Source: NYT (5/16/19)
I.M. Pei, World-Renowned Architect, Is Dead at 102
By Paul Goldberger
I.M. Pei in 1989 outside the glass pyramid he designed at the Louvre in Paris, one of his most famous commissions. “If there’s one thing I know I didn’t do wrong, it’s the Louvre,” he said. Credit Marc Riboud/Magnum Photos
I. M. Pei, who began his long career designing buildings for a New York real estate developer and ended it as one of the most revered architects in the world, died early Thursday at his home in Manhattan. He was 102.
His death was confirmed by his son Li Chung Pei, who is also an architect and known as Sandi. He said his father had recently celebrated his birthday with a family dinner.
Best known for designing the East Building of the National Gallery of Art in Washington and the glass pyramid at the entrance to the Louvre in Paris, Mr. Pei was one of the few architects who were equally attractive to real estate developers, corporate chieftains and art museum boards (the third group, of course, often made up of members of the first two). And all of his work — from his commercial skyscrapers to his art museums — represented a careful balance of the cutting edge and the conservative. Continue reading
Source: NYT (4/11/19)
In China, a $30,000 Penalty for Maligning a Building’s Feng Shui
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By Javier C. Hernández and Albee Zhang
The Wangjing SOHO developed by SOHO China in Beijing. CreditImaginechina, via Associated Press
BEIJING — A Chinese court has ordered a media company to pay nearly $30,000 to a real estate developer after it published an article that suggested a flashy building in Beijing violated the ancient laws of feng shui and would bring misfortune to its occupants.
The Chaoyang District People’s Court in Beijing ruled on Wednesday that the media company, Zhuhai Shengun Internet Technology, had damaged the reputation of the building’s developers, SOHO China, one of the largest real estate companies in China. Continue reading
Source: Global Times (3/14/19)
Replica of Chinese Peony Pavilion to appear in Shakespeare’s hometown
The Peony Pavilion is a masterpiece by Chinese playwright Tang Xianzu (1550-1616) from the Ming Dynasty (1368-1644). A replica of the pavilion, based on pictures recorded in ancient books of the play, will appear in Shakespeare’s hometown.
Four hundred years ago, when William Shakespeare was writing his sonnets with a quill, Tang Xianzu was recording verses with a brush nearly 6,000 kilometers away.
China and Britain have hosted a series of events to commemorate Shakespeare and Tang. Among the cultural exchange contracts signed, a replica of British playwright William Shakespeare’s family house will be built in Tang’s hometown in Fuzhou, East China’s Jiangxi Province, while Fuzhou will help build the replica of the Peony Pavilion, the historical site where Tang’s story took place, in Shakespeare’s hometown. Continue reading
Source: CNN (2/27/19)
China’s ‘horizontal skyscraper’ attraction nears completion
By Tamara Hardingham-Gill, CNN
Raffles City Chongqing
(CNN) — Dubbed an engineering marvel, the highly anticipated Raffles City Chongqing project in China is nearly complete.
Devised by world-renowned architect Moshe Safdie, it measures a staggering 1.12-million-square-meters and consists of a collection of eight towers and a gigantic connecting skybridge, which is being called a “horizontal skyscraper.”
The 250-meter-long skybridge, named Crystal, is said to be one of the world’s highest.
When open, it will have a viewing gallery, sky gardens, an infinity pool and various restaurants.
If that wasn’t enough, the skybridge also transforms into a giant light beam at night time, illuminating the sky with a rousing light show. Continue reading
Source: SCMP (2/18/19)
China’s State Council reveals details of ‘Greater Bay Area’ plan to turn Hong Kong and 10 neighbouring cities into economic hub
Years in the making, scheme embodies President Xi Jinping’s ambition to build innovation and finance powerhouse to rival Silicon Valley and Tokyo Bay Area
By Tony Cheung and He Huifeng
Hong Kong is positioned as the international finance, shipping and trade centre under the bay area plan. Photo: EPA-EFE
A cluster of world-class cities for work, life and leisure forms the central vision of the “Greater Bay Area” finally unveiled by the Chinese government late on Monday, laying out a road map to what it hailed as the new era of opening up.
Coming 40 years after the 1978 opening up of China, the State Council published a document setting out an ambitious plan to transform 11 cities around the Pearl River Delta into a thriving global centre of technology, innovation and economic vibrancy
The blueprint identified five “strategic orientations” that include closer integration between the mainland, Hong Kong and Macau while upholding the governing principle of “one country, two systems”. Continue reading
Utopian Decay: Cybernetic Systems in China and the Sinophone Worlds
Friday, February 15, 2019
New York University
239 Greene Street, Floor 8, New York, NY
“The expansion of Chinese cities manifesting utopian modernity through architecture, technology and infrastructure (high-speed trains, subway systems, ever-higher buildings) coincides with re-ruralization campaigns urging return to the countryside, forced removals of migrant populations from Beijing, and “anti-poverty” campaigns consolidating rural populations into organized villages.
At the same time, ubiquitous computing has led to the rise of quantitative governance through tracking systems including social media with location services, social credit lists, app-based financial technologies, and nascent facial recognition. The boundaries of these systems are not limited by the contested borders of China: from the intensifying war on Uighurs in Xinjiang to the contested limits of offshore islands, reefs, and banks in the South China Sea; from the increasing consolidation of PRC governance in Hong Kong to the fragile independence of Taiwan; and in transnational investment, infrastructure, and peacekeeping projects in Africa, Southeast Asia, and Central Asia.
This conference brings together scholars researching the conditions of transformation in China and Sinophone worlds.”
Source: Dwell (2/5/19)
12 Projects Perched at the Cutting Edge of Chinese Architecture
Celebrate the Lunar New Year with these forward-thinking designs by Chinese firms.
By Michele Koh Morollo
Chinese New Year, which falls on February 5 this year, marks the year of the pig. The twelfth animal in the Chinese zodiac, the pig symbolizes wealth, success, creativity, hard work, and growth—all in all, an auspicious set of attributes that echoes the groundbreaking work demonstrated by Chinese architecture and design at the moment. To welcome the Lunar New Year, we’ve gathered 12 incredible projects by Chinese firms that are raising the bar for adaptive reuse and new builds alike.
1. Baitasi House of the Future by Dot Architects
Located in Beijing’s Baitasi hutong—a historic neighborhood known for its narrow alleys and traditional courtyard houses—this house designed by Beijing–based Dot Architects has movable furniture and storage modules at almost every turn, enabling four different layouts.
Commissioned by a tech company, Dot Architects rehabbed a historic residence, outfitting it with moveable modules controlled by a smart TV and a new extension downloaded from the WikiHouse open-source system. Photo by Wu Qingshan
It might interest list members to know that the Grand Hotel in Taipei now stands on the grounds of what was once the Taiwan shintō shrine (台灣神社). I’ve never heard of the 1974 edict, if anything I would have expected such an order to come down decades earlier, maybe the 1950s? At any rate, those interested in stories like this should check out Joe Allen’s book Taipei: City of Displacements. The story of the horse in a park resonates in particular with the incomplete erasure of Japanese flags.
Bert Scruggs <firstname.lastname@example.org>
Visual Arts, Representations and Interventions in Contemporary China: Urbanized Interface
Edited by Minna Valjakka and Meiqin Wang
ToC + Introduction
This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups. Continue reading
Source: Sixth Tone (11/7/18)
On the Trail of Sichuan’s Catholic Past
The remote southwestern province is home to some of China’s oldest and most well-preserved Catholic churches.
By Ma Te
Sacred Heart Cathedral in Dechang County, Sichuan province, Feb. 9, 2018. Courtesy of Ma Te.
The southwestern province of Sichuan is situated in one of China’s most culturally, ethnically, and religiously diverse regions. Home to members of the Han, Tibetan, Hui, and Yi ethnic groups, among others, travelers to the area can find centuries-old Tibetan and Taoist temples standing alongside mosques and churches.
Of the various faiths practiced in Sichuan, Christianity stands out as a relative latecomer. The first Catholic missionary known to have reached the province was an Italian Jesuit named Lodovico Buglio, who spent much of the 1640s proselytizing there. Eventually, in 1753, the Paris Foreign Missions Society, a Catholic lay organization, took over responsibility for the Catholic missionary presence in Sichuan. By 1804, there was a small but growing community of Sichuanese Catholics, including 18 Chinese priests and four French missionaries. Continue reading
A recent addition to ancient giant Buddhas is a headless one discovered near Taiyuan in 1982 and built circa Northern Qi. Given a new head in the style of that period and building tourist infrastructure, it was open to pubic only last year as the Mengshan Big Buddha 蒙山大佛.–Lily Lee <email@example.com>
Source: NYT (10/23/18)
China Opens Giant Sea Bridge Linking Hong Kong, Macau and Mainland
By Austin Ramzy
The Hong Kong-Zhuhai-Macau Bridge on Monday. The project includes a four-mile tunnel west of Hong Kong’s airport.CreditCreditKin Cheung/Associated Press
HONG KONG — China officially opened the world’s longest sea bridge on Tuesday after China’s leader, Xi Jinping, and local officials inaugurated the 34-mile structure, which crosses the Pearl River Delta to link Hong Kong with Macau and the mainland Chinese city of Zhuhai.
The project, which includes sections of bridge and artificial islands linked by a four-mile tunnel west of Hong Kong’s airport, went billions of dollars over budget and was delayed by two years. Chinese officials expect the bridge to significantly cut driving time between the two sides of the Pearl River, helping to achieve their vision of a Greater Bay Area, as China calls the effort to knit the region’s cities more closely. Continue reading
Source: The Guardian (10/4/18)
‘This is part of the plan’: new train blurs line between China and Hong Kong
The $11bn high-speed Vibrant Express connects Hong Kong with mainland China in 20 minutes for the first time – and the city’s residents are nervous
By Lily Kuo
‘They want us to go to China and work’ … The Hong Kong and China flags outside the newly built West Kowloon station in Hong Kong. Photograph: Jerome Favre/EPA
Inside the newly built West Kowloon terminus, it’s hard to know where Hong Kong stops and China begins.
A restaurant on one floor is technically on Hong Kong soil. Just below it, a duty-free shopping area belongs to neither government. Meanwhile, the VIP lounge one level down from that is Chinese territory.
In the open space of this cavernous train station, you can stand on Hong Kong territory (the ticketing floor) and look down into Chinese territory (the departure hall). Outside the station, the Chinese and Hong Kong flags fly side by side – with the red-and-white Hong Kong flag set slightly lower. Continue reading
Reminder: Applications for the 2019 Graduate Workshop on China in the Urban Age close on Monday 8 October
This is a friendly reminder that the China Studies Centre’s 2019 Graduate Workshop on China in the Urban Age will close for applications on Monday 8 October 2018. The workshop will be devoted to “China’s Environmental Challenge and Eco-civilisation: a multidisciplinary approach to the Anthropocene”.
There is no enrollment fee for the graduate workshop. Participants will receive free accommodation. A number of scholarships will be available to help cover the cost of transport to Sydney (up to AUD 1500), relative to country of residence.
Please share this opportunity across your networks
Wen Chen <firstname.lastname@example.org>
Call for Applications: 2019 Graduate Workshop on China in the Urban Age
The University of Sydney is organising the inaugural graduate workshop of the China Studies Centre’s recently launched multidisciplinary research program on China in the Urban Age. It will be devoted to “China’s Environmental Challenge and Eco-civilisation: a multidisciplinary approach to the Anthropocene”. The deadline for applications is 8 October. Continue reading