat to our democratic system. I believe there is a huge opportunity for museums to prove their value to society, and tap new sources of support, by taking that second road.”

From Systemic Exclusion to Systemic Inclusion: A Critical Look at Museums

“Workplace inclusion is a hot topic, defined as an organizational environment where everyone can reach his or her full potential. Much has been written over the last decade or so and themes of various annual conferences across the country have emphasized the need for socially conscious museums. Creating inclusive work environments and work practices are crucial to move the museum field forward.:”

 

https://www.tandfonline.com/doi/full/10.1080/10598650.2017.1305864