Decolonizing the Art Museum

Museums have long considered themselves above the fray of the political. But the past 18 months have brought unexpected challenges, and leaders across the country are being confronted with an urgent question: How do museums reconceive their missions at a time of great societal reckoning around race and gender, and as more diverse audiences demand a voice and a sense of accountability?

Museums as Safe Spaces or Comfort Zones 

“And as museums open up for participation around collections, documentation, program activities and exhibitions, a key ingredient is trust. With trust contribution, collaboration and co-creation is possible. If museums are perceived as safe spaces for contribution and collaboration, if the audience trusts the museum, it is possible to achieve real social impact in society.”

 

https://medium.com/@kajsahartig/museums-as-safe-spaces-or-comfort-zones-some-thoughts-37aaaad0b535

 

Decolonizing the Art Museum: The Next Wave

“Art can illuminate the fissures in society and in return offer opportunities for healing. But should artists be the only ones to bear the brunt of this responsibility? If museums want to continue to have a place, they must stop seeing activists as antagonists. They must position themselves as learning communities, not impenetrable centers of self-validating authority.”

By Olga Viso—Ms. Viso is an independent curator and museum consultant, and a former museum director.

This New Museum Doesn’t want Instagram or Crowds

This new museum doesn’t want Instagram or crowds. Does that make it elitist?

August 30, 2018 at 3:58 PM

This time-lapse video shows the development of the Pavilions, a 204,000 square foot art gallery in Potomac, Md. that is scheduled to open on Oct. 4. (Courtesy of Glenstone Museum)

 

https://www.washingtonpost.com/amphtml/entertainment/museums/this-new-museum-doesnt-want-instagram-or-crowds-does-that-make-it-elitist/2018/08/30/eaf0028a-aa2b-11e8-8a0c-70b618c98d3c_story.html

Preserving Plastic

These Cultural Treasures Are Made of Plastic. Now They’re Falling Apart.

Museum conservators are racing to figure out how to preserve modern artworks and historical objects that are disintegrating.