Event Announcement // Feldenkrais Method® Master Class with Alon Karniel

Alon Karniel Master Class Announcement consists of two images. Karniel stands against a white wall wearing and blue and black stripped shirt. Karniel leans forward arms to the right high diagonal. He is wearing all red.

Headshot photography by Rosen-Jones. Dance photography by Natasha Shakhnes.

Audiences and Online Reception: Before and After COVID is pleased to announce it will host Alon Karniel for a Feldenkrais Method® master class on Monday, November 2nd from 8:30 AM-10:00 AM (ET) via Zoom. This free event is open to the public and will feature a question-and-answer session moderated by Dr. Hannah Kosstrin, Associate Professor of Dance. No prior experience necessary.

About the Master Class

The Feldenkrais Method is a somatic approach to education and self-inquiry developed by Dr. Moshe Feldenkrais (1904-84), a renowned Israeli physicist, engineer and Judo master. In a group class, or Awareness Through Movement® lesson, the teacher verbally guides students through a particular movement sequence. These movements are performed with minimal effort, as easily and pleasantly as possible, with the aim of heightening kinesthetic sensitivity and improving the ability to detect differences so that the finer details of the self and surroundings can be better sensed. In this way, people effectively learn to become aware of what they are doing (as opposed to what they say or think they are doing), let go of unnecessary efforts and mobilize their intention into action.

Event Information

Feldenkrais Method® Master Class with Alon Karniel

Monday, November 2, 2020

8:30 AM – 10:00 AM (ET)

Registration for this Zoom event is required. Please fill-out the RSVP form by Friday, October 30th to receive the Zoom event link.

Learn more about Karniel by visiting the “Presenters” tab.

Dancing through the Pandemic, Jewishly

Theatrical dance artists’ work conditions changed overnight when COVID-19 shuttered theaters and canceled tours. These changes affect how audiences access and understand dance. My work in Audiences and Online Reception: Before and After COVID focuses on Jewish and Israeli choreographers’ experiences of COVID-19: how lockdowns during the pandemic affected and continue to affect reception to their work; how they maintain mobility online or in other ways when they are stuck in place or their movement is otherwise restricted; and what they foresee and hope for the future.

The research I pursue with this grant supports my current book project on Jewish choreographers who circulated between the Americas and the Middle East through migrations, dance touring, and intercultural collaborations between the 1950s and the 2020s. Central to my project are Jewish choreographers in cultural minorities and Jewish interracial, intercultural, and LGBTQ+ contexts in concert dance. I examine how the reception to these choreographers’ work in print newspaper reviews and online determined how audiences understood them. I show how Jewish choreographers’ work from diverse backgrounds engenders what I call “kinesthetic peoplehood,” a transnational phenomenon wherein people feel connected to or estranged from a diasporic community through bodily practices. Divergent reception to these artists’ work across national contexts, particularly in COVID-19 shifts from the theater to the screen and re-conceptions about how audiences can come together around dance performances, generates transnational narratives stratifying the Jewish diaspora.

I am excited to welcome dance artists for online events during the 2020–2021 academic year. These events are open to the Ohio State community and to the general public. The artists will share some of their work and talk with students and community members about what it has been like to be a working artist during the coronavirus pandemic. First up is Alon Karniel, who will give a Feldenkrais Method® master class on November 2 and discuss his experiences working in Israel during the pandemic. Stay tuned for details on this and other upcoming events!

This Is Where We Dance Now

This image shows a Zoom dance class.

Ohio State Professor of Dance Susan Van Pelt Petry leads dancers through a Hawkins-based spiral floor sequence in April 2020. This is just one example of how studio dance practices have moved online and into our homes during the COVID era. Image used with permission.

For my work as part of Audiences and Online Reception: Before and After COVID, I am delighted to be guest editing an issue of The International Journal of Screendance with Alexandra Harlig (OSU alum, 2019).

Teaching technique on Zoom, holding online dance film festivals, DJing house parties on Instagram, streaming archival performance documentation, making TikToks—the current era of quarantine and social distancing has rapidly rewritten the playbook for dance onscreen and dance online, impacting the dance field at every level. The long-term implications of this upheaval remain to be seen, but for the moment, we are seeing the culmination of a trend that has been unfolding over the past two decades or more: now all dance is screendance.

We are very excited for this issue, which considers both dance artists that have long viewed the Internet as a primary platform for sharing their work within vibrant online communities, and others who have been forced to innovate in response to sudden and radical changes to their practices.

The International Journal of Screendance is open access, and we look forward to sharing this work in May/June 2021. We are also planning roundtables and possibly a small symposium, so stay tuned for related events!!!!