Cross-Currents, June 2018

New China-related content in Cross-Currents: East Asian History and Culture Review (June 2018 online issue):

Review essay:

Situating the History of Medicine Within Chinese History
Marta Hanson, Johns Hopkins University
Andrew Schonebaum. Novel Medicine: Healing, Literature, and Popular Knowledge in Early Modern China (University of Washington Press, 2016).
Hilary A. Smith. Forgotten Disease: Illnesses Transformed in Chinese Medicine (Stanford University Press, 2017).

Photo essay:

The Cultural Revolution in Images: Caricature Posters from Guangzhou, 1966–1977
Curated by Laura Pozzi, The Chinese University of Hong Kong Continue reading

Memorializing Sent-Down Youth

List members might be interested in the following recent publication.–Magnus Fiskesjö <nf42@cornell.edu>

Bury Me With My Comrades: Memorializing Mao’s Sent-Down Youth
By Magnus Fiskesjö
Asia-Pacific Journal, Volume 16, Issue 14, Number 4 (July 15, 2018)
https://apjjf.org/2018/14/Fiskesjo.html

Abstract

Over the last decade or so, China has seen an unprecedented building boom of museums and memorials. One curious new genre is the museums for Mao-era “Cultural Revolution” youth “sent down” to the countryside by Mao during the 1960s and 1970s. After Mao’s death, they struggled to return to the cities. Surviving returnees have recently established several museums commemorating their suffering and sacrifice, even though the topic is politically fraught and the period’s history is strictly censored in official museums and histories. One museum, the Shanghai Educated Youth Museum, doubles as a memorial site and a collective cemetery for former sent-down youth who wish to be buried together. This paper locates these memorials and burial grounds in their historical and political context. It also reflects the Shanghai institutions’ copying of the design and architecture of the Korea and Vietnam war memorials in Washington D.C.

Keywords: China, sent-down youth, museums, memorials, cemeteries

Chinese Literature Today 7.1

Dear MCLC List members,

I am pleased to announce that Chinese Literature Today 7.1 (2018) is now available on the Routledge website (https://www.tandfonline.com/toc/uclt20/current).

Ping Zhu, Deputy Editor in Chief, Chinese Literature Today

SPECIAL FOCUS ON CHINESE SCIENCE FICTION 

Part I: FEATURED AUTHOR: Han Song

4 Introduction, by Nathaniel Isaacson
6 The Great Wall, by Han Song
12 The Fundamental Nature of the Universe, by Han Song
16 Earth Is Flat, by Han Song
20 Science Fiction and the Avant-Garde Spirit: An Interview with Han Song, by Chiara Cigarini
23 Evolution or Samsara?: Spatio-Temporal Myth in Han Song’s Science Fiction, by Wang Yao
28 Eerie Parables and Prophecies: An Analysis of Han Song’s Science Fiction, by Li Guangyi
33 Han Song and the Dream of Reason, by Carlos Rojas Continue reading

The Translatability of Revolution

Dear Colleagues,

It is my pleasure to announce the publication of my book, The Translatability of Revolution: Guo Moruo and Twentieth-Century Chinese Culture, by Pu Wang. Cambridge, MA: Harvard University Asia Center, 2018. 325 pages, 9 figures. ISBN 9780674987180. Below please find an abstract and the Table of Contents. I look forward to your criticism! Thanks!

Best regards, Pu Wang <pwang@brandeis.edu>

About the Book:

The first comprehensive study of the lifework of Guo Moruo (1892–1978) in English, this book explores the dynamics of translation, revolution, and historical imagination in twentieth-century Chinese culture. Guo was a romantic writer who eventually became Mao Zedong’s last poetic interlocutor; a Marxist historian who evolved into the inaugural president of China’s Academy of Sciences; and a leftist politician who devoted almost three decades to translating Goethe’s Faust. His career, embedded in China’s revolutionary century, has generated more controversy than admiration. Recent scholarship has scarcely treated his oeuvre as a whole, much less touched upon his role as a translator. Continue reading

Ideology and Utopia in China’s New Wave Cinema

Dear Colleagues,

I’m pleased to announce the publication of my book Ideology and Utopia in Chinas New-Wave Cinema: Globalization and Its Chinese Discontents by Palgrave Macmillan. This book investigates the ways in which New Wave filmmakers represent China in this age of neoliberal reform. Analyzing this paradigm shift in independent cinema, this text explores the historicity of the cinematic form and its cultural-political visions. Through a close reading of the narrative strategy of key films in New Wave Cinema, I study the movement’s impact on film, literature, culture and politic.

Table of Contents

Introduction

  1. China’s “New Wave Cinema” in the Era of Globalization
  2. The Arrival ofPostsocialism: Silence, Sound and Fury
  3. The Fate and Fantasy of China’s “New Poor”
  4. The Taste and Tragedy of China’s “Middle Class”
  5. Memoire of Socialismandthe Chinese Enlightenment
  6. Elitism of Populism? The Problematic of Imagining the Other

Conclusion: The Politics of Dignity and the Destiny of China’s New Wave Cinema

For more information and book blurbs, click: https://www.palgrave.com/gp/book/9783319911397

Xiaoping Wang <wxping75@163.com>

vol. 30, no. 1 of MCLC

MCLC is pleased to announce publication of its spring 2018 issue, a special issue on “Chinese Literature as World Literature,” guested edited by Kuei-fen Chiu and Yingjin Zhang. Find below the Table of Contents with links to article abstracts. The “Introduction,” written by Yingjin Zhang is available as a pdf download. Those of you who are subscribers will be receiving your copies in the next couple of weeks. If you would like to purchase a copy of this issue or subscribe to the journal, please contact Mario DeGrandis at mclc@osu.edu. Mr. DeGrandis can also help current subscribers keep their subscription up to date. I very much hope you enjoy this important issue of MCLC.

Volume 30, Number 1 (Spring 2018)

Articles

Cambria event in Singapore

Professor Victor Mair (University of Pennsylvania), general editor of the Cambria Sinophone World Series, will be the guest of honor and giving a speech at the Cambria double book launch event for Painting History: China’s Revolution in a Global Context and Gao Xingjian and Transmedia Aesthetics. The event will be held on July 14, 2018 (Saturday) at 2–5 p.m. at iPreciation (Singapore), a premier gallery that showcases the best of modern and contemporary Asian art, including the works of Nobel laureate Gao Xingjian. Attendees will have the opportunity to meet Professor Mair, in addition to authors Mr. Shen Jiawei and Dr. Mabel Lee, who will be giving talks about their books. If you will be in Singapore on this date, please join us for this special event and register now for it. Registration is free.

Celebrity artist Shen Jiawei is not only known for his commissioned portraits of dignitaries, such as Pope Francis and Princess Mary of Denmark, but also his famous history paintings, which are held at the National Museum, Art Museum, and Military Museum in Beijing, as well as in public and private collections around the world. Mr. Shen’s unique experiences and innovative techniques are documented in his new book Painting History: China’s Revolution in a Global Context (edited by Dr. Mabel Lee), which he will discuss at the event. Continue reading

Ming Qing Studies 2019–cfp

Ming Qing Studies 2019
CALL FOR PAPERS
edited by Paolo Santangelo
(Sapienza University of Rome)

We are glad to inform you that the new edition of Ming Qing Studies 2018 will be published by Aracne Publishers before the end of the year (see contents below).

Applicants are encouraged to submit abstracts for the next issue, Ming Qing Studies 2019. The contributions should concern Ming-Qing China in one or few of its most significant and multifaceted aspects, as well as on East Asian countries covering the same time period. All articles will be examined by our qualified peer reviewers. We welcome creative and fresh approaches to the field of Asian studies. Particularly appreciated will be the contributions on anthropological and social history, collective imagery, and interdisciplinary approaches to the Asian cultural studies. All submitted papers must be original and in good British English style according to our guidelines and editorial rules. Please email an abstract of the article you will submit us (300-500 words, plus a basic bibliography) in MS Word or pdf attachments along with your biographical information to the addresses listed below. Please mention your full name with academic title, university affiliation, department or home institution, title of paper and contact details in your email.

Deadline for the abstract and bibliographical notes: July 31st, 2018.

Deadline for the article: December 31st, 2018. Continue reading

Literary Information in China–call for contributor

Dear Colleagues,

I am coediting a book project titled Literary Information in China: A History. This volume will be the first history in any language that examines the forms and practices through which literary information management has been encoded and transmitted from the early period to the present day. Departing from other literary histories that track major authors or texts, the general philosophy of this project is a focus on forms, rather than on content, and how such forms evolve to respond to issues of searching, scanning, classification, complexity, overload, selectivity, and so on.

The structure of the project aims at comprehensiveness, covering literary information management at the level of words, documents, and collections. At this point, we already have commitments from nearly fifty scholars representing a variety of disciplines and periods. Now we are searching for someone to contribute on the topic of information management in the literary journals of the PRC period (both official and underground publications such as Jintian). We expect the length of the essay to be relatively short at appx. 3500-4000 words, with the final draft submitted to us by April 15th, 2019.

If you have any questions or are interested in joining the project, please get in touch with me at ad2515@columbia.edu.

Sincerely,

Anatoly Detwyler <ad2515@columbia.edu>
Columbia University

Wandering Mind and Metaphysical Thoughts

Gao Xingjian 高行健
Wandering Mind and Metaphysical Thoughts 遊神與玄思
The Chinese University Press, 2018
Translated by Gilbert C F Fong 方梓勳

Gao Xingjian does not write many poems, but the ones he has written are real gems; they are snippets of his reflective moods. To those of us who know the man, he is poetry incarnate, with the essential purity and density of a good poem. The present collection, his first and only poetry anthology in English translation, affords insights into Gao’s philosophy of freedom and the independence of spirit, and elucidates his ideas as a novelist, dramatist and painter. Modern art, claims Gao, is at a crisis point, under attack from all sides by onslaughts coming especially from politics and the marketplace, which results in what he calls the “annihilation” of beauty. We see Gao Xingjian as a natural, warm, and insightful thinker capable of grace, beauty, and his own brand of esoteric wisdom, at times almost honest to a fault but not without a touch of humor and wittiness. A riveting and compulsive read. Continue reading

Women, Gender and Research

Women, Gender and Research – Chinese-Nordic Perspectives. New release!
English edition: https://tidsskrift.dk/KKF/issue/view/3879/showToc
Chinese edition: Shanghai Publishing  Company 女性、性别与研究:中国与北欧视角, 上海三联书店 2018.
https://www.amazon.cn/mn/detailApp/?tag=bookdao-23&asin=B079N1QS5N

INTRODUCTION:

Gender Dynamics and Connecting Comparisons
Hilda Rømer Christensen, Bettina Hauge, Cancan Wang

INTERVIEW

“I Don’t Do Theory – I Do Concept-Work” An Interview With Aihwa Ong
Nina Trige Andersen

Between Necessity and Delight – Negotiating Involved Fatherhood among Career Couples in Denmark.
Anna Sofie Bach Continue reading

Cambria book launch at iPreciation


A double book launch for Painting History: China’s Revolution in a Global Context and Gao Xingjian and Transmedia Aesthetics will be held on July 14, 2018 (Saturday) at 2–5 p.m. at iPreciation (Singapore), a premier gallery that showcases the best of modern and contemporary Asian Art, including the works of Nobel laureate Gao Xingjian. Attendees will have the rare, exclusive opportunity to meet authors Mr. Shen Jiawei and Dr. Mabel Lee, who will be giving talks about their books. Continue reading

Song King

New Publication
Song King: Connecting People, Places, and Past in Contemporary China
Author: Gibbs, Levi S.
University of Hawai’i Press, 2018

When itinerant singers from China’s countryside become iconic artists, worlds collide. The lives and performances of these representative singers become sites for conversations between the rural and urban, local and national, folk and elite, and traditional and modern. In Song King: Connecting People, Places, and Past in Contemporary China, Levi S. Gibbs examines the life and performances of “Folksong King of Western China” Wang Xiangrong (b. 1952) and explores how itinerant performers come to serve as representative symbols straddling different groups, connecting diverse audiences, and shifting between amorphous, place-based local, regional, and national identities. Moving from place to place, these border walkers embody connections between a range of localities, presenting audiences with traditional, modern, rural, and urban identities among which to continually reposition themselves in an evolving world. Continue reading

The Making and Remaking of China’s “Red Classics” review

MCLC and MCLC Resource Center are pleased to announce publication of Yizhong Gu’s review of The Making and Remaking of China’s “Red Classics”: Politics, Aesthetics and Mass Culture (Hong Kong University Press, 2018), edited by Rosemary Roberts and Li Li. The review appears below, but is best read online at: http://u.osu.edu/mclc/book-reviews/yizhonggu/. My thanks to Nicholas Kaldis, MCLC  book review editor for literary studies, for ushering the review to publication.

Enjoy, Kirk Denton, editor

The Making and Remaking of China’s “Red Classics”: 
Politics, Aesthetics and Mass Culture

Edited by Rosemary Roberts and Li Li


Reviewed by Yizhong Gu
MCLC Resource Center Publication (Copyright May, 2018)


Rosemary Roberts and Li Li, eds. The Making and Remaking of China’s “Red Classics”: Politics, Aesthetics and Mass Culture. Hong Kong: Hong Kong University Press, 2018. v-xix + 199 pp. ISBN: 9789888390892. (Hardcover: $60.00 / £47.00).

The Making and Remaking of China’s “Red Classics” not only reveals the mechanisms and operations of Maoist ideology within a variety of cultural products, it also teases out how aspects of the Maoist legacy have been inherited, twisted, and channeled to serve sociopolitical purposes in the reform era (chapters are broadly divided into those addressing issues from the “Maoist Era” and those from the “Reform Era”). In the process, this volume both instantiates a rigorous methodology for the scholarly analysis of “Red Classics” and demonstrates how socialist works of art and aesthetics continue to inform PRC cultural production in the present.

Since the origin of the term “red classics” is unclear, the volume wisely circumvents the question that could lead to a deadlock: which literary and art works can be counted as “red classics”?[1] Instead, it adopts “the broadest understanding of the scope of the ‘red classics’” (ix), investigating not just literature but “films, TV series, picture books, cartoons, and traditional-style paintings” (xi). The editors address this array of media according to three key characteristics: “their sociopolitical and ideological import, their aesthetic significance, and their function as a mass cultural phenomenon” (xi). The volume engages in dialogue between English- and Chinese-language scholarship (two essays are translated from Chinese), a quite welcomed effort since Chinese scholarship on socialist literature is relatively limited for English readers. Although essays vary greatly in subject matter and discipline, the volume still reads like an organic whole (the volume emerged from a 2015 University of Queensland symposium). The authors cross-reference one another’s essays and trace some key theoretical features shared among “red classics” that will be of interest and inspiration both to China studies scholars and general readers who are interested in modern Chinese literature, politics, and culture. Continue reading

Interview with Carolyn Brown

The following is an interview with Dr. Carolyn T. Brown, author of the new book Reading Lu Xun Through Carl Jung, which is part of the Cambria Sinophone World Series, headed by Victor Mair (University of Pennsylvania).

Why did you decide to write Reading Lu Xun Through Carl Jung?
Carolyn T. Brown:
 The seeds of this book lie in the mid-1980s when I was an academic in Chinese literature. My career took a turn away from academia, and the book sat in the drawer for several decades. But the nascent book wouldn’t allow me to forget it. So after I retired, I refurbished my reading knowledge of Chinese and finished the book. Somewhere during those decades I encountered the work of Carl Jung and over time, the resonances between the two emerged naturally for me. In the end, there were two questions that drove Reading Lu Xun Through Carl Jung: why were Lu Xun’s stories so personally compelling to me and what did he mean by wanting to cure the spirits of the Chinese people. I found these questions so compelling that in the end it was easier to write the book than to not write it. Continue reading