Source: Sup China (9/14/17)
China’s per capita spending on music is $0.15, only 0.7 percent that of Japan’s
By Jiayun Feng
“We didn’t pay for music, but we watched ads. I think it’s quite fair.”
“I am appalled by those comments questioning why we should pay for the music we listen to. I know most Chinese have a low level of intellectual property consciousness, but it’s still sad to see that many people have zero respect for musicians and their works. They are not obliged to provide free music for you. Today, you enjoy pirated music and generations after us will have no good Chinese songs to listen to as a result.”
Music tastes of Chinese individuals are very alike — primarily cheesy and insubstantial love songs with hook-laden melodies. Yet as the two comments above indicate, opinions are significantly divided (in Chinese) as to whether music listeners should pay for the products they consume, a poignant question raised by a recent report (in Chinese) from the Communication University of China in Beijing, which reveals the alarming status of China’s digital music industry. Continue reading →
The following feature appears in the September 2017 issue of NYLON Guys.
On the surface, the origin story of rap foursome Higher Brothers sounds rather typical: friends cut a mix tape, start touring, find success. But remove that narrative from the context of Atlanta, Los Angeles, or New York and transplant it into central China, and suddenly it doesn’t feel so familiar. Needless to say, China is not necessarily known as a bastion of free expression, let alone as a hotbed of hip-hop, but Higher Brothers have not let that discourage them. In the past year and a half, the group—made up of Masiwei, DZKnow, Psy.P, and Melo—has released two mixtapes and gone on three countrywide tours. Now they have their sights set globally.
“We wanna go to America, let the world know us,” says Masiwei, in English, via WeChat, China’s all-encompassing social medium. He’s flanked by his bandmates and Lana Larkin, a master’s candidate from U.C. Berkeley who is their translator and longtime friend, as well as an anthropologist. Does your crew roll with an anthropologist? Didn’t think so. Continue reading →
Nova Heart performs in Beijing, Nov. 8, 2013. Courtesy of FakeMusicMedia
Singer, VJ, promoter, music critic, event and tour manager — Helen Feng has worn many hats in China’s music industry since she first came to Beijing from the U.S. in 2002. Described by media as the “Blondie of China” and the “Queen of Beijing Rock,” the Beijing-born artist is perhaps best known as the lead vocalist for rock group Nova Heart, which was the first Chinese band to perform at U.K. music festival Glastonbury and is now working on a second album. Continue reading →
Left: Zhao Mingyi plays the drums during a concert in 2003. Cheng Gong/IC; right: The viral photo of Zhao holding his thermos at a recording studio in 2017. From his Weibo account
The humble thermos — a must-have item for tea-sipping middle-aged Chinese — may seem an unlikely viral sensation, but a photo of an aging rock star holding such a bottle recently sparked wide discussion on social media about aging, midlife crises, and fear of the future.
In the widely circulated photo sits Zhao Mingyi, the 50-year-old drummer for the iconic ’90s rock band Black Panther. Once a muscular man, Zhao’s hair is now graying, he has a slight paunch, and — to complete the picture of middle age in its most distilled form — he holds a silver thermos. In his heyday during the early 1990s, however, Zhao was part of the generation of rockers who gave an energetic voice to China’s economic revival. Continue reading →
The forces underlying Acrush’s gender fluidity are more complicated than they might appear from outside China. Courtesy YouTube
Just when you thought the boy-band phenomenon had finally run its course (in how many more directions can One Direction go?), a Chinese iteration goes and renovates the form. At first blush, the five members of Acrush (the “A” stands for Adonis, the Greek god of male beauty) resemble the prototypical Simon Cowell-culled group: boyishly handsome, impeccably groomed, freakishly flawless in a way that mortal teen-agers typically aren’t. There is, however, one difference. Underneath the leather jackets, Timberland boots, and conspicuously masculine posturing, the group is comprised of five cisgender girls. Continue reading →
Michael Pettis is owner and founder of one of China’s biggest indie-rock record companies, Maybe Mars, and a professor at Peking University’s Guanghua School of Management. Photo: Ma Minhui/Caixin
China’s alternative-punk music scene has evolved from a genre that represented the rebelliousness of a niche group of well-off educated urbanites to one that’s international, hip, and popular. Chinese bands now play to sold-out gigs not only in old “hutong” bars in Beijing, but also at some of the most popular clubs in New York.
The Chinese capital was a rock-free zone until the mid-1980s. But it’s underground music scene today runs the gamut from hip-hop to grunge to noise. Continue reading →
The women of Acrush at a dance studio in Beijing in April. There are slick boy bands and foxy girl groups, but Acrush seeks to appeal to those who reject gender norms. CreditGilles Sabrié for The New York Times
BEIJING — In a small dance studio in Beijing, the members of China’s newest entry in the national pop-music pageant ran through a sequence of pulsing pelvic thrusts and choreographed crotch grabs.
After a three-minute workout, the group’s leader, Lu Keran, breathlessly asked the band’s manager: “Now can I go to the bathroom?” Continue reading →
Du Yun, 39, has won the music Pulitzer for her opera Angel’s Bone. Matthew Jelacic/Courtesy of the artist
Du Yun, a 39-year-old composer, musician and performance artist, today won the Pulitzer Prize for music for her opera Angel’s Bone. The Pulitzer jury describes the piece as a bold work “that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world.” Angel’s Bone, which has a libretto by the versatile Royce Vavrek (Missy Mazzoli’s Breaking the Waves and David T. Little’sDog Days), was commissioned by New York’s Prototype Festival and Trinity Wall Street, which staged the world premiere Jan. 6, 2016.
The opera tells of a middle-American couple who find a pair of angels dropped into their backyard. They nurse the angels back to health — only to clip their wings and exploit them for money. Continue reading →
Source: Sixth Tone (4/7/17) Reinventing That Old Town Sound Dali’s Old Town in rural Yunnan province is a refuge for wayward musicians, a bastion of ethnic folk traditions, and a quiet haven for avant-garde Chinese music.
By Josh Feola
Li Daiguo (left) and Wu Huanqing play music outdoors in Dali, Yunnan province, July 11, 2015. Wang Qiong for Wu Huanqing and Li Daiguo
YUNNAN, Southwest China — Nestled between the expansive Erhai Lake to the east and the picturesque Cang Mountains to the west, Dali Old Town is best known as a must-see destination on the Yunnan tourism map. From near and far, tourists flock to Dali for a glimpse of its scenic beauty and its rich cultural heritage, characterized by the high concentration of Bai and Yi ethnic minorities.
But beyond and beneath the waves of people swept up in the region’s ethnic tourism industry, Dali is quietly making a name for itself as a center of musical innovation. In recent years, Dali Old Town — which sits 15 kilometers from the 650,000-strong Dali city proper — has attracted an inordinate number of musicians from both within and outside of China, many of whom are eager to document the region’s musical traditions and repurpose them for new audiences. Continue reading →
Earlier this month, China’s social network giant Tencent held a series of music events called “Husband Exhibition” at Chinese universities. The idea was to showcase new pop stars who appear on the company’s online streaming site; the term “husband” is how China’s female fans refer to male pop stars who are so charming they fantasize about marrying them.
Enter Acrush, a hot new “boy band” that performed at the tour’s last stop in southern Zhejiang province, where the group is based.
They had one big surprise in store for fans: They’re not actually male. Continue reading →
Duan Yu, Ren Juan, Xiong Ying, and Ma Wei pose for a photo in front of the violin shop where they rehearse in Beijing, Sept. 17, 2016. Courtesy of Jiu Ye
BEIJING — Performing for an audience of female migrant workers at an International Women’s Day concert in the southern Chinese city of Shenzhen, feminist folk band Jiu Ye launched into “Bread and Roses,” a song associated with the 1912 strikes of Massachusetts textile workers demanding better pay and conditions.
For a band that seek to depict the plight of migrant workers in today’s China, it was an odd choice of music. But like the other numbers in the Beijing-based quartet’s growing repertoire, the song resonates with generations of women both young and old who feel that the country’s fixation on economic development has left them few opportunities to make their voices heard. Continue reading →
Chinese entertainment companies and talent agents have been trying to create a home-grown megastar boy band for years. Now, it seems that they have finally succeeded, with a teenage boy band called The Fighting Boys, who sing about homework, winning a Nobel prize, and occasionally, songs like “We’re the future of Communism.” (Check out the video above to get an idea.)
《春節自救指南》- 上海彩虹室內合唱團 “A Spring Festival Survival Guide,” just in time for Chinese New Year’s reunions. Video by Rainbow Chamber Singers | 上海彩虹室内合唱团
BEIJING — Holidays can be joyful times, bringing together long-separated family members. They can also be the most dreaded times for precisely that reason. Things may go horribly wrong under the weight of mutual expectations, and escape is difficult.Continue reading →
Cantonese pop singer and activist Denise Ho speaks during an interview in Hong Kong. Photograph: Vincent Yu/AP
Denise Ho’s struggle against the Communist party of China began at 5.58pm on a Sunday afternoon. It was as the Hong Kong Cantopop queen watched aghast as live television images showed police fire the first of 87 canisters of teargas into a sea of pro-democracy demonstrators, in a botched bid to quell their protest.
“I couldn’t stand by and just watch everyone fight,” the 39-year-old pop star recalls of the clashes in September 2014 that sparked the former colony’s umbrella movement street occupation, two years ago next week. “I just had to stand up and to say something.” Continue reading →
BEIJING — The 12 “core socialist values” are memorized by schoolchildren, featured in college entrance exams, printed on stamps and lanterns, and splashed on walls across China. Now they have made their way into 20 song-and-dance routines that the authorities in Hunan Province plan to promote to the country’s millions of “square dancers,” the mostly middle-aged and older women who gather in public squares to perform in unison. Continue reading →