TAP fall 2017

The fall 2017 issue of the Trans Asia Photography Review is now available at tapreview.org. You may need to refresh your browser to see the new contents. Addressing the theme of “Art and Vernacular Photographies in Asia”, this issue features the following articles and book reviews:

Articles:

  • Russet Lederman, Then and Now: Japanese Women Photographers’ Books
  • Shuxia Chen, Departing from Socialist Realism: April Photo Society, 1979-1981
  • Joanna Wolfarth, Lineage and Legitimacy: Exploring Royal-Familial Photographic Triads in Cambodia
  • Lee Young June, Photography as a State Apparatus: Resident Registration Card Photography in South Korea
  • Ajay Sinha, Iconology in Transcultural Photography
  • Marine Cabos, The Cultural Revolution through the Prism of Vernacular Photography

Continue reading

TAP “Voyages” issue–cfp extension

NEW DEADLINE FOR PROPOSALS:
The Trans Asia Photography Review seeks proposals for articles and projects relating to the theme of “Voyages”.

New deadline for proposals: November 5, 2017. Full projects due December 28, 2017, when they will be sent out for peer review. Final selections will be published in our spring 2018 issue. Please to go the style guide on the TAP websitefor details on how to format submissions.
The term “voyages” here includes the voluntary and involuntary movement of individuals and groups, as well as the movement of photographic ideas and technologies, from one city, region or nation in Asia to another. How and why do people, ideas and technologies move about, and what are the aftereffects of these voyages?

Questions? Contact editor@tapreview.org.

Sandra Matthews
Editor, Trans Asia Photography Review
tapreview.org

Luo Yang smashes stereotypes of Chinese girls

Source: The Beijing (9/27/17)
Beijing-Based Photographer Luo Yang Shoots to Smash Stereotypes of Chinese Girls
By Tom Arnstein

Beijing-Based Photographer Luo Yang Shoots to Smash Stereotypes of Chinese Girls

Luo Yang

The first work that I saw by Luo Yang (pictured above) was a portion of her near decade-long and ongoing GIRLS series exhibited in Beijing as part of the Elimination of Violence Against Women Art Exhibition. In it, she documented Zhou Yan, the victim of an acid attack perpetrated by her former boyfriend. Scars mark the areas of skin where the acid splashed and sketched onto Zhou in that singular horrific and selfish attempt of ownership and destruction. Luo Yang’s skill lies in her ability to document that pain but also to coax out a playful side to her subjects, and through the short six-photograph collection we go from a reticent Zhou, a forearm pulled back to hide her face, to her legs outstretched and swinging playfully in a chair. Continue reading

Sha Fei exhibition

Source: China Daily (9/19/17)
Exhibition focuses on work of noted army photographer
By Lin Qi

Exhibition focuses on work of noted army photographer

Sha Fei, Chinese photographer [Photo provided to China Daily]

Two gunshots were heard at the Bethune International Peace Hospital in Shijiazhuang, Hebei province, in December 1949. A Japanese doctor was shot dead by Sha Fei (1912-50), a patient of tuberculosis and a noted photographer of the People’s Liberation Army.

Two months later, Sha was sentenced to death by a military court in China.

A retrial in 1986 acquitted Sha posthumously saying he was in mental distress as he was reminded of the cruelty of war scenes when seeing the Japanese doctor, and he thought the doctor had attempted to poison him.

Sha took up photography in the 1930s and became the first full-time photographer of the Eighth Route Army led by the Communist Party of China around 1937.

But, Sha’s career as a photographer was short lived, and his work was not studied or presented until in recent times.

A Tower of Light, an exhibition now on at the museum of Beijing Fine Art Academy, sheds light on Sha’s contribution to 20th-century Chinese photography. On show are some 100 images from Sha’s oeuvre, which are printed from the negative plates owned by his family. Continue reading

TAP “Voyages” issue–cfp

The Trans Asia Photography Review seeks articles and projects relating to the theme of “Voyages” for possible publication in our spring 2018 issue. The term “voyages” here includes the voluntary and involuntary movement of individuals and groups, as well as the movement of photographic ideas and technologies from one city, region or nation in Asia to another. How and why do people, ideas and photographic technologies move about, and what are the aftereffects of these voyages?

Proposals due October 6
Please use the following formats to submit proposals:
Article (length open). Your proposal should contain an abstract and the author’s CV.
Curatorial project (10-15 images with introductory text). Your proposal should contain up to 5 thumbnail images in a pdf file, not to exceed 50 MB in total. Please send your images to editor@tapreview.org via www.wetransfer.com or a similar service. Images should be accompanied by a brief introduction and your CV; these may be included in the pdf or sent separately via email.
Translation (from an Asian language into English) of historical or contemporary articles about photography. Your proposal should contain information about the work to be translated and the translator’s CV.
Interview. Your proposal should contain background information about the interviewee and the interviewer’s CV.
Book/exhibition review. Your proposal should contain the title of the book or exhibition and the reviewer’s CV. (Note: An exhibition being reviewed must have a catalogue.)
Authors are responsible for obtaining picture permissions; forms for these are available on the TAP Review website.

Proposal deadline is October 6, 2017.
Questions? Contact editor@tapreview.org.

Sandra Matthews
Editor, Trans Asia Photography Review
tapreview.org

Cultural Revolution Selfies

Source: NYT (8/19/17)
When Self-Criticism Was an Order, These Portraits Were Revolutionary
查看简体中文版  /查看繁體中文版
By AMY QIN

Wang Qiuhang in Beijing in 1966. A new book of Mr. Wang’s photography is called “Cultural Revolution Selfies.” CreditWang Qiuhang/New Century Press

BEIJING — China’s Cultural Revolution, the decade-long campaign remembered for its fanaticism and upheaval, began in 1966 and was enforced by radicalized students who pledged to put the Communist Party ahead of self.

Mao Zedong’s army of young cadres was encouraged to suppress individuality in favor of a greater communal cause — no matter how dangerous the mob became.

At a time marked by forced confessions known as self-criticism, one young photographer, Wang Qiuhang, turned his camera on himself, subversively celebrating the self rather than suppressing it. Continue reading

Fan Ho, poet with a camera

Source: SCMP (6/20/17)
How Fan Ho, Hong Kong’s poet with a camera, found his calling – in his own words
In one of his last interviews, Fan Ho, who died a year ago today, aged 84, recalls how he rediscovered his passion for photography – and some old negatives – to finally gain the recognition and respect he longed for
BY STUART HEAVER

Tiananmen protest photos see light of day

Source: NYT (6/1/17)
Hidden Away for 28 Years, Tiananmen Protest Pictures See Light of Day
点击查看本文中文版
By LUO SILING

Protesters aboard a truck near Tiananmen Square in Beijing in May 1989. One appears to be in a police uniform. It was not unusual then for police officers to join the demonstrators. CreditDavid Chen

For nearly 28 years, David Chen hid away a treasure chest of black-and-white photographs that he took of the protest movement that erupted at Tiananmen Square in Beijing in the spring of 1989. Continue reading

TAP spring 2017

The spring 2017 issue of the Trans Asia Photography Review is now available at tapreview.org. You may need to refresh your browser to see the new contents. Addressing the theme of “Technologies”, this issue features the following articles, projects and book reviews:

Kelly M. McCormick, Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Dengyan Zhou and Zhimin Shi, Photography and the Appropriation of Kodak Dye Transfer in Socialist China

Shahidul Alam, My Unseen Sister

Amandine Davre, Seeing Nuclear Issues in Daguerrotypes: An Interview with Takashi Arai

Monique Gross, Ways of Looking: Studying the Architecture of Hanoi’s Ngoc Ha Neighborhood via Drone Photography

Procheta Mukherjee Olson, More than a Collection: Photography in the Asia Art Archive

Clare Harris, Photography and Tibet, reviewed by Amy Holmes-Tagchungdarpa Continue reading

9 photographers you need to follow

Source: Time (4/17/17)
Nine Chinese Photographers You Need to Follow
By Ye Ming

The unprecedented economic boom in China since the early 1980s has also sparked an explosion of interest in photography.

Despite the government’s tightening restrictions on media, young photojournalists and documentary photographers continue to push the limit, investigating issues central of a society under constant transition. The fine arts, a market in general on the rise in recent years has offered a new voice for visual artists looking for new modes of experiment and expression.

This list features the new generation of Chinese photographers and visual artists, all under 35, who were born and raised in a time of sweeping change. As China continues to diversify and assert its influence around the globe, these artists offer a glimpse into the ever-changing country and what it means to be Chinese today.

nine-chinese-photographers-to-follow-yuyang-liu

A young man tries to stand on his head in iced Xiaoyalang Reservoir. Kashgar, Xinjiang. 2016. Yuyang Liu

Yuyang Liu 

Yuyang Liu is a young but accomplished photographer, winning the prestigious Ian Parry scholarship only a year after taking up photography professionally. Continue reading

TAP fall 2017–cfp reminder

***PROPOSAL DEADLINE IS APRIL 7***

CALL for Submissions: TAP Review Fall 2017

The fall 2017 issue of the Trans Asia Photography Review is currently open to all topics, so that the editors can become aware of, and publish, new work that might not fit a specific theme. We welcome proposals relating in any way to historical or contemporary photography in or from Asia (East Asia, South Asia, Southeast Asia, West Asia and Central Asia).

Please use the following formats to submit proposals:

Article (length open). Your proposal should contain an abstract and the author’s CV. Continue reading

Beijing rooftoppers

Source: That’s Beijing (3/11/17)
The Beijing Rooftoppers Who’ll Do (Almost) Anything for the Shot
By Dominique Wong

They hang off cranes hundreds of meters above the ground, balance on the edge of skyscrapers and do backflips against the CCTV cityscape. And they capture it all to post on Instagram afterwards.

For Beijing’s urban wanderers, the city is their playground and urban exploration – the discovery of abandoned and inhabited man-made structures – gets them high. Literally. The ‘money shot’ of urban exploration photography is the rooftop shot – a photo captured from the top of buildings or other high vantage points of metropolises, an image inspiring awe, terror and, at times, criticism. Continue reading

Asiascape, 4.1-2

Special Issue Asiascape: Digital Asia – China Contributions

List members may be interested in our new special issue of Asiascape: Digital Asia, on the theme of ‘digital disruption’. The issue includes several China-related contributions, such as Pan Weixian’s study of ‘Under the Dome’ and its relevance for image capture and smog iconography, Michael Keane and Chen Ying’s article of innovation in China’s digital cultural industries, Marina Svensson’s account of how Weibo and Weixin are changing field-work experiences in China, and Jack Qiu and Lin Lin’s discussion of Foxconn’s ‘iSlavery’.

The issue also features two longer book reviews that may be relevant to list members: a discussion of Michel Hockx’s Internet Literature in China (by Heather Inwood, Margaret Hillenbrand, and Gong Haomin) and my own review of Internet, Social Media, and a Changing China (ed. by deLisle, Goldstein, and Yang).

Best wishes,

Florian Schneider <f.a.schneider@hum.leidenuniv.nl>

Ren Hang dies at 29

For an obituary in Chinese and more of Ren’s photographs, see here. Maghiel van Crevel  <M.van.Crevel@hum.leidenuniv.nl>

Source: British Journal of Photography (2/24/17)
Controversial and renowned Chinese photographer Ren Hang dies aged 29
Written by Tom Seymour

All images © Ren Hang, courtesy of Taschen

Ren Hang, one of the leading lights of the new generation of Chinese photographers, despite enduring censorship and intimidation from the authorities throughout his career, has died at the age of 29, his gallerist has confirmed.

Ren Hang was arrested many times for his sexually explicit, joyously celebratory photography. Although he was globally renowned, he never gained the recognition he deserved in his home country, in part because he was repeatedly denied the opportunity to display his work in Beijing and throughout China. Continue reading

TAP fall 2017–cfp

CALL for Submissions: TAP Review Fall 2017

The fall 2017 issue of the Trans Asia Photography Review is currently open to all topics, so that the editors can become aware of, and publish, new work that might not fit a specific theme. We welcome proposals relating in any way to historical or contemporary photography in or from Asia (East Asia, South Asia, Southeast Asia, West Asia and Central Asia).

Please use the following formats to submit proposals:

Article (length open). Your proposal should contain an abstract and the author’s CV.

Curatorial project (10-15 images with introductory text). Your proposal should contain up to 5 thumbnail images in a pdf file, not to exceed 50 MB in total. Please send your images to editor@tapreview.org via www.wetransfer.com or a similar service. Images should be accompanied by a brief introduction and your CV; these may be included in the pdf or sent separately via email. Continue reading